Menu

Gagosian Quarterly

Fall 2022 Issue

Now available

GAGOSIAN QUARTERLYFALL 2022

The Fall 2022 issue of Gagosian Quarterly is now available, featuring Jordan Wolfson’s House with Face (2017) on its cover.

Jordan Wolfson’s House with Face (2017) on the cover of Gagosian Quarterly, Fall 2022

Jordan Wolfson’s House with Face (2017) on the cover of Gagosian Quarterly, Fall 2022

Inside this edition, we’re honored to publish the last text written by the late Dave Hickey about his 2018 visit to Michael Heizer’s City, which is opening to the public this fall. Christo and Jeanne-Claude’s public installation The Iron Curtain (1962) is profiled by William Middleton, who demonstrates the impact of this work on the pair’s future projects. Jordan Wolfson speaks with Sam Lipsyte and Joey Frank in anticipation of the third installment of Picture Books.

Also in this issue, we present the newest series of photographs by Tyler Mitchell, alongside a text by Brendan Embser. The online Duchamp Research Portal is the subject of the latest installment in our Building a Legacy series. Diane von Furstenberg speaks with Derek Blasberg about Andy Warhol, the 1970s, and the importance of keeping a diary. Michael Auping pays tribute to the groundbreaking contributions of the late Constance Lewallen.

There are also features exploring the work of Minnette De Silva, Mehdi Ghadyanloo, Katy Hessel, Donald Judd, Y.Z. Kami, Jota Mombaça, Giuseppe Penone, Setsuko, Taryn Simon, Cy Twombly, and Amanda Williams.

For all of this and more, order your copy or subscribe at the Gagosian Shop, or read the issue online.

Artwork © Jordan Wolfson

Double exposure of artist Marcel Duchamp, the first exposure showcases Duchamp looking out of the frame while the second exposure showcases Duchamp looking directly at the viewer and smiling

Still Life, Still

Harry Thorne reflects on Brian O’Doherty’s recording of Marcel Duchamp’s heart.

Richard Avedon’s Marilyn Monroe, actor, New York, May 6, 1957 on the cover of Gagosian Quarterly, Summer 2023

Now available
Gagosian Quarterly Summer 2023

The Summer 2023 issue of Gagosian Quarterly is now available, featuring Richard Avedon’s Marilyn Monroe, actor, New York, May 6, 1957 on its cover.

Photograph of the execution of Giuseppe Penone’s frottages in La Tourette, Éveux, France. Giuseppe Penone, Le Bois Sacré (The Sacred Forest), 2022, prepared canvas oil and wax pastel

Giuseppe Penone À La Tourette

Le Couvent Sainte-Marie de La Tourette, in Éveux, France, is both an active Dominican priory and the last building designed by Le Corbusier. As a result, the priory, completed in 1961, is a center both religious and architectural, a site of spiritual significance and a magnetic draw for artists, writers, architects, and others. This fall, at the invitation of Frère Marc Chauveau, Giuseppe Penone will be exhibiting a selection of existing sculptures at La Tourette alongside new work directly inspired by the context and materials of the building. Here, Penone and Frère Chauveau discuss the power and peculiarities of the space, as well as the artwork that will be exhibited there.

Image of Michael Heizer, Horseshoe (West) and Horseshoe (East), the City, 1970–2022, Garden Valley, Nevada

A City in the Ocean of Time

Michael Heizer’s City, an artwork over fifty years in the making, opened to the public this fall. To celebrate this momentous occasion, we are honored to publish the late Dave Hickey’s report on his visit to the City.

Image of Donald Judd with Jeff Kopie, Architecture Office, Marfa, Texas, 1993

There is No Neutral Space: The Architecture of Donald Judd, Part 2

In this second installment of a two-part essay, Julian Rose continues his exploration of Donald Judd’s engagement with architecture. Here, he examines the artist’s proposals for projects in Bregenz, Austria, and in Basel, arguing that Judd’s approach to shaping space provides a model for contemporary architectural production.

Y.Z. Kami, Night Painting I (for William Blake), 2017–18, oil on linen, 99 × 99 inches (251.5 × 251.5 cm) © Y.Z. Kami. Photo: Rob McKeever

In Conversation
Setsuko and Y.Z. Kami

The artists address their shared ardor for poetry, the surfaces of painting, and nature.

Setsuko standing in front of one of her decorative ceramic pieces in the Musée national des châteaux de Malmaison et Bois-Préau, Rueil-Malmaison, France

Regards de Setsuko

Join Setsuko on a tour of her exhibition at the Musée national des châteaux de Malmaison et Bois-Préau in Rueil-Malmaison, France, the former residence of Empress Joséphine. The video brings together the artist; Isabelle Tamisier-Vétois, chief curator, and Élisabeth Caude, director, Musée national des châteaux de Malmaison et Bois-Préau; and Benoît Astier de Villatte, cofounder of the atelier Astier de Villatte, Paris. They discuss the origins and development of the project, which is designed as a dialogue between Setsuko’s work and the decorative ceramics held in the museum’s collection.

First Library, La Mansana de Chinati/The Block, Judd Foundation, Marfa, Texas. Photo: Matthew Millman © Judd Foundation

Building a Legacy
Judd Foundation Archives

Richard Shiff speaks with Caitlin Murray, director of archives and programs at Judd Foundation, about the archive of Donald Judd, how to approach materials that occupy the gray area between document and art, and some of the considerations unique to stewarding an archive housed within and adjacent to spaces conceived by the artist.

Black and white image of Donald Judd inspecting the new roof on the south Artillery Shed, Marfa, Texas, c. 1984.

There Is No Neutral Space: The Architecture of Donald Judd, Part 1

Julian Rose explores the question: what does it mean for an artist to make architecture? Delving into the archives of Donald Judd, he examines three architectural projects by the artist. Here, in the first installment of a two-part essay, he begins with an invitation in Bregenz, Austria, in the early 1990s, before turning to an earlier project, in Marfa, Texas, begun in 1979.

Marta Kuzma, Eileen Costello, and Caitlin Murray in conversation surrounded by Donald Judd paintings.

In Conversation
Eileen Costello, Marta Kuzma, and Caitlin Murray on Donald Judd: Paintings

Art historian Eileen Costello and Yale School of Art professor Marta Kuzma discuss Donald Judd’s two-dimensional work and how the lessons he learned from the innovations of Abstract Expressionist and Color Field paintings permeate his entire body of work. Their conversation is moderated by Caitlin Murray, director of archives and programs at Judd Foundation.

Martha Buskirk and Peter Ballantine speaking with one another

In Conversation
Peter Ballantine and Martha Buskirk on Donald Judd

Peter Ballantine, Donald Judd’s longtime fabricator of plywood works, and Martha Buskirk, professor of art history and criticism at Montserrat College of Art in Beverly, Massachusetts, discuss the development, production, and history of the largest plywood construction Judd ever made, an untitled work from 1980.

Taryn Simon, details from An American Index of the Hidden and Unfamiliar, 2007; A Living Man Declared Dead and Other Chapters I–XVIII, 2008–11; A Cold Hole, 2018; An Occupation of Loss, 2016; and Paperwork and the Will of Capital, 2015

In Conversation
Taryn Simon and Teju Cole

This spring, as part of the Lambert Family Lecture Series at the Wexner Center for the Arts, Taryn Simon joined Teju Cole for an online conversation about her artistic practice and creative process.