GEORG BASELITZ, Greenberg grient (Greenberg grins), 2013, oil on canvas, 118 1/8 x 108 1/4 inches (300 x 275 cm)
In the 1960s, Georg Baselitz emerged as a pioneer of German Neo-Expressionist painting. His work evokes disquieting subjects rendered feverishly as a means of confronting the realities of the modern age and explores what it is to be German and a German artist in a postwar world. In the late 1970s his iconic “upside-down” paintings, in which bodies, landscapes, and buildings are inverted within the picture plane, ignoring the realities of the physical world, make obvious the artifice of painting. Drawing upon a dynamic and myriad pool of influences, including art of the Mannerist period, African sculptures, and Soviet era illustration art, Baselitz developed a distinct painting language.
Georg Baselitz (b. 1938, Deutschbaselitz, Saxony) lives and works near Munich, Germany and in Imperia, Italy. Public collections include Museum Ludwig, Cologne; Museum of Modern Art, New York; Metropolitan Museum of Art, New York; and Tate Modern, London. Major museum exhibitions include Solomon R. Guggenheim Museum, New York (1995, traveled to Los Angeles County Museum of Art, Hirshhorn Museum and Sculpture Garden, Washington, D.C., and Nationalgalerie, Berlin); "Aquarelles Monumentales," Albertina, Vienna (2003); Royal Academy of Arts, London (2007, traveled to MADRE, Naples, through 2008); "Prints: 1964 to 1983," Pinakothek der Moderne, Munich (2008); Galleria Borghese, Rome (2011); Pinacoteca, São Paulo, Brazil (2011); “Baselitz as Sculptor,” Musée d'Art Moderne de la Ville de Paris (2011–12); Essl Museum, Vienna (2013); Victoria and Albert Museum, London (2013); Guggenheim Museum Bilbao, Spain (2013); and “Georg Baselitz: Remix,” Albertina, Vienna (2014). A major survey of Baselitz’s paintings and sculpture is on view at Haus der Kunst, Munich through February 1, 2015.