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Sarah Sze, Shorter Than the Day, 2020, installation view, LaGuardia Airport, New York © Sarah Sze. Photo: Nicholas Knight

In Conversation

Public Art Fund Talks
Sarah Sze and Teju Cole

Thursday, April 25, 2024, 6:30–7:30pm
Cooper Union School of Art, New York
cooper.edu

Sarah Sze will be in conversation with writer Teju Cole as part of Public Art Fund Talks, a series organized in collaboration with the Cooper Union to connect contemporary artists to a broad public. The pair will discuss Sze’s ambitious site-specific sculpture Shorter Than the Day (2020), permanently installed at LaGuardia Airport, New York. Commissioned in a partnership between Public Art Fund and LaGuardia Gateway Partners, Sze’s work evokes the passage of time through an intricate constellation of photographs of the sky above New York City taken over the course of one day. Sze and Cole will also explore how both of their respective artistic practices capture nonlinear experiences of time and the urban environment. The event is free to attend.

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Sarah Sze, Shorter Than the Day, 2020, installation view, LaGuardia Airport, New York © Sarah Sze. Photo: Nicholas Knight

Installation view, Francesca Woodman, Gagosian, 555 West 24th Street, New York, March 13–April 27, 2024. Artwork © Woodman Family Foundation/Artists Rights Society (ARS), New York. Photo: Owen Conway

Tour

Francesca Woodman
With Lissa McClure and Katarina Jerinic

Friday, April 26, 2024, 10am
Gagosian, 555 West 24th Street, New York

Join Gagosian for a tour of the exhibition Francesca Woodman at Gagosian, New York, led by Lissa McClure and Katarina Jerinic, executive director and collections curator, respectively, at the Woodman Family Foundation. The pair will guide visitors through the presentation of over fifty prints from approximately 1975 through 1980, in which Woodman situated herself and others within dilapidated interiors and ancient architecture to compose her tableaux. Using objects such as chairs and plinths along with architectural elements including doorways, walls, and windows, she staged contrasts with the performative presence of the figures, presenting the body itself as sculpture.

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Installation view, Francesca Woodman, Gagosian, 555 West 24th Street, New York, March 13–April 27, 2024. Artwork © Woodman Family Foundation/Artists Rights Society (ARS), New York. Photo: Owen Conway

Stanley Whitney: How High the Moon (New York: DelMonico Books; Buffalo, New York: Buffalo AKG Art Museum, 2024)

In Conversation

How High the Moon
With Stanley Whitney and Cathleen Chaffee

Sunday, April 28, 2024, 2–3pm
Dia Chelsea, New York
printedmatterartbookfairs.org

Join Stanley Whitney and curator Cathleen Chaffee in conversation to celebrate the artist’s new monograph, Stanley Whitney: How High the Moon, published in conjunction with his traveling retrospective, currently on view at the Buffalo AKG Art Museum, New York, through May 26. The pair will discuss the breadth of Whitney’s practice since the early 1970s, his work in relation to his artistic community, and his influences—from the history of art and architecture to quilting, textiles, and jazz. The talk is presented by DelMonico Books as part of Printed Matter’s NY Art Book Fair 2024 and is free to attend.

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Stanley Whitney: How High the Moon (New York: DelMonico Books; Buffalo, New York: Buffalo AKG Art Museum, 2024)

Takashi Murakami. Artwork © 2024 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved. Photo: Shin Suzuki

In Conversation

Brooklyn Talks
Takashi Murakami and Joan Cummins

Monday, April 29, 2024, 7–9pm
Brooklyn Museum, New York
www.brooklynmuseum.org

In conjunction with the exhibition Hiroshige’s 100 Famous Views of Edo (feat. Takashi Murakami) at the Brooklyn Museum, Murakami and curator Joan Cummins will discuss the artist’s new series of fantastical paintings that respond to Utagawa Hiroshige’s 100 Famous Views of Edo (1856–58), now on view at the museum for the first time in twenty-four years. Cummins and Murakami will also reflect on Hiroshige’s contributions to global art history and his role as a witness to and chronicler of environmental and social change.

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Takashi Murakami. Artwork © 2024 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved. Photo: Shin Suzuki

Nan Goldin, Self-portrait with eyes turned inward, Boston, 1989 © Nan Goldin

Shop Takeover

Nan Goldin

May 14–June 22, 2024
Gagosian Shop, London

Nan Goldin is taking over the Gagosian Shop in London’s Burlington Arcade, offering visitors an opportunity to explore her practice in depth. The basement floor will be transformed into a reading room of books chosen by Goldin, with publications on artists such as Louise Bourgeois, Larry Clark, Andy Warhol, and David Wojnarowicz, and fiction, essays, and memoirs by writers including Toni Morrison, Darryl Pinckney, Lucy Sante, and Sarah Schulman. A wide selection of publications on Goldin are available on the ground floor, including both new and out-of-print exhibition catalogues, monographs, and artist’s books. Also on display are in-progress layouts from Heartbeat, a forthcoming nine-volume catalogue raisonné of Goldin’s photographs published by Steidl. Over the course of the takeover, different pages from this comprehensive publication project will be displayed, revealing Goldin’s notes and markups over the course of its development.

The Shop takeover accompanies an exhibition of Goldin’s early works in the gallery upstairs and Nan Goldin: Sisters, Saints, Sibyls, the second presentation in the Gagosian Open series of off-site exhibitions, on view at 83 Charing Cross Road from May 30 to June 23, 2024.

Nan Goldin, Self-portrait with eyes turned inward, Boston, 1989 © Nan Goldin

Ed Ruscha, UPS DOWNS, 2023 © Ed Ruscha. Photo: Brica Wilcox

Support

Art for a Safe and Healthy California
Presented by Jane Fonda, Gagosian, and Christie’s

Art for a Safe and Healthy California is a benefit exhibition and auction presented by Jane Fonda, Gagosian, and Christie’s to support Campaign for a Safe and Healthy California. Artworks donated by artists including Charles Gaines, Frank Gehry, Alex Israel, Nathaniel Mary Quinn, Catherine Opie, Christina Quarles, Ed Ruscha, Jonas Wood, among others, will be sold to help the coalition of voters campaigning to stop oil companies attempting to repeal Governor Gavin Newsom’s SB1137 on the November ballot. The bill provides safe setbacks from oil wells for homes, parks, schools, and playgrounds, as well as requirements to make already pumping wells safer.

The benefit launches on April 9 with a ticketed fundraiser in Beverly Hills hosted by Jane Fonda, Larry Gagosian, Aileen Getty, and Susan and Mark Buell, with cohosts Edythe Broad, Frank Gehry, Wendy and Eric Schmidt, Chrissy Teigen and John Legend, and Sean Penn. Highlighted artworks will be on view. A selection of works will be auctioned in the Christie’s Post-War and Contemporary Art Day Sale during their marquee sale week in May, while another group of works will be presented for sale in an exhibition in summer 2024 at the Beverly Hills gallery.

Ed Ruscha, UPS DOWNS, 2023 © Ed Ruscha. Photo: Brica Wilcox

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Announcements

Still from Exhibiting Forgiveness (2023), directed by Titus Kaphar

Announcement

Exhibiting Forgiveness
Acquired by Roadside Attractions

Exhibiting Forgiveness (2023), a film written, directed, and produced by Titus Kaphar, which premiered in January 2024 at the Sundance Film Festival, has been acquired by the film distribution company Roadside Attractions. Exploring family, generational healing, and the power of forgiveness, the motion picture follows a Black artist (André Holland) attempting to overcome the trauma of his past through painting; he is on the path to success when he is derailed by an unexpected visit from his estranged father. The film will open in theaters nationwide in Fall 2024.

Still from Exhibiting Forgiveness (2023), directed by Titus Kaphar

Ed Ruscha, Actual Size, 2024 © Ed Ruscha

Support

Ed Ruscha × Avant Arte
Limited-Edition Print for LACMA

Ed Ruscha has partnered with Avant Arte, an online art marketplace, to create a limited-edition print of his painting Actual Size (1962) on the occasion of ED RUSCHA / NOW THEN, a major retrospective of his work at the Los Angeles County Museum of Art. A portion of proceeds from sales will benefit the museum’s future. The print will be available for purchase online at Avant Arte for forty-eight hours beginning at 1pm ET on Thursday, April 11, 2024. The edition size will be determined by the number of orders placed within the timed-release period. Each print is individually numbered and authenticated with a bespoke artist’s stamp.

Ed Ruscha, Actual Size, 2024 © Ed Ruscha

Neil Jenney with a portrait of himself by Joseph McNamara at Gagosian, 980 Madison Avenue, New York, 2013. Artwork © Joseph McNamara. Photo: Robert Wright/The New York Times/Redux

Honor

Neil Jenney
Tribeca Ball 2024

Neil Jenney is the honoree of the Tribeca Ball 2024, taking place on April 1 in New York. During the annual gala, the five floors of the New York Academy of Art are open for guests to explore while students offer a firsthand look at their creative processes. Proceeds from the event support the nonprofit school, which was founded by artists in 1982, and its mission to empower a new generation of artists, and will be used to establish the Neil Jenney Artist Scholarship Fund.

Neil Jenney with a portrait of himself by Joseph McNamara at Gagosian, 980 Madison Avenue, New York, 2013. Artwork © Joseph McNamara. Photo: Robert Wright/The New York Times/Redux

Giuseppe Penone, Project for Royal Djurgaden, 2022 © Giuseppe Penone/2024 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: © Archivio Penone

Honor

Giuseppe Penone
Årets Konstnär 2024

Giuseppe Penone has been named 2024’s Artist of the Year by Prinsessan Estelles Kulturstiftelse (preks), a foundation established in 2019 by Sweden’s Crown Princess Victoria and Prince Daniel and named for their daughter, Princess Estelle, with the mission of promoting cultural activities in the country. Every year, the chosen artist is invited to create a monumental, site-specific work to be permanently installed within Prinsessan Estelles Skulpturpark, a sculpture park at Royal Djurgården in Stockholm. Penone’s sculpture, The Inner Flow of Life (2022), will be unveiled on May 30, 2024.

Giuseppe Penone, Project for Royal Djurgaden, 2022 © Giuseppe Penone/2024 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: © Archivio Penone

James Turrell, Leading, 2023 © James Turrell. Photo: John Galayda

Permanent Installation

James Turrell
Leading

James Turrell’s Leading (2023) has been permanently installed at Friends Seminary, a Quaker school in Manhattan, New York. On the school’s sixth floor, the artist created a meeting room whose roof opens to the sky and bathes the space in a spectrum of shifting radiant color, while the sky appears to float inside the installation. Leading is the only one of more than eighty-five Skyspaces by Turrell around the world attached to an active K-12 school. The installation is open to the public on the last Friday of each month that Friends Seminary is in session.

Schedule Visit

James Turrell, Leading, 2023 © James Turrell. Photo: John Galayda

Still from “West to East: Mapping the Unknown: Rick Lowe”

Video

West to East
Mapping the Unknown: Rick Lowe

In episode two of the National Gallery of Art’s video series West to East, which launched in spring 2023, Rick Lowe guides the viewer through his home in the Third Ward neighborhood of Houston. West to East focuses on contemporary artists whose works actively explore connections to their distinct communities and the United States at large, looking in particular at those working outside well-known “art hubs.” Lowe has spent thirty years combining art and activism via his community platform, Project Row Houses, and more recently he has been creating paintings inspired by maps and dominoes, in a quest for aesthetic beauty. Lowe and his community partners work together to “map the unknown” future.

Still from “West to East: Mapping the Unknown: Rick Lowe”

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Museum Exhibitions

Katharina Grosse, Untitled, 2023 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2024. Photo: Jens Ziehe

Opening Today

Katharina Grosse Studio Paintings, 1988–2022

April 25–September 22, 2024
Kunstmuseum Bonn, Germany
www.kunstmuseum-bonn.de

This exhibition explores Katharina Grosse’s studio-based paintings, from her earliest works in the 1990s to her most recent. The show highlights the role that thirty-seven paintings have played throughout her career in her experiments with the aesthetic potentials and physical and optical properties of color and paint. This exhibition originated at the Mildred Lane Kemper Art Museum, Washington University, St. Louis.

Katharina Grosse, Untitled, 2023 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2024. Photo: Jens Ziehe

Jadé Fadojutimi, This last leaf just seems to refuse to rest upon the lake, 2022 © Jadé Fadojutimi. Photo: Michael Brzezinski

Opening this Week

Jadé Fadojutimi in
Abstraction (re)creation—20 under 40

April 26–September 8, 2024
Le Consortium, Dijon, France
www.leconsortium.fr

Through the work of twenty artists under the age of forty, this exhibition explores the question, Will abstraction in painting reveal a new way to face art and provide a better way to address issues that are far away from subjects, storytelling, and other figurative topics? Work by Jadé Fadojutimi is included.

Jadé Fadojutimi, This last leaf just seems to refuse to rest upon the lake, 2022 © Jadé Fadojutimi. Photo: Michael Brzezinski

Taryn Simon, Finance package for the construction of the Baku-Tbilisi-Ceyhan pipeline, Baku, Azerbaijan, February 3, 2004, from the series Paperwork and the Will of Capital, 2015 © Taryn Simon

Opening this Week

Humain Autonome
Déroutes

April 26–September 22, 2024
Musée d’art contemporain du Val-de-Marne,Vitry-sur-Seine, France
www.macval.fr

This exhibition focuses on the automobile as a paradoxical object, loved by some, hated by others. Production lines, operating systems, links with fossil fuels, myths, and the unconscious are all analyzed, deconstructed, and reassessed in works by more than fifty artists from different generations. Work by Ed Ruscha, Taryn Simon, and Blair Thurman is included.

Taryn Simon, Finance package for the construction of the Baku-Tbilisi-Ceyhan pipeline, Baku, Azerbaijan, February 3, 2004, from the series Paperwork and the Will of Capital, 2015 © Taryn Simon

Georg Baselitz, Donna Via Venezia, 2004–06 © Georg Baselitz 2024. Photo: Jochen Littkemann

Opening this Week

Georg Baselitz
Belle Haleine

April 27–November 24, 2024
Galleria degli Antichi, Sabbioneta, Italy
www.visitsabbioneta.it

Georg Baselitz: Belle Haleine features large-scale sculptures, paintings, and ten monumental linocuts by Baselitz installed along the Renaissance arches and under the frescoed ceilings of the Galleria degli Antichi in the UNESCO World Heritage site of Sabbioneta, Italy. In exhibiting his work within this setting, Baselitz aims to reveal the importance of Italian art history to his own artistic development, creating a confrontation between the contemporary and the past.

Georg Baselitz, Donna Via Venezia, 2004–06 © Georg Baselitz 2024. Photo: Jochen Littkemann

Jeff Wall, A Sudden Gust of Wind (after Hokusai), 1993, Tate Modern, London © Jeff Wall

Closing this Week

Capturing the Moment

Through April 28, 2024
Tate Modern, London
www.tate.org.uk

Capturing the Moment explores the relationship between photography and painting through iconic artworks from the modern era. The exhibition examines how the two distinct mediums have shaped each other and how artists have blurred the boundaries to capture moments in time. Work by Francis Bacon, Georg Baselitz, John Currin, Andreas Gursky, Pablo Picasso, Jeff Wall, and Andy Warhol is included.

Jeff Wall, A Sudden Gust of Wind (after Hokusai), 1993, Tate Modern, London © Jeff Wall

Rachel Feinstein, Mr. Time, 2015 © Rachel Feinstein

Closing this Week

Fairy Tales

Through April 28, 2024
Queensland Art Gallery and Gallery of Modern Art, Brisbane, Australia
www.qagoma.qld.gov.au

Fairy Tales explores centuries of beloved folk stories through contemporary art, costumes, immersive installations, and cinema from visual storytellers around the world. The exhibition aims to untangle themes of bravery and justice, loyalty and humility, cunning and aspiration. Work by Rachel Feinstein, Urs Fischer, and Carsten Höller is included.

Rachel Feinstein, Mr. Time, 2015 © Rachel Feinstein

Taryn Simon, Agreement to develop Park Hyatt St. Kitts under the St. Kitts & Nevis Citizenship by Investment Program. Dubai, United Arab Emirates, July 16, 2012, from the series Paperwork and the Will of Capital, 2015 © Taryn Simon

Closing this Week

Taryn Simon in
Guest Relations

Through April 28, 2024
Jameel Arts Centre, Dubai
jameelartscentre.org

Guest Relations brings together artwork and archival and architectural research to explore the historical, political, social, and cultural transformations that accompany processes of intense tourism. Examining the transactional nature of modern hospitality, the exhibition considers hotels as sites of artistic investigation, tracing their origins in colonial grandeur and hubris to their current, often generic, ubiquity in the age of globalization. Work by Taryn Simon is included.

Taryn Simon, Agreement to develop Park Hyatt St. Kitts under the St. Kitts & Nevis Citizenship by Investment Program. Dubai, United Arab Emirates, July 16, 2012, from the series Paperwork and the Will of Capital, 2015 © Taryn Simon

Adriana Varejão, Azulejaria “de tapete” sobre telas (Carpet Style Tilework on Canvases), 1999 © Adriana Varejão

Closing this Week

Adriana Varejão in
Souvenirs of the Future

Through April 28, 2024
Pera Museum, Istanbul
www.peramuseum.org

Souvenirs of the Future brings together a selection of commissioned contemporary works inspired by the Suna and İnan Kıraç Foundation’s Kütahya Tiles and Ceramics Collection, exploring the ties forged between memory and imagination. The exhibition examines the meaning, and cultural and symbolic value, of objects that have been collected as souvenirs or personal reminders of certain places and times. Work by Adriana Varejão is included.

Adriana Varejão, Azulejaria “de tapete” sobre telas (Carpet Style Tilework on Canvases), 1999 © Adriana Varejão

David Reed, #679, 2015–17, Kunst Museum Winterthur, Switzerland © David Reed/Artists Rights Society (ARS), New York. Photo: SIK-ISEA, Zürich, Philipp Hitz

Closing this Week

Von Gerhard Richter bis Mary Heilmann
Abstrakte Malerei aus Privat und Museumsbesitz

Through April 28, 2024
Kunst Museum Winterthur, Switzerland
www.kmw.ch

This exhibition, whose title translates as From Gerhard Richter to Mary Heilmann: Abstract Art from Private Collections and the Museum’s Holdings, explores a shift in painting from the 1980s onward. At this time artists—painters in particular—developed a newfound freedom in relation to the work of the historical avant-garde, successfully combining the language of abstraction with reality, and in so doing creating something entirely new and fresh. Work by Richter and Heilmann will be shown alongside paintings from both the museum’s holdings and private collections, including work by Katharina Grosse and David Reed.

David Reed, #679, 2015–17, Kunst Museum Winterthur, Switzerland © David Reed/Artists Rights Society (ARS), New York. Photo: SIK-ISEA, Zürich, Philipp Hitz

Maurizio Cattelan, Mother, 1999, performance at the 48th Biennale di Venezia, 1999 © Maurizio Cattelan. Photo: Attilio Maranzano

Just Opened

Maurizio Cattelan in
With My Eyes

Through November 24, 2024
Casa di reclusione femminile Giudecca, Venice
www.labiennale.org

With My Eyes, the Vatican’s exhibition for the Holy See Pavilion in the 60th Biennale di Venezia, is sited within the women’s prison on the island of Giudecca and is dedicated to the theme of human rights and people living on the margins of society. The works on view incorporate the inmates’ participation in a variety of ways: some have provided photographs of themselves as children; some contribute poems for an installation; and others accompany visitors on a tour of the pavilion, alongside guards. Maurizio Cattelan’s contribution consists of a large outdoor artwork on the façade of the prison’s chapel, as well as an editorial feature, created in collaboration with the prisoners, which will be published in a special Biennale-focused issue of L’Osservatore di Strada, a monthly newspaper published by the Vatican.

Maurizio Cattelan, Mother, 1999, performance at the 48th Biennale di Venezia, 1999 © Maurizio Cattelan. Photo: Attilio Maranzano

Lauren Halsey, keepers of the krown, 2024, installation view, Gaggiandre, Arsenale, 60th Biennale di Venezia, Venice © Lauren Halsey. Photo: Andrea Avezzù

Just Opened

Lauren Halsey in
60th Biennale di Venezia: Stranieri Ovunque—Foreigners Everywhere

Through November 24, 2024
Giardini and Arsenale, Venice
www.labiennale.org

Stranieri Ovunque—Foreigners Everywhere, curated by Adriano Pedrosa for the 60th Biennale di Venezia, takes its title from a series of neon sculptures by the artist collective Claire Fontaine that depict the words “Foreigners Everywhere” in different colors and languages. The phrase comes from the Turin collective Stranieri Ovunque, which fought racism and xenophobia in Italy in the early 2000s. Stranieri Ovunque—Foreigners Everywhere focuses on artists who are themselves “foreigners” and on the production of other related subjects: the queer artist, who has moved within sexualities and genders; the outsider artist, located at the margins of the art world; as well as the indigenous artist, frequently treated as a foreigner in their own land. Work by Lauren Halsey is included.

Lauren Halsey, keepers of the krown, 2024, installation view, Gaggiandre, Arsenale, 60th Biennale di Venezia, Venice © Lauren Halsey. Photo: Andrea Avezzù

Ewa Juszkiewicz, In a Shady Valley, Near a Running Water (after François Gérard), 2023 © Ewa Juszkiewicz

Just Opened

Ewa Juszkiewicz
Locks with Leaves and Swelling Buds

Through September 1, 2024
Palazzo Cavanis, Venice
www.palazzocavanis.com

Locks with Leaves and Swelling Buds includes fifteen paintings that Ewa Juszkiewicz produced between 2019 and 2024. Juszkiewicz’s oil portraits of women turn conventions of the genre inside out. Beginning by producing a likeness of a historical European painting—her sources date from the Renaissance through the nineteenth century—she expertly imitates the original’s technique and style but replaces the subject’s face with a surreal or grotesque distortion. Curated by Guillermo Solana Díez, artistic director of the Museo Nacional Thyssen-Bornemisza, Madrid, this exhibition is a Collateral Event of the 60th Biennale di Venezia and is organized by Fundación Almine y Bernard Ruiz-Picasso.

Ewa Juszkiewicz, In a Shady Valley, Near a Running Water (after François Gérard), 2023 © Ewa Juszkiewicz

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