Fairs & Collecting
Book Fair
NY Art Book Fair 2024
April 25–28, 2024, booth B5
548 West 22nd Street, New York
printedmatterartbookfairs.org
Gagosian is celebrating the thirtieth issue of Gagosian Quarterly at Printed Matter’s NY Art Book Fair 2024. The Summer 2024 issue—on newsstands May 3—will debut, with Roy Lichtenstein on the magazine’s newly redesigned cover and a music-themed stand-alone supplement, among other editorial features. For the occasion, copies of the past four issues of the magazine will be free with any purchase, and all Gagosian publications on display will be available for $10 each, including exhibition catalogues, monographs, and artist’s books.
Gagosian publications. Photo: Mauricio Zelaya
Francesca Woodman
Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.
Now available
Gagosian Quarterly Spring 2024
The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).
Simon Hantaï: Azzurro
Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.
Sofia Coppola: Archive
MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.
Prosperity’s Long Song #1: At Lights-Out Hour
We present the first installment of a four-part short story by Arinze Ifeakandu. Set at the Marian Boys’ Boarding School in Nigeria, “Prosperity’s Long Song” explores the country’s political upheavals through the lens of ancient mythologies and the mystical power of poetry.
Mount Fuji in Satyajit Ray’s Woodblock Art, Part II
In the first installment of this two-part feature, published in our Winter 2023 edition, novelist and critic Amit Chaudhuri traced the global impacts of woodblock printing. Here, in the second installment, he focuses on the films of Satyajit Ray, demonstrating the enduring influence of the woodblock print on the formal composition of these works.
Adaptability
Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.
Vladimir Kagan’s First Collection: An Interview with Chris Eitel
Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.
Game Changer: Alexey Brodovitch
Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.
Outsider Artist
David Frankel considers the life and work of Jeff Perrone, an artist who rejected every standard of success, and reflects on what defines an existence devoted to art.
Goetheanum: Rudolf Steiner and Contemporary Art
Author and artist Ross Simonini reports on a recent trip to the world center of the anthroposophical movement, the Goetheanum in Switzerland, exploring the influence of the movement’s founder and building’s designer Rudolf Steiner on twentieth-century artists.
Duane Hanson: To Shock Ourselves
On the occasion of an exhibition at Fondation Beyeler, novelist Rachel Cusk considers the ethical and aesthetic arrangements that Duane Hanson’s sculpture initiates within the viewer.
Events & Announcements
Tour
Francesca Woodman
With Lissa McClure and Katarina Jerinic
Friday, April 26, 2024, 10am
Gagosian, 555 West 24th Street, New York
Join Gagosian for a tour of the exhibition Francesca Woodman at Gagosian, New York, led by Lissa McClure and Katarina Jerinic, executive director and collections curator, respectively, at the Woodman Family Foundation. The pair will guide visitors through the presentation of over fifty prints from approximately 1975 through 1980, in which Woodman situated herself and others within dilapidated interiors and ancient architecture to compose her tableaux. Using objects such as chairs and plinths along with architectural elements including doorways, walls, and windows, she staged contrasts with the performative presence of the figures, presenting the body itself as sculpture.
Installation view, Francesca Woodman, Gagosian, 555 West 24th Street, New York, March 13–April 27, 2024. Artwork © Woodman Family Foundation/Artists Rights Society (ARS), New York. Photo: Owen Conway
In Conversation
How High the Moon
With Stanley Whitney and Cathleen Chaffee
Sunday, April 28, 2024, 2–3pm
Dia Chelsea, New York
printedmatterartbookfairs.org
Join Stanley Whitney and curator Cathleen Chaffee in conversation to celebrate the artist’s new monograph, Stanley Whitney: How High the Moon, published in conjunction with his traveling retrospective, currently on view at the Buffalo AKG Art Museum, New York, through May 26. The pair will discuss the breadth of Whitney’s practice since the early 1970s, his work in relation to his artistic community, and his influences—from the history of art and architecture to quilting, textiles, and jazz. The talk is presented by DelMonico Books as part of Printed Matter’s NY Art Book Fair 2024 and is free to attend.
Stanley Whitney: How High the Moon (New York: DelMonico Books; Buffalo, New York: Buffalo AKG Art Museum, 2024)
In Conversation
Brooklyn Talks
Takashi Murakami and Joan Cummins
Monday, April 29, 2024, 7–9pm
Brooklyn Museum, New York
www.brooklynmuseum.org
In conjunction with the exhibition Hiroshige’s 100 Famous Views of Edo (feat. Takashi Murakami) at the Brooklyn Museum, Murakami and curator Joan Cummins will discuss the artist’s new series of fantastical paintings that respond to Utagawa Hiroshige’s 100 Famous Views of Edo (1856–58), now on view at the museum for the first time in twenty-four years. Cummins and Murakami will also reflect on Hiroshige’s contributions to global art history and his role as a witness to and chronicler of environmental and social change.
Takashi Murakami. Artwork © 2024 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved. Photo: Shin Suzuki
Announcement
Exhibiting Forgiveness
Acquired by Roadside Attractions
Exhibiting Forgiveness (2023), a film written, directed, and produced by Titus Kaphar, which premiered in January 2024 at the Sundance Film Festival, has been acquired by the film distribution company Roadside Attractions. Exploring family, generational healing, and the power of forgiveness, the motion picture follows a Black artist (André Holland) attempting to overcome the trauma of his past through painting; he is on the path to success when he is derailed by an unexpected visit from his estranged father. The film will open in theaters nationwide in Fall 2024.
Still from Exhibiting Forgiveness (2023), directed by Titus Kaphar
Museum Exhibitions
Opening Today
Jadé Fadojutimi in
Abstraction (re)creation—20 under 40
April 26–September 8, 2024
Le Consortium, Dijon, France
www.leconsortium.fr
Through the work of twenty artists under the age of forty, this exhibition explores the question, Will abstraction in painting reveal a new way to face art and provide a better way to address issues that are far away from subjects, storytelling, and other figurative topics? Work by Jadé Fadojutimi is included.
Jadé Fadojutimi, This last leaf just seems to refuse to rest upon the lake, 2022 © Jadé Fadojutimi. Photo: Michael Brzezinski
Opening Today
Humain Autonome
Déroutes
April 26–September 22, 2024
Musée d’art contemporain du Val-de-Marne,Vitry-sur-Seine, France
www.macval.fr
This exhibition focuses on the automobile as a paradoxical object, loved by some, hated by others. Production lines, operating systems, links with fossil fuels, myths, and the unconscious are all analyzed, deconstructed, and reassessed in works by more than fifty artists from different generations. Work by Ed Ruscha, Taryn Simon, and Blair Thurman is included.
Taryn Simon, Finance package for the construction of the Baku-Tbilisi-Ceyhan pipeline, Baku, Azerbaijan, February 3, 2004, from the series Paperwork and the Will of Capital, 2015 © Taryn Simon
Opening Today
Travel Diaries
April 26–October 2, 2024
Musée Mohammed VI d’art moderne et contemporain, Rabat, Morocco
www.museemohammed6.ma
Travel Diaries brings together work by four contemporary painters—Francesco Clemente, Brice Marden, Helen Marden, and Julian Schnabel—who were based in New York but extensively traveled the world. Curated by Vito Schnabel, the works in the exhibition highlight how these artists drew inspiration from their different destinations to create constantly evolving bodies of work.
Helen Marden, Flutter, 2023 © 2024 Helen Marden/Artists Rights Society (ARS), New York. Photo: Maris Hutchinson
Opening this Week
Georg Baselitz
Belle Haleine
April 27–November 24, 2024
Galleria degli Antichi, Sabbioneta, Italy
www.visitsabbioneta.it
Georg Baselitz: Belle Haleine features large-scale sculptures, paintings, and ten monumental linocuts by Baselitz installed along the Renaissance arches and under the frescoed ceilings of the Galleria degli Antichi in the UNESCO World Heritage site of Sabbioneta, Italy. In exhibiting his work within this setting, Baselitz aims to reveal the importance of Italian art history to his own artistic development, creating a confrontation between the contemporary and the past.
Georg Baselitz, Donna Via Venezia, 2004–06 © Georg Baselitz 2024. Photo: Jochen Littkemann