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Jeff Wall, A Sudden Gust of Wind (after Hokusai), 1993, Tate Modern, London © Jeff Wall

Closing this Week

Capturing the Moment

Through April 28, 2024
Tate Modern, London
www.tate.org.uk

Capturing the Moment explores the relationship between photography and painting through iconic artworks from the modern era. The exhibition examines how the two distinct mediums have shaped each other and how artists have blurred the boundaries to capture moments in time. Work by Francis Bacon, Georg Baselitz, John Currin, Andreas Gursky, Pablo Picasso, Jeff Wall, and Andy Warhol is included.

Jeff Wall, A Sudden Gust of Wind (after Hokusai), 1993, Tate Modern, London © Jeff Wall

Installation view, ICP at 50: From the Collection, 1845–2019, International Center of Photography, New York, January 24–May 6, 2024. Artwork, left to right: © Nan Goldin, © Zanele Muholi, © Deana Lawson. Photo: Jeenah Moon, courtesy International Center of Photography

On View

ICP at 50
From the Collection, 1845–2019

Through May 6, 2024
International Center of Photography, New York
www.icp.org

ICP at 50 is a thematic exploration of the many processes that comprise the history of the photographic medium, drawn from the International Center of Photography’s holdings. The institution was established in 1974 and the exhibition offers insight into the breadth and depth of its collection which spans from the nineteenth century to the present day. Work by Richard Avedon, Nan Goldin, Deana Lawson, and Andy Warhol is included.

Installation view, ICP at 50: From the Collection, 1845–2019, International Center of Photography, New York, January 24–May 6, 2024. Artwork, left to right: © Nan Goldin, © Zanele Muholi, © Deana Lawson. Photo: Jeenah Moon, courtesy International Center of Photography

Installation view, Some Dogs Go to Dallas, Green Family Art Foundation, Dallas, February 10–May 12, 2024. Artwork, left to right: © Amoako Boafo, © Maggie Ellis. Photo: Evan Sheldon

On View

Some Dogs Go to Dallas

Through May 12, 2024
Green Family Art Foundation, Dallas
www.greenfamilyartfoundation.org

Some Dogs Go to Dallas presents a selection of works from the collection of Pamela and David Hornik. Ardent dog lovers, the Horniks have a penchant for acquiring pieces depicting canines across eras, locations, and techniques from throughout the art historical canon. The diversity of this collection underscores the universality of the human connection with animals and the profoundly enduring love that those bonds create. Work by Amoako Boafo and Andy Warhol is included.

Installation view, Some Dogs Go to Dallas, Green Family Art Foundation, Dallas, February 10–May 12, 2024. Artwork, left to right: © Amoako Boafo, © Maggie Ellis. Photo: Evan Sheldon

Installation view, The Whitney’s Collection: Selections from 1900 to 1965, Whitney Museum of American Art, New York, June 28, 2019–May 2022. Artwork, left to right: © 2020 The Jay DeFeo Foundation/Artists Rights Society (ARS), New York; © Norman Lewis; © 2020 The Franz Kline Estate/Artists Rights Society (ARS), New York. Photo: Ron Amstutz

On View

The Whitney’s Collection
Selections from 1900 to 1965

Opened June 28, 2019
Whitney Museum of American Art, New York
whitney.org

This exhibition of more than 120 works, drawn entirely from the Whitney’s collection, is inspired by the founding history of the museum. The Whitney was established in 1930 by Gertrude Vanderbilt Whitney to champion the work of living American artists. A sculptor and a patron, Whitney recognized both the importance of contemporary American art and the need to support the artists who made it. The collection she assembled foregrounds how artists uniquely reveal the complexity and beauty of American life. Work by Jay DeFeo, Willem de Kooning, Roy Lichtenstein, Man Ray, Ed Ruscha, Andy Warhol, and Tom Wesselmann is included.

Installation view, The Whitney’s Collection: Selections from 1900 to 1965, Whitney Museum of American Art, New York, June 28, 2019–May 2022. Artwork, left to right: © 2020 The Jay DeFeo Foundation/Artists Rights Society (ARS), New York; © Norman Lewis; © 2020 The Franz Kline Estate/Artists Rights Society (ARS), New York. Photo: Ron Amstutz

Pablo Picasso, Femme aux mains jointes (étude pour Les Demoiselles d’Avignon), 1907, Musée national Picasso–Paris © Succession Picasso 2023. Photo: © RMN-Grand Palais (Musée national Picasso–Paris)/Mathieu Rabeau

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Gertrude Stein et Pablo Picasso

September 13, 2023–January 28, 2024
Musée du Luxembourg, Paris
museeduluxembourg.fr

This exhibition explores the friendship between Pablo Picasso and Gertrude Stein, two icons of the twentieth century. Both moved to Paris in the early 1900s, and their status as foreigners affected their roles in the city’s bohemian community as well as their artistic freedom. Examining their closeness and inventiveness, the exhibition considers a century of art, poetry, music, and theater through key figures such as Marcel Duchamp, Jasper Johns, Henri Matisse, Ed Ruscha, Andy Warhol, and others.

Pablo Picasso, Femme aux mains jointes (étude pour Les Demoiselles d’Avignon), 1907, Musée national Picasso–Paris © Succession Picasso 2023. Photo: © RMN-Grand Palais (Musée national Picasso–Paris)/Mathieu Rabeau

Cy Twombly, Untitled (Roses), 2008, Museum Brandhorst, Munich © Cy Twombly Foundation. Photo: Nicole Williams

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La vie en rose
Brueghel, Monet, Twombly

May 5–October 22, 2023
Museum Brandhorst, Munich
www.museum-brandhorst.de

La vie en rose is centered around Cy Twombly’s Untitled (Roses), a series of six paintings created for a room in Museum Brandhorst, and on permanent display in Munich since 2009. Taking Twombly’s poetic examination of death, freedom, isolation, and eroticism as its starting point, the exhibition brings together works by various artists who have engaged with floral subjects, including Claude Monet’s Water Lilies (1915) and Andy Warhol’s Flowers (1965). The show aims to reveal the complex, even contradictory motives that have inspired artists over the centuries to take on this subject matter.

Cy Twombly, Untitled (Roses), 2008, Museum Brandhorst, Munich © Cy Twombly Foundation. Photo: Nicole Williams

Installation view, Basquiat × Warhol: À Quatre Mains, Fondation Louis Vuitton, Paris, April 5–August 28, 2023. Artwork © Estate of Jean-Michel Basquiat Licensed by Artestar, New York, 2023 and © The Andy Warhol Foundation for the Visual Arts, Inc./Licensed by ADAGP, Paris. Photo: Marc Domage, courtesy Fondation Louis Vuitton

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Basquiat × Warhol
À Quatre Mains

April 5–August 28, 2023
Fondation Louis Vuitton, Paris
www.fondationlouisvuitton.fr

From 1984 to 1985, Jean-Michel Basquiat and Andy Warhol produced around 160 canvases together, “four-handed.” This exhibition, whose subtitle translates to With Four Hands, brings together more than three hundred works and documents, including eighty jointly signed canvases as well as individual works by each artist. Also included are works by fellow members of the 1980s New York art scene.

Installation view, Basquiat × Warhol: À Quatre Mains, Fondation Louis Vuitton, Paris, April 5–August 28, 2023. Artwork © Estate of Jean-Michel Basquiat Licensed by Artestar, New York, 2023 and © The Andy Warhol Foundation for the Visual Arts, Inc./Licensed by ADAGP, Paris. Photo: Marc Domage, courtesy Fondation Louis Vuitton

Nathaniel Mary Quinn, Big Bertha, 2015 © Nathaniel Mary Quinn

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X
A Decade of Collecting, 2012–2022

January 27–May 26, 2023
Sheldon Museum of Art, University of Nebraska–Lincoln
sheldonartmuseum.org

X: A Decade of Collecting, 2012–2022 is a survey of artworks acquired for the Sheldon Museum of Art’s collection over the past decade. The chosen works demonstrate the breadth of collecting efforts and are a modest representation of the approximately 1,875 pieces that have entered the museum’s holdings since 2012. The exhibition seeks to present a snapshot of how the collection continues to evolve. Work by Richard Avedon, Nathaniel Mary Quinn, Andy Warhol, and Stanley Whitney is included.

Nathaniel Mary Quinn, Big Bertha, 2015 © Nathaniel Mary Quinn

Gregory Crewdson, Untitled, 2005 © Gregory Crewdson

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Photography’s Last Century
The Ann Tenenbaum and Thomas H. Lee Collection

February 17–May 21, 2023
Jepson Center, Telfair Museums, Savannah, Georgia
www.telfair.org

Photography’s Last Century celebrates the remarkable ascendancy of photography during the past hundred years, and Ann Tenenbaum and Thomas H. Lee’s promised gift of over sixty photographs to the Metropolitan Museum of Art, New York, where this exhibition originated. The collection is particularly notable for its breadth and depth of works by women artists, its sustained interest in the nude, and its focus on artists’ beginnings. Work by Gregory Crewdson, Andreas Gursky, Man Ray, Andy Warhol, and Rachel Whiteread is included. 

Gregory Crewdson, Untitled, 2005 © Gregory Crewdson

Hao Liang, Eight Views of Xiaoxiang—Dazzle, 2015 © Hao Liang. Photo: courtesy UCCA Center for Contemporary Art, Beijing

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The Dream of the Museum

November 11, 2021–April 23, 2023
M+, Hong Kong
www.mplus.org.hk

The Dream of the Museum examines the concept of found objects to show how artists use cultures as source material to update tradition. Beginning with four pioneers of contemporary art—Marcel Duchamp, John Cage, Yoko Ono, and Nam June Paik—the exhibition brings together work by twenty-seven artists from across geographies and generations, including Hao Liang and Andy Warhol, who explore chance and found objects in their work.

Hao Liang, Eight Views of XiaoxiangDazzle, 2015 © Hao Liang. Photo: courtesy UCCA Center for Contemporary Art, Beijing

Installation view, Jubiläumsausstellung—Special Guest Duane Hanson, Fondation Beyeler, Riehen/Basel, Switzerland, October 30, 2022–January 8, 2023. Artwork, front to back: © 2022 Estate of Duane Hanson/Licensed by VAGA at Artists Rights Society (ARS), New York; © Estate of Roy Lichtenstein

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Jubiläumsausstellung—Special Guest Duane Hanson

October 30, 2022–January 8, 2023
Fondation Beyeler, Riehen/Basel
www.fondationbeyeler.ch

This exhibition, whose title translates to Anniversary Exhibition—Special Guest Duane Hanson, features more than one hundred works from the foundation’s collection, from modern to contemporary art, to celebrate the twenty-fifth anniversary of the institution. Several hyperrealist sculptures by Duane Hanson enrich the presentation, opening up surprising perspectives on the exhibited artworks, architecture, staff, and visitors. Work by Francis Bacon, Georg Baselitz, Alberto Giacometti, Anselm Kiefer, Roy Lichtenstein, Pablo Picasso, Andy Warhol, and Rachel Whiteread is included.

Installation view, Jubiläumsausstellung—Special Guest Duane Hanson, Fondation Beyeler, Riehen/Basel, Switzerland, October 30, 2022–January 8, 2023. Artwork, front to back: © 2022 Estate of Duane Hanson/Licensed by VAGA at Artists Rights Society (ARS), New York; © Estate of Roy Lichtenstein

Andy Warhol, Empire, 1964 (still), Andy Warhol Museum, Pittsburgh © The Andy Warhol Museum, Pittsburgh, a museum of Carnegie Institute. All rights reserved

Closed

New York: 1962–1964

July 22, 2022–January 8, 2023
Jewish Museum, New York
thejewishmuseum.org

The final project conceived and curated by Germano Celant (1940–2020), this exhibition explores a pivotal three-year period in the history of art and culture in New York City, examining how artists living and working in the city responded to their rapidly changing world. The more than 150 artworks on view were all made or seen in New York between 1962 and 1964. Work by Donald Judd, Roy Lichtenstein, and Andy Warhol is included.

Andy Warhol, Empire, 1964 (still), Andy Warhol Museum, Pittsburgh © The Andy Warhol Museum, Pittsburgh, a museum of Carnegie Institute. All rights reserved

Installation view, Andy Warhol: Shadows, Dia:Beacon, New York, 2003–11. Artwork © The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York. Photo: Bill Jacobson Studio, New York

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Andy Warhol
Shadows

January 26, 2019–October 2, 2022
Dia:Beacon, New York
www.diaart.org

Andy Warhol’s Shadows (1978–79) was first presented by Dia in 1979. A single painting in multiple parts, Shadows is one of Warhol’s most abstract works, yet one that cohesively synthesizes key elements of his practice, including film, painting, photography, and screen printing. The installation surrounds the viewer with a series of canvases, presented edge-to-edge around the perimeter of the room, in conformity with Warhol’s original vision. Most recently the work was installed by Dia at the Calvin Klein Headquarters in New York.

Installation view, Andy Warhol: Shadows, Dia:Beacon, New York, 2003–11. Artwork © The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York. Photo: Bill Jacobson Studio, New York

Installation view, Motion. Autos, Art, Architecture, Guggenheim Bilbao, Spain, April 8–September 18, 2022. Artwork © Ed Ruscha. Photo: courtesy Guggenheim Museum Bilbao

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Motion
Autos, Art, Architecture

April 8–September 18, 2022
Guggenheim Bilbao, Spain
www.guggenheim-bilbao.eus

Motion. Autos, Art, Architecture celebrates the artistic dimension of the automobile and links it to the parallel worlds of painting, sculpture, architecture, photography, and film. The exhibition brings together nearly forty automobiles that are placed center stage in the galleries and surrounded by significant works of art and architecture. Work by Alexander Calder, Christo, Andreas Gursky,  Ed Ruscha, and Andy Warhol is included.

Installation view, Motion. Autos, Art, Architecture, Guggenheim Bilbao, Spain, April 8–September 18, 2022. Artwork © Ed Ruscha. Photo: courtesy Guggenheim Museum Bilbao

Mary Weatherford, Engine, 2014, Hirshhorn Museum and Sculpture Garden, Washington, DC © Mary Weatherford. Photo: Fredrik Nilsen Studio

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America. Entre rêves et réalités
La collection du Hirshhorn Museum and Sculpture Garden Collection

June 9–September 11, 2022
Musée national des beaux-arts du Québec, Canada
www.mnbaq.org

Featuring more than a hundred paintings, photographs, sculptures, and video works drawn from the permanent collection of the Hirshhorn Museum and Sculpture Garden in Washington, DC, this exhibition, whose title translates to America. Between Dreams and Realities, offers a broad overview of modern and contemporary American art. Organized thematically, it looks carefully and critically at the notion of the American dream and uncovers how artists have variously grappled with questions of identity, the challenges of globalization, the realities of everyday life in America, and the complexities of its technological and political revolutions. Work by Alexander Calder, Willem de Kooning, Helen Frankenthaler, Sally Mann, Man Ray, Brice Marden, Nam June Paik, Ed Ruscha, Andy Warhol, and Mary Weatherford is included.

Mary Weatherford, Engine, 2014, Hirshhorn Museum and Sculpture Garden, Washington, DC © Mary Weatherford. Photo: Fredrik Nilsen Studio

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Textiles de Artistas

March 12–June 19, 2022
Fundacíon Barrié, A Coruña, Spain
fundacionbarrie.org

This exhibition explores the history of twentieth-century art through fabrics designed by artists, with unique examples from artistic movements such as Fauvism, Cubism, Surrealism, and Pop art. Comprised of more than one hundred works, the show presents an important overview of weaving as a popular art form in the United Kingdom, the United States, and Europe. Work by Alexander Calder, Damien Hirst, Howard Hodgkin, Henry Moore, Pablo Picasso, Sterling Ruby, and Andy Warhol is included.

Installation view, Andy Warhol: Revelation, Brooklyn Museum, New York, November 19, 2021–June 19, 2022. Artwork © 2021 The Andy Warhol Foundation for the Visual Arts, Inc./Licensed by Artists Rights Society (ARS), New York. Photo: Jonathan Dorado, Brooklyn Museum

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Andy Warhol
Revelation

November 19, 2021–June 19, 2022
Brooklyn Museum, New York
www.brooklynmuseum.org

Andy Warhol: Revelation explores the artist’s lifelong relationship with his faith, which frequently appeared as an undercurrent in his artworks. The exhibition examines themes such as life and death, power and desire, the role and representation of women, Renaissance imagery, family and immigrant traditions and rituals, depictions and duplications of Christ, and the Catholic body and queer desire. Among the more than one hundred objects on view are rare source materials and newly discovered items that provide a fresh and intimate look at Warhol’s creative process, as well as major paintings and films.  

Installation view, Andy Warhol: Revelation, Brooklyn Museum, New York, November 19, 2021–June 19, 2022. Artwork © 2021 The Andy Warhol Foundation for the Visual Arts, Inc./Licensed by Artists Rights Society (ARS), New York. Photo: Jonathan Dorado, Brooklyn Museum

Andy Warhol, Dolly Parton and Keith Haring, 1985 © The Andy Warhol Foundation for the Visual Arts, Inc. Licensed by Artists Rights Society (ARS), New York

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Andy Warhol
Photo Factory

September 10, 2021–February 20, 2022
Fotografiska, New York
www.fotografiska.com

Photo Factory presents some of Andy Warhol’s earliest photographic works, offering a glimpse into his experimentation with the medium and how it served as a catalyst for his early silkscreen paintings, commissioned portraits, and commercial work. The exhibition features Polaroids of celebrities, artists, and friends; lesser-seen unique gelatin silver prints; Polaroid collages; 16mm film Screen Tests from the mid-1960s; and stitched photographs from Warhol’s final exhibition in 1987.

Andy Warhol, Dolly Parton and Keith Haring, 1985 © The Andy Warhol Foundation for the Visual Arts, Inc. Licensed by Artists Rights Society (ARS), New York

Installation view, The 80s: Art of the Eighties, Albertina Modern, Vienna, October 17, 2021–February 13, 2022. Artwork, left to right: © Jiří Georg Dokoupil, © Hubert Schmalix, © Albert Oehlen. Photo: © Ana Paula Franco/Albertina, Wien 2021

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The 80s
Art of the Eighties

October 17, 2021–February 13, 2022
Albertina Modern, Vienna
www.albertina.at

Some consider the 1980s to be the most important decade for the art of our age. For the first time, art was no longer determined by a dominant style, such as abstraction or Pop, but rather embodied an unprecedented stylistic pluralism that was a hallmark of postmodernism. This exhibition, curated by Albertina Modern director Angela Stief, examines the variety of artistic approaches and strategies that defined the era. Work by Jean-Michel Basquiat, Albert Oehlen, Richard Prince, Andy Warhol, and Franz West is included.

Installation view, The 80s: Art of the Eighties, Albertina Modern, Vienna, October 17, 2021–February 13, 2022. Artwork, left to right: © Jiří Georg Dokoupil, © Hubert Schmalix, © Albert Oehlen. Photo: © Ana Paula Franco/Albertina, Wien 2021

Rudolf Stingel, Untitled, 2002 © Rudolf Stingel. Photo: Alessandro Zambianchi

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Hey! Did you know that art does not exist…

July 27, 2021–January 8, 2022
Tel Aviv Museum of Art, Israel
www.tamuseum.org.il

This exhibition presents more than one hundred works from Sylvio Perlstein’s intensely personal collection, which traces artists and trends that have defined the avant-garde, complex, and experimental nature of twentieth-century art. Work by Jean-Michel BasquiatDuane HansonRoy LichtensteinMan RayBrice Marden, Ed RuschaRudolf Stingel, Cy Twombly, and Andy Warhol is included.

Rudolf Stingel, Untitled, 2002 © Rudolf Stingel. Photo: Alessandro Zambianchi

Ellen Gallagher, Untitled, 2000 © Ellen Gallagher

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Icons

May 6–November 14, 2021
Boghossian Foundation, Brussels
www.villaempain.com

From early European and Middle Eastern artifacts to modern and contemporary works, icons have inspired many believers, as well as artists, throughout the ages. This exhibition explores how spiritual dimensions have been incorporated into artworks from antiquity to the present day. Work by Michael Craig-Martin, Ellen Gallagher, Douglas Gordon, Duane Hanson, Titus Kaphar, and Andy Warhol is included.

Ellen Gallagher, Untitled, 2000 © Ellen Gallagher

Georg Baselitz, B. für Larry (Remix), 2006 © Georg Baselitz 2021

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Wonderland

May 7–September 19, 2021
Albertina Modern, Vienna
www.albertina.at

Inspired by Lewis Carroll’s 1865 novel Alice’s Adventures in Wonderland, this exhibition features more than a hundred contemporary artworks from the Albertina’s collection organized into seven different “chapters” conceived as independent yet loosely connected “worlds.”  Work by Georg Baselitz, Katharina Grosse, Anselm Kiefer, Roy Lichtenstein, Albert Oehlen, Andy Warhol, and Franz West is included.

Georg Baselitz, B. für Larry (Remix), 2006 © Georg Baselitz 2021

Installation view, The Human Body, Hill Art Foundation, New York, April 29–June 26, 2021. Artwork, left to right: © Jenny Saville, © Richard Prince, © Ron Mueck, Anthony van Dyck, Peter Paul Rubens. Photo: Matthew Herrmann

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The Human Body

April 29–June 26, 2021
Hill Art Foundation, New York
hillartfoundation.org

This exhibition, curated from the Hill Collection by Karel Schampers, examines the human body through figurative work from the last five hundred years. The installation spans two floors and visitors are encouraged to view the works from different levels and vantage points, creating a dialogue across diverse periods and mediums. The foundation’s collection of Renaissance bronzes  is featured alongside works by artists such as Francis Bacon, Richard Prince, Jenny Saville, Rudolf Stingel, and Andy Warhol.

Installation view, The Human Body, Hill Art Foundation, New York, April 29–June 26, 2021. Artwork, left to right: © Jenny Saville, © Richard Prince, © Ron Mueck, Anthony van Dyck, Peter Paul Rubens. Photo: Matthew Herrmann

Sally Mann, Sorry Game, 1989 © Sally Mann

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Vantage Points
Contemporary Photography from the Whitney Museum of American Art

December 18, 2020–March 15, 2021
Asheville Art Museum, North Carolina
www.ashevilleart.org

Vantage Points features a selection of photographic works from the 1970s to the mid-2000s that highlights how photography has been used to represent individuals, places, and narratives. Drawn exclusively from the Whitney Museum’s permanent collection, the exhibition presents work by approximately twenty artists, including Gregory Crewdson, Sally Mann, Cindy Sherman, and Andy Warhol.

Sally Mann, Sorry Game, 1989 © Sally Mann