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Screening

Videocittà
Nam June Paik

Saturday, October 20, 2018, 11am–10pm
Museo nazionale delle arti del XXI secolo, Rome
www.maxxi.art

The first day of Videocittà, a video art film festival at Museo nazionale delle arti del XXI secolo, Rome, will be dedicated to Nam June Paik with screenings of his films Global Groove (1973) and Bye Bye Kipling (1986). To attend the event, purchase tickets at www.maxxi.art.

Nam June Paik, Global Groove, 1973 (still) © Nam June Paik Estate, courtesy Electronic Arts Intermix (EAI), New York

Nam June Paik, Global Groove, 1973 (still) © Nam June Paik Estate, courtesy Electronic Arts Intermix (EAI), New York

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Douglas Gordon and Philippe Parreno, Zidane: A 21st Century Portrait, 2006 (still) © Studio lost but found/VG Bild-Kunst, Bonn, Germany 2022 and © Philippe Parreno

Screening

Videocittà
Douglas Gordon and Philippe Parreno’s “Zidane: A 21st Century Portrait”

Saturday, July 23, 2022, 9pm
Gazometro, Rome
www.videocitta.com

Zidane: A 21st Century Portrait (2006), a film collaboration by Douglas Gordon and Philippe Parreno, will be screened on the fourth day of Videocittà, a yearly festival in Rome that celebrates moving images. Shot on seventeen synchronized cameras, Zidane frames the movements of footballer Zinédine Zidane in real time over the course of a single match between Real Madrid and Villarreal at Madrid’s Santiago Bernabéu Stadium on April 23, 2005.

Purchase Tickets

Douglas Gordon and Philippe Parreno, Zidane: A 21st Century Portrait, 2006 (still) © Studio lost but found/VG Bild-Kunst, Bonn, Germany 2022 and © Philippe Parreno

Chris Burden, Documentation of Selected Works 1971–74, 1971–75 (still) © 2019 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York. Photo: courtesy Electronic Arts Intermix (EAI), New York

Screening

Videocittà
Chris Burden

Tuesday, November 19, 2019, 11am–8pm
Museo nazionale delle arti del XXI secolo, Rome
www.videocitta.com

Videocittà, a festival celebrating moving images, will show the work of eighty artists over the course of nine days and include screenings, as well as meetings with artists, curators, and art critics. On the first day of the program Chris Burden’s Documentation of Selected Works 1971–74 will be feature. The event is free to attend.

Chris Burden, Documentation of Selected Works 1971–74, 1971–75 (still) © 2019 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York. Photo: courtesy Electronic Arts Intermix (EAI), New York

Sarah Sze, Turning and Turning, 2024 © Sarah Sze. Photo: Maris Hutchinson

Art Fair

Art Basel Hong Kong 2024

March 27–30, 2024
Hong Kong Convention and Exhibition Centre
www.artbasel.com

Gagosian is participating in Art Basel Hong Kong 2024 with a selection of works by international contemporary artists. The works on view, which embrace a dizzying variety of subjects and approaches, see the participating artists identify fresh ways to disrupt established histories of abstraction and figuration, and instill sculptural and painterly representations of the natural world with complex cultural significance.

Sarah Sze, Turning and Turning, 2024 © Sarah Sze. Photo: Maris Hutchinson

Detail from Roy Lichtenstein’s Bauhaus Stairway Mural (1989), on the cover of Gagosian Quarterly, Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

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Jane Fonda: On Art for a Safe and Healthy California

Art for a Safe and Healthy California is a benefit exhibition and auction jointly presented by Jane Fonda, Gagosian, and Christie’s to support the Campaign for a Safe and Healthy California. Here, Fonda speaks with Gagosian Quarterly’s Gillian Jakab about bridging culture and activism, the stakes and goals of the campaign, and the artworks featured in the exhibition.

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Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.

Black and white portrait of the late artist Frank Stella

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In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.

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Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

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Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.

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Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

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Lauren Halsey: Full and Complete Freedom

Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.