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Installation view, The Whitney’s Collection: Selections from 1900 to 1965, Whitney Museum of American Art, New York, June 28, 2019–May 2022. Artwork, left to right: © 2020 The Jay DeFeo Foundation/Artists Rights Society (ARS), New York; © Norman Lewis; © 2020 The Franz Kline Estate/Artists Rights Society (ARS), New York. Photo: Ron Amstutz

On View

The Whitney’s Collection
Selections from 1900 to 1965

Opened June 28, 2019
Whitney Museum of American Art, New York
whitney.org

This exhibition of more than 120 works, drawn entirely from the Whitney’s collection, is inspired by the founding history of the museum. The Whitney was established in 1930 by Gertrude Vanderbilt Whitney to champion the work of living American artists. A sculptor and a patron, Whitney recognized both the importance of contemporary American art and the need to support the artists who made it. The collection she assembled foregrounds how artists uniquely reveal the complexity and beauty of American life. Work by Jay DeFeo, Willem de Kooning, Roy Lichtenstein, Man Ray, Ed Ruscha, Andy Warhol, and Tom Wesselmann is included.

Installation view, The Whitney’s Collection: Selections from 1900 to 1965, Whitney Museum of American Art, New York, June 28, 2019–May 2022. Artwork, left to right: © 2020 The Jay DeFeo Foundation/Artists Rights Society (ARS), New York; © Norman Lewis; © 2020 The Franz Kline Estate/Artists Rights Society (ARS), New York. Photo: Ron Amstutz

Installation view, El eco de Picasso, Museo Picasso Málaga, Spain, October 2, 2023–March 30, 2024. Artwork, left to right: © Rebecca Warren, © Richard Prince. Photo: Pablo Asenjo, courtesy Museo Picasso Málaga

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El eco de Picasso

October 2, 2023–March 30, 2024
Museo Picasso Málaga, Spain
museopicassomalaga.org

Organized as part of Picasso Celebration 1973–2023, a series of international exhibitions and events commemorating the fiftieth anniversary of Pablo Picasso’s death, The Echo of Picasso focuses on his influence on twentieth-century art. The exhibition places Picasso’s practice in dialogue with work by more than fifty artists, including Francis Bacon, Georg Baselitz, Jean-Michel Basquiat, Willem de Kooning, Thomas Houseago, Ewa Juszkiewicz, Richard Prince, Nathaniel Mary Quinn, Cy Twombly, Tom Wesselmann, and Franz West.

Installation view, El eco de Picasso, Museo Picasso Málaga, Spain, October 2, 2023–March 30, 2024. Artwork, left to right: © Rebecca Warren, © Richard Prince. Photo: Pablo Asenjo, courtesy Museo Picasso Málaga

Derrick Adams, Self-Portrait on Float, 2019, Hudson River Museum © Derrick Adams Studio/Tandem Press, Madison, Wisconsin

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Order / Reorder
Experiments with Collections

June 17, 2022–September 3, 2023
Hudson River Museum, Yonkers, New York
www.hrm.org

Order / Reorder: Experiments with Collections examines ways to look at American art that consider expressions of American identity from new perspectives. The works on view range across genres: portraiture, figural studies, still life, landscape, and abstraction. Rather than following a chronological structure, the installation aims to spark discussion through juxtaposing styles, outlooks, and eras. Work by Derrick Adams and Tom Wesselmann is included.

Derrick Adams, Self-Portrait on Float, 2019, Hudson River Museum © Derrick Adams Studio/Tandem Press, Madison, Wisconsin

Tom Wesselmann, Man Ray at the Dance, 2004 © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York. Photo: © Jeffrey Sturges 

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Tom Wesselmann
After Matisse

February 24–May 29, 2023
Musée Matisse, Nice, France
www.musee-matisse-nice.org

This exhibition explores the many ways in which Tom Wesselmann expressed his admiration for Henri Matisse over the course of his career, from his first collages in 1959 to his last paintings, the Sunset Nudes series of the 2000s. Through a selection of forty-one works, the show investigates Wesselmann’s creative processes in the studio and brings together four significant series that testify to Matisse’s influence on the Pop artist: collages, Great American Nudes, Steel Drawings, and Sunset Nudes.

Tom Wesselmann, Man Ray at the Dance, 2004 © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York. Photo: © Jeffrey Sturges 

Urs Fischer, Untitled, 2003 © Urs Fischer

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The Paradox of Stillness
Art, Object, and Performance

May 15–August 8, 2021
Walker Art Center, Minneapolis
walkerart.org

Featuring works from the early twentieth century to today, The Paradox of Stillness examines the notion of stillness as both a performative and a visual gesture. More than sixty-five artists present object-based art, pictures, and actions staged by live performers to test the boundaries between stillness and motion, mortality and aliveness, and the still life and the living picture. Work by Urs Fischer, Piero Manzoni, Tom Wesselmann, and Franz West is included.

Urs Fischer, Untitled, 2003 © Urs Fischer

Installation view, Amuse-Bouche: The Taste of Art, Museum Tinguely, Basel, February 19–July 26, 2020. Artwork, left to right: © Opavivará!; © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Photo: Gina Folly © 2020 Museum Tinguely, Basel

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Amuse-Bouche
The Taste of Art

February 19–July 26, 2020
Museum Tinguely, Basel
www.tinguely.ch

Amuse-Bouche: The Taste of Art presents works—some with a participatory element—by more than forty-five international artists from the Baroque period to the present that explore taste as a dimension of aesthetic perception. Breaking with the usual museum practice of appealing primarily to the sense of sight, works in the exhibition offer art historical and phenomenological encounters with the sense of taste. Work by Urs Fischer, Damien Hirst, Cindy Sherman, Andy Warhol, and Tom Wesselmann is included.

Installation view, Amuse-Bouche: The Taste of Art, Museum Tinguely, Basel, February 19–July 26, 2020. Artwork, left to right: © Opavivará!; © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Photo: Gina Folly © 2020 Museum Tinguely, Basel

Cindy Sherman, Untitled (#112), 2003 © Cindy Sherman

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Andy Warhol bis Cindy Sherman
Amerikanische Kunst aus der Albertina

November 19, 2019–March 29, 2020
Schlossmuseum Linz, Austria
www.landesmuseum.at

Europe’s view of America is influenced by images of the entertainment industry: from film and television to advertising and newspapers. No other nation has placed so much reliance upon the power and impact of pictures and symbols as the US. With more than two hundred works of American art from 1960 to the present day, this large-scale exhibition, whose title translates to Andy Warhol to Cindy Sherman: American Art from the Albertina Museum, aims to illustrate how much our perceptions of truth and reality, facts and fake news, owe to America’s visual culture. Work by Gregory CrewdsonRoy LichtensteinCindy ShermanAndy Warhol, and Tom Wesselmann is included. 

Cindy Sherman, Untitled (#112), 2003 © Cindy Sherman

Tom Wesselmann, Seascape #10, 1966 © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York  

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Tom Wesselmann
La promesse du bonheur

June 29, 2018–January 6, 2019
Nouveau Musée National de Monaco, Villa Paloma
www.nmnm.mc

This focused survey explores a number of specific aspects of Tom Wesselmann’s work and production, including their relationship to postwar economic abundance, Victorian and post-Victorian sexuality, and questions of female agency.

Tom Wesselmann, Seascape #10, 1966 © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York  

Tatiana Trouvé, Untitled, 2007 © ADAGP, Paris 2017. Photo: Daniele Resini

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Dioramas

June 14–September 10, 2017
Palais de Tokyo, Paris
www.palaisdetokyo.com

This exhibition explores the diorama as an unexpected source of inspiration for contemporary art. At the intersection of art, cinema, and theater, this cross-disciplinary exhibition recontextualizes the diorama with a renewed approach to the history of spectatorship, including the influence of science and technology on popular culture, fun fairs, and exhibitions. Work by Duane Hanson, Anselm Kiefer, Tatiana Trouvé, Jeff Wall, and Tom Wesselmann is included.

Tatiana Trouvé, Untitled, 2007 © ADAGP, Paris 2017. Photo: Daniele Resini

Tom Wesselmann, Smoker #3 (3-D), 2003 © The Estate of Tom Wesselmann/Licensed by VAGA, New York

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LOVE
L’arte contemporanea incontra l’amore

March 17–July 23, 2017
Società per la Belle Arti Esposizione Permanente, Milan
www.lapermanente.it

For LOVE. L’arte contemporanea incontra l’amore, curator Danilo Eccher chose thirty-nine works by artists including Francesco Vezzoli, Andy Warhol, and Tom Wesselmann that depict love from their point of view. Visitors are invited to leave their testimony regarding the exhibition, creating a group recollection that will grow day by day.

Tom Wesselmann, Smoker #3 (3-D), 2003 © The Estate of Tom Wesselmann/Licensed by VAGA, New York

Andy Warhol, Woman in Blue (After Matisse), 1985 © 2017 The Andy Warhol Foundation for the Visual Arts, Inc./Artist Rights Society (ARS), New York

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Matisse and American Art

February 5–June 18, 2017
Montclair Art Museum, New Jersey
www.montclairartmuseum.org

Curated by Gail Stavitsky, this exhibition focuses on the French master’s profound impact on the development of American modern art from 1907 to the present. Nineteen works by Matisse are juxtaposed with forty-four works by American artists, including Helen Frankenthaler, Roy Lichtenstein, Andy Warhol, and Tom Wesselmann.

Andy Warhol, Woman in Blue (After Matisse), 1985 © 2017 The Andy Warhol Foundation for the Visual Arts, Inc./Artist Rights Society (ARS), New York

Ed Ruscha, Made in California, 1971 © Ed Ruscha

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The American Dream
Pop to the Present

March 9–June 18, 2017
British Museum, London
americandreamexhibition.org

This exhibition traces the past six decades of American history through prints of unprecedented scale and ambition. Starting with the explosion of Pop art in the 1960s, the show includes works by many of America’s most celebrated artists. Works by Helen Frankenthaler, Roy Lichtenstein, Bruce Nauman, Ed Ruscha, Richard Serra, Cy Twombly, Andy Warhol, and Tom Wesselmann are on view.

Ed Ruscha, Made in California, 1971 © Ed Ruscha