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Screening

Videocittà
Douglas Gordon and Philippe Parreno’s “Zidane: A 21st Century Portrait”

Saturday, July 23, 2022, 9pm
Gazometro, Rome
www.videocitta.com

Zidane: A 21st Century Portrait (2006), a film collaboration by Douglas Gordon and Philippe Parreno, will be screened on the fourth day of Videocittà, a yearly festival in Rome that celebrates moving images. Shot on seventeen synchronized cameras, Zidane frames the movements of footballer Zinédine Zidane in real time over the course of a single match between Real Madrid and Villarreal at Madrid’s Santiago Bernabéu Stadium on April 23, 2005.

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Douglas Gordon and Philippe Parreno, Zidane: A 21st Century Portrait, 2006 (still) © Studio lost but found/VG Bild-Kunst, Bonn, Germany 2022 and © Philippe Parreno

Douglas Gordon and Philippe Parreno, Zidane: A 21st Century Portrait, 2006 (still) © Studio lost but found/VG Bild-Kunst, Bonn, Germany 2022 and © Philippe Parreno

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Chris Burden, Documentation of Selected Works 1971–74, 1971–75 (still) © 2019 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York. Photo: courtesy Electronic Arts Intermix (EAI), New York

Screening

Videocittà
Chris Burden

Tuesday, November 19, 2019, 11am–8pm
Museo nazionale delle arti del XXI secolo, Rome
www.videocitta.com

Videocittà, a festival celebrating moving images, will show the work of eighty artists over the course of nine days and include screenings, as well as meetings with artists, curators, and art critics. On the first day of the program Chris Burden’s Documentation of Selected Works 1971–74 will be feature. The event is free to attend.

Chris Burden, Documentation of Selected Works 1971–74, 1971–75 (still) © 2019 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York. Photo: courtesy Electronic Arts Intermix (EAI), New York

Nam June Paik, Global Groove, 1973 (still) © Nam June Paik Estate, courtesy Electronic Arts Intermix (EAI), New York

Screening

Videocittà
Nam June Paik

Saturday, October 20, 2018, 11am–10pm
Museo nazionale delle arti del XXI secolo, Rome
www.maxxi.art

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Nam June Paik, Global Groove, 1973 (still) © Nam June Paik Estate, courtesy Electronic Arts Intermix (EAI), New York

Douglas Gordon, Pretty much every film and video work from about 1992 until now... (1999–), installation view, Gagosian, Grosvenor Hill, London © Studio lost but found/VG Bild-Kunst, Bonn, Germany, 2024. Photo: Lucy Dawkins

Screening

Douglas Gordon
Film as Raw Material

February 22–March 14, 2024, 6pm on Thursdays
Gagosian, Grosvenor Hill, London

Join Gagosian for a series of film screenings inside Douglas Gordon’s exhibition All I need is a little bit of everything at the gallery’s Grosvenor Hill location. The show centrally features Pretty much every film and video work from about 1992 until now... (1999–), an ever-growing installation displayed on more than a hundred screens, ranging from traditional TVs to iPads, that brings together nearly all of the artist’s video work from the past three decades. The four films selected for screening have been employed as raw materials in some of Gordon’s most important works and figure prominently in the encyclopedic installation.

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Douglas Gordon, Pretty much every film and video work from about 1992 until now... (1999–), installation view, Gagosian, Grosvenor Hill, London © Studio lost but found/VG Bild-Kunst, Bonn, Germany, 2024. Photo: Lucy Dawkins

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