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Pablo Picasso, Dora Maar aux ongles verts, 1936, Museum Berggruen, Berlin © Succession Picasso 2024 by SIAE 2024. Photo: Jens Ziehe

On View

Affinità elettive
Picasso, Matisse, Klee e Giacometti

Through June 23, 2024
Gallerie dell’Accademia and Casa dei Tre Oci, Venice
www.gallerieaccademia.it

Affinità elettive, whose title translates to Elective Affinities, is held across two locations in Venice: Gallerie dell’Accademia and Casa dei Tre Oci, the European headquarters of the Berggruen Institute. More than forty works by Pablo Picasso, Henri Matisse, Paul Klee, Alberto Giacometti, and Paul Cezanne, all from the collection of the Museum Berggruen in Berlin, are presented alongside Venetian paintings from the Gallerie dell’Accademia. The exhibition aims to explore the dialogue between these two different collections and the similarities in iconography and subject matter that arise. 

Pablo Picasso, Dora Maar aux ongles verts, 1936, Museum Berggruen, Berlin © Succession Picasso 2024 by SIAE 2024. Photo: Jens Ziehe

Left: Hiroshi Sugimoto, Past Presence 070, Tall Figure III, Alberto Giacometti, 2016 © Hiroshi Sugimoto 2024 and © Succession Alberto Giacometti/ADAGP, Paris 2024. Right: Alberto Giacometti, Homme qui marche I, 1960, Fondation Giacometti © Succession Alberto Giacometti/ADAGP, Paris 2024

On View

Giacometti / Sugimoto
En scène

Through June 23, 2024
Institut Giacometti, Paris
www.fondation-giacometti.fr

In 2013, the Museum of Modern Art, New York, invited Hiroshi Sugimoto to photograph their sculpture garden. This commission initiated the series Past Presence (2013–18), which includes photographs of Alberto Giacometti’s Tall Figure, III (1960) shot both in broad daylight and at dusk. The duality of these images evokes a connection Sugimoto saw between the sculpture and the supernatural aspects of traditional Japanese Noh theater, where the living and the dead meet on the stage. The exhibition, whose title translates to Staged, is organized around the reconstruction of a Noh scene and includes a selection of Giacometti’s most emblematic sculptures, photographs and films by Sugimoto, and ancient Noh masks from the latter artist’s collection.

Left: Hiroshi Sugimoto, Past Presence 070, Tall Figure III, Alberto Giacometti, 2016 © Hiroshi Sugimoto 2024 and © Succession Alberto Giacometti/ADAGP, Paris 2024. Right: Alberto Giacometti, Homme qui marche I, 1960, Fondation Giacometti © Succession Alberto Giacometti/ADAGP, Paris 2024

Alberto Giacometti, Le Nez, 1947, Fondation Giacometti © Succession Alberto Giacometti/ADAGP, Paris, 2023

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Alberto Giacometti
Le Nez

October 7, 2023–January 14, 2024
Institut Giacometti, Paris
www.fondation-giacometti.fr

This exhibition brings together all versions of Alberto Giacometti’s Le Nez (The Nose), a subject the artist revisited several times between 1947 and 1964. One iteration, which is too fragile to move, is presented virtually, introducing experimental media to the exhibition. The show also includes additional sculptures, drawings, and archival material, as well as works by four contemporary artists—Rui Chafes, Ange Leccia, Annette Messager, and Hiroshi Sugimoto—that respond to Giacometti’s practice.

Alberto Giacometti, Le Nez, 1947, Fondation Giacometti © Succession Alberto Giacometti/ADAGP, Paris, 2023

Chris Burden, Small Skyscraper (Quasi Legal Los Angeles County), 2002 © 2023 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York. Photo: Brian Guido

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Escala: Escultura (1945–2000)

March 31–July 2, 2023
Fundación Juan March, Madrid
www.march.es

This exhibition, whose title translates to Scale: Sculpture, begins with a reflection on the effects of the Second World War on a number of artists and their conception of sculptural space as refuge. The role of scale in sculpture is examined, and in an echo of the expanded meaning of sculpture today, the exhibition extends beyond the gallery walls, into the gardens and the surrounding streets. Work by Chris Burden, Alberto Giacometti, Donald Judd, Henry Moore, and Richard Serra is included.

Chris Burden, Small Skyscraper (Quasi Legal Los Angeles County), 2002 © 2023 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York. Photo: Brian Guido

Installation view, Jubiläumsausstellung—Special Guest Duane Hanson, Fondation Beyeler, Riehen/Basel, Switzerland, October 30, 2022–January 8, 2023. Artwork, front to back: © 2022 Estate of Duane Hanson/Licensed by VAGA at Artists Rights Society (ARS), New York; © Estate of Roy Lichtenstein

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Jubiläumsausstellung—Special Guest Duane Hanson

October 30, 2022–January 8, 2023
Fondation Beyeler, Riehen/Basel
www.fondationbeyeler.ch

This exhibition, whose title translates to Anniversary Exhibition—Special Guest Duane Hanson, features more than one hundred works from the foundation’s collection, from modern to contemporary art, to celebrate the twenty-fifth anniversary of the institution. Several hyperrealist sculptures by Duane Hanson enrich the presentation, opening up surprising perspectives on the exhibited artworks, architecture, staff, and visitors. Work by Francis Bacon, Georg Baselitz, Alberto Giacometti, Anselm Kiefer, Roy Lichtenstein, Pablo Picasso, Andy Warhol, and Rachel Whiteread is included.

Installation view, Jubiläumsausstellung—Special Guest Duane Hanson, Fondation Beyeler, Riehen/Basel, Switzerland, October 30, 2022–January 8, 2023. Artwork, front to back: © 2022 Estate of Duane Hanson/Licensed by VAGA at Artists Rights Society (ARS), New York; © Estate of Roy Lichtenstein

Installation view, Alberto Giacometti/Sophie Ristelhueber: Legacy, Institut Giacometti, Paris, September 27–November 30, 2022. Artwork, left to right: © Succession Alberto Giacometti/ADAGP, Paris 2022; © Sophie Ristelhueber

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Alberto Giacometti/Sophie Ristelhueber
Legacy

September 27–November 30, 2022
Institut Giacometti, Paris
www.fondation-giacometti.fr

Legacy places a series of works by Alberto Giacometti in dialogue with photographs by Sophie Ristelhueber. Focusing on the individual experience and the human condition that underlie both artists’ work, this exhibition presents Giacometti’s scarified sculptures along with Ristelhueber’s photographic series of reconstructed bodies.

Installation view, Alberto Giacometti/Sophie Ristelhueber: Legacy, Institut Giacometti, Paris, September 27–November 30, 2022. Artwork, left to right: © Succession Alberto Giacometti/ADAGP, Paris 2022; © Sophie Ristelhueber

Francis Bacon, Study for a Portrait, 1967, installation view, Seattle Art Museum © The Estate of Francis Bacon. Photo: Jueqian Fang

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Frisson
The Richard E. Lang and Jane Lang Davis Collection

October 15, 2021–November 27, 2022
Seattle Art Museum
www.seattleartmuseum.org

This exhibition celebrates the Friday Foundation’s gift of nineteen artworks from the Lang Collection to the Seattle Art Museum in honor of Seattle collectors Richard E. Lang and Jane Lang Davis. Dating from 1945 to 1976, the paintings, drawings, and sculptures in Frisson represent mature works and pivotal moments of artistic development from some of the most influential American and European artists of the postwar period. Work by Francis Bacon, Willem de Kooning, Helen Frankenthaler, and Alberto Giacometti is included.  

Francis Bacon, Study for a Portrait, 1967, installation view, Seattle Art Museum © The Estate of Francis Bacon. Photo: Jueqian Fang

Top: Alberto Giacometti, Tête d’homme, c. 1962–65 © Succession Alberto Giacometti/ADAGP, Paris 2022. Bottom: Douglas Gordon, Hand Holding Head of a Man, 2022 © Studio lost but found/VG Bild-Kunst, Bonn, Germany, 2022. Photo: courtesy Studio lost but found, Berlin, and Kamel Mennour, Paris

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Alberto Giacometti / Douglas Gordon
The Morning After

April 20–June 12, 2022
Institut Giacometti, Paris
www.fondation-giacometti.fr

Douglas Gordon’s work on the distortion of time and the tensions between opposing forces shares common ground with Alberto Giacometti’s questioning of the human condition. Granted carte blanche to imagine a dialogue between his practice and Giacometti’s, Gordon presents a series of previously unexhibited works alongside little-known sculptures and drawings by Giacometti. Among these, small sculptures by Giacometti are nestled within casts of Gordon’s own hands, enacting a literal and figurative “point of contact” between their artworks.

Top: Alberto Giacometti, Tête d’homme, c. 1962–65 © Succession Alberto Giacometti/ADAGP, Paris 2022. Bottom: Douglas Gordon, Hand Holding Head of a Man, 2022 © Studio lost but found/VG Bild-Kunst, Bonn, Germany, 2022. Photo: courtesy Studio lost but found, Berlin, and Kamel Mennour, Paris

Alberto Giacometti, L’objet invisible, 1934–35 © Succession Alberto Giacometti (ADAGP + Fondation Giacometti), 2022

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Alberto Giacometti–André Breton
Amitiés surréalistes

January 19–April 10, 2022
Institut Giacometti, Paris
www.fondation-giacometti.fr

From 1930 to 1935, Alberto Giacometti spent time within the Surrealist group, where he established lasting friendships with André Breton and other artists and intellectuals of the movement. This exhibition, whose title translates to Surrealist Friendships, brings together several emblematic works from that period by Giacometti as well as works by Salvador Dalí, Man Ray, Meret Oppenheim, Pablo Picasso, and others.

Alberto Giacometti, L’objet invisible, 1934–35 © Succession Alberto Giacometti (ADAGP + Fondation Giacometti), 2022

Installation view, Alberto Giacometti/Barbara Chase-Riboud: Femmes Debout de Venise/Standing Women of Venice—Femme Noire Debout de Venise/Standing Black Woman of Venice, Institut Giacometti, Paris, October 20, 2021–January 9, 2022. Artwork, left to right: © Succession Alberto Giacometti (ADAGP + Fondation Giacometti), 2021; © Barbara Chase-Riboud

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Alberto Giacometti/Barbara Chase-Riboud
Femmes Debout de Venise/Standing Women of Venice—Femme Noire Debout de Venise/Standing Black Woman of Venice

October 20, 2021–January 9, 2022
Institut Giacometti, Paris
www.fondation-giacometti.fr

Sculptor, poet, and novelist Barbara Chase-Riboud met Alberto Giacometti in the early 1960s when she had just moved to Paris. This exhibition, created in close collaboration with Chase-Riboud, places Giacometti’s famous female figures under the gaze of the artist who, for decades, has traced an original sculptural path between the American and French scenes.

Installation view, Alberto Giacometti/Barbara Chase-Riboud: Femmes Debout de Venise/Standing Women of Venice—Femme Noire Debout de Venise/Standing Black Woman of Venice, Institut Giacometti, Paris, October 20, 2021–January 9, 2022. Artwork, left to right: © Succession Alberto Giacometti (ADAGP + Fondation Giacometti), 2021; © Barbara Chase-Riboud

Alberto Giacometti, Le Chat, 1951, Fondation Giacometti, Paris © Succession Alberto Giacometti (ADAGP + Fondation Giacometti), 2021

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Giacometti and Ancient Egypt

June 22–October 10, 2021
Institut Giacometti, Paris
www.fondation-giacometti.fr

Juxtaposing sculptures, paintings, and previously unpublished drawings by Alberto Giacometti with a selection of artifacts loaned from the collections of the Musée du Louvre, Paris, this exhibition offers a fresh look at Giacometti’s art through the prism of ancient Egypt. Based on original research into the artist’s sources, it draws connections between emblematic works by Giacometti and Egyptian antiquities, including figures of the scribe and Fayum funerary portraits.

Alberto Giacometti, Le Chat, 1951, Fondation Giacometti, Paris © Succession Alberto Giacometti (ADAGP + Fondation Giacometti), 2021

Jay DeFeo, Untitled (Florence), 1952, Museum of Modern Art, New York © 2020 The Jay DeFeo Foundation/Artists Rights Society (ARS), New York

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Degree Zero
Drawing at Midcentury

October 31, 2020–June 5, 2021
Museum of Modern Art, New York
www.moma.org

Bringing together approximately eighty works on paper from the museum’s collection, Degree Zero illuminates how artists used drawing to forge a new visual language in the aftermath of World War II. Modest, immediate, and direct, drawing was the ideal medium for this period of renewal. The exhibition looks across movements, geographies, and generations to highlight connections between artists who shared common materials and ideas between 1948 and 1961. Work by Jay DeFeo, Willem de Kooning, Alberto Giacometti, and Cy Twombly is included.

Jay DeFeo, Untitled (Florence), 1952, Museum of Modern Art, New York © 2020 The Jay DeFeo Foundation/Artists Rights Society (ARS), New York

Installation view, Giacometti: Ansikte mot ansikte, Moderna Museet, Stockholm, October 10, 2020–May 30, 2021. Artwork © Succession Alberto Giacometti (ADAGP + Fondation Giacometti), 2021. Photo: Åsa Lundén

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Giacometti
Ansikte mot ansikte

October 10, 2020–May 30, 2021
Moderna Museet, Stockholm
www.modernamuseet.se

Alberto Giacometti forged a singular path within European modernism, restlessly seeking a new language for sculpture as a “double of reality.” Produced in close collaboration with Fondation Giacometti, Paris, this exhibition, whose title translates to Giacometti: Face to Face, is the first large-scale retrospective of the artist’s work in Sweden in more than twenty years. The exhibition traces the evolution of Giacometti’s work from post-Cubism through Surrealism to postwar realism.

Installation view, Giacometti: Ansikte mot ansikte, Moderna Museet, Stockholm, October 10, 2020–May 30, 2021. Artwork © Succession Alberto Giacometti (ADAGP + Fondation Giacometti), 2021. Photo: Åsa Lundén

Installation view, L’homme qui marche: Une icône de l’art du XXè siècle, Institut Giacometti, Paris, July 4–November 29, 2020 © Succession Alberto Giacometti

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L’homme qui marche
Une icône de l’art du XXè siècle

July 4–November 29, 2020
Institut Giacometti, Paris
www.fondation-giacometti.fr

This exhibition, whose title translates to The Walking Man: An Icon of 20th Century Art, explores Alberto Giacometti’s most famous work, the Walking Man. The show brings together for the first time the various life-size models, as well as most of the sculpted and drawn variations, of the famous artwork. Accompanied by numerous unpublished documents and drawings, it traces the genealogy of the motif, from the Walking Woman of Giacometti’s Surrealist period to the icons created between 1959 and 1960.

Installation view, L’homme qui marche: Une icône de l’art du XXè siècle, Institut Giacometti, Paris, July 4–November 29, 2020 © Succession Alberto Giacometti

Pablo Picasso, Buste de femme de profil (Femme écrivant), 1932, Fondation Beyeler, Riehen/Basel © Succession Picasso/2020, ProLitteris, Zurich

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Stilles Sehen
Bilder der Ruhe

February 12–November 15, 2020
Fondation Beyeler, Riehen/Basel
www.fondationbeyeler.ch

This exhibition, whose title translates to Silent Vision: Images of Calm and Quiet, features works of modern and contemporary art that deal with the subject of tranquility. Each room is dedicated to a specific aspect of calmness, inviting visitors to see and contemplate, as it were, stillness. Work by Alberto Giacometti, Roy Lichtenstein, Pablo Picasso, Gerhard Richter, Richard Serra, and Andy Warhol is included.

Pablo Picasso, Buste de femme de profil (Femme écrivant), 1932, Fondation Beyeler, Riehen/Basel © Succession Picasso/2020, ProLitteris, Zurich

Alberto Giacometti, Projet pour une sculpture, c. 1926 © 2020 Succession Giacometti (Fondation Giacometti, Paris + ADAGP, Paris)

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Alberto Giacometti
À la recherche des oeuvres disparues

February 25–June 21, 2020
Institut Giacometti, Paris
www.fondation-giacometti.fr

This exhibition, whose title translates to In Search of Lost Works, presents the outcome of an investigation into forgotten, lost, or destroyed sculptures by Alberto Giacometti. Reconstructed with the assistance of sketches, notebooks, and archival photographs from the Fondation Giacometti’s archive, lost works from 1920 to 1935 are exhibited alongside well-known works from the same period.

Alberto Giacometti, Projet pour une sculpture, c. 1926 © 2020 Succession Giacometti (Fondation Giacometti, Paris + ADAGP, Paris)

Alberto Giacometti, Boule suspendue, 1930–31, Fondation Giacometti, Paris © 2020 Succession Giacometti (Fondation Giacometti, Paris + ADAGP, Paris)

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Cruels Objets du Désir
Giacometti/Sade

November 21, 2019–February 16, 2020
Institut Giacometti, Paris
www.fondation-giacometti.fr

This exhibition, whose title translates to Cruel Objects of Desire, explores the influence of the Marquis de Sade’s writings on the work and texts of Alberto Giacometti. It includes many of the Surrealist works Giacometti created between 1929 and 1934, photographs of missing works, and unpublished drawings.

Alberto Giacometti, Boule suspendue, 1930–31, Fondation Giacometti, Paris © 2020 Succession Giacometti (Fondation Giacometti, Paris + ADAGP, Paris)

Installation view, Histoire de corps: Le nu dans l’oeuvre d’Alberto Giacometti, Institut Giacometti, Paris, June 22–November 6, 2019. Artwork © Succession Alberto Giacometti (Fondation Giacometti Paris + ADAGP Paris) 2019

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Histoire de corps
Le nu dans l’oeuvre d’Alberto Giacometti

June 22–November 6, 2019
Institut Giacometti, Paris
www.fondation-giacometti.fr

This show, whose title translates to Narrating the Body: The Nude in the Work of Alberto Giacometti, explores the artist’s representation of the human body, which he considered to be the raison d’être for the artistic gesture. This exhibition focuses on figures of the female nude in his work.

Installation view, Histoire de corps: Le nu dans l’oeuvre d’Alberto Giacometti, Institut Giacometti, Paris, June 22–November 6, 2019. Artwork © Succession Alberto Giacometti (Fondation Giacometti Paris + ADAGP Paris) 2019

Yves Klein, Anthropométrie (ANT 84), 1960 © Succession Yves Klein/ADAGP, Paris 2019. Photo: Muriel Anssens/Ville de Nice

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Préhistoire, une énigme moderne

May 8–September 16, 2019
Centre Pompidou, Paris
www.centrepompidou.fr

This exhibition examines the link between prehistory and modern and contemporary art. It reveals that some of the most important artists of the twentieth and early twenty-first centuries have been haunted by the question, What is prehistory? Work by Alberto Giacometti, Yves Klein, Giuseppe Penone, and Pablo Picasso is included.

Yves Klein, Anthropométrie (ANT 84), 1960 © Succession Yves Klein/ADAGP, Paris 2019. Photo: Muriel Anssens/Ville de Nice

Alberto Giacometti, Simone de Beauvoir, 1946 © Succession Alberto Giacometti (Fondation Giacometti Paris + ADAGP Paris) 2019

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Giacometti
D’après modèle

March 16–June 30, 2019
Musée Toulouse-Lautrec, Albi, France
musee-toulouse-lautrec.com

This exhibition features more than eighty works, realized between the artist’s arrival in Paris, in the 1920s, and the end of his career. The show includes thirty bronze and plaster sculptures, forty-four drawings, and twelve prints. The chronological and thematic unfolding illustrates the essential relationship between Alberto Giacometti’s drawings and his sculptures—the former, as the artist often reiterated, being an indispensable tool for understanding a subject and for aiding perception in general. The show includes Peter Lindbergh’s 2017 photographs of Giacometti’s work in the Fondation Giacometti collection in Paris.

Alberto Giacometti, Simone de Beauvoir, 1946 © Succession Alberto Giacometti (Fondation Giacometti Paris + ADAGP Paris) 2019

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Alberto Giacometti
Une aventure moderne

March 13–June 11, 2019
Lille Métropole Musée d’art moderne, d’art contemporain et d’art brut, Villeneuve-d’Ascq, France
www.musee-lam.fr

Alberto Giacometti’s slender and fragile sculptures capture men and women in moments of dynamism and stillness. In this exhibition, more than 150 works reveal the unparalleled journey of a mythical modern artist.

Peter Lindbergh, Alberto Giacometti, Buste de Diego d’après nature, Paris, 2017, 2017 © Peter Lindbergh and © Succession Alberto Giacometti (Fondation Giacometti + ADAGP) Paris 2018    

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Alberto Giacometti/Peter Lindbergh
Saisir l’invisible

January 22–March 24, 2019
Giacometti Institute, Paris
www.fondation-giacometti.fr

Peter Lindbergh was invited to photograph bronzes and plasters by Alberto Giacometti held at the Fondation Giacometti, Paris, in 2017. Lindbergh’s black-and-white photographs capture the anxiety behind the beauty that characterizes Giacometti and his perpetual search for authenticity and provide fresh perspectives, which allow for new discovery. The photographs are accompanied by unpublished drawings by Giacometti.

Peter Lindbergh, Alberto Giacometti, Buste de Diego d’après nature, Paris, 2017, 2017 © Peter Lindbergh and © Succession Alberto Giacometti (Fondation Giacometti + ADAGP) Paris 2018    

Alberto Giacometti, Homme qui marche I, 1960 © Succession Alberto Giacometti/VEGAP, Bilbao, 2018

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Alberto Giacometti
A Retrospective

October 19, 2018–February 24, 2019
Guggenheim Bilbao, Spain
www.guggenheim-bilbao.eus

This comprehensive exhibition on Alberto Giacometti presents works from his Cubist and Surrealist periods through to the works he created in the 1940s and at the end of his life. The show includes an exceptional group of Femmes de Venise, last shown at the Venice Biennale in 1956. This show has traveled from the Solomon R. Guggenheim Museum in New York.

Alberto Giacometti, Homme qui marche I, 1960 © Succession Alberto Giacometti/VEGAP, Bilbao, 2018

Alberto Giacometti, La Forêt, 1950, Fondation Giacometti, Paris © Succession Alberto Giacometti/ADAGP, Paris 2019

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Alberto Giacometti

September 14, 2018–February 3, 2019
Musée Maillol, Paris
www.museemaillol.com

Musée Maillol, in collaboration with the Fondation Giacometti, presents an overview of Alberto Giacometti’s oeuvre, complemented by works of important classical and modern sculptors from his time. The show includes more than fifty sculptures by Giacometti alongside twenty-five works by other artists such as Constantin Brancusi and Auguste Rodin.

Alberto Giacometti, La Forêt, 1950, Fondation Giacometti, Paris © Succession Alberto Giacometti/ADAGP, Paris 2019