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Georg Baselitz, Anselm Kiefer, Harmony Korine, Robert Rauschenberg, Julian Schnabel, Rudolf Stingel, Franz West

June 7–July 18, 2014
555 West 24th Street, New York

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Installation video

Installation view Artwork © The Robert Rauschenberg Foundation 2014/Licensed by VAGA, New York. Photo: Rob McKeever

Installation view

Artwork © The Robert Rauschenberg Foundation 2014/Licensed by VAGA, New York. Photo: Rob McKeever

Installation view Artwork, left to right: © The Robert Rauschenberg Foundation 2014/Licensed by VAGA, New York, © 2014 Julian Schnabel/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view

Artwork, left to right: © The Robert Rauschenberg Foundation 2014/Licensed by VAGA, New York, © 2014 Julian Schnabel/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view Photo: Rob McKeever

Installation view

Photo: Rob McKeever

Installation view Photo: Rob McKeever

Installation view

Photo: Rob McKeever

Installation view Artwork © Georg Baselitz. Photo: Rob McKeever

Installation view

Artwork © Georg Baselitz. Photo: Rob McKeever

Installation view Photo: Rob McKeever

Installation view

Photo: Rob McKeever

Installation view Artwork © Anselm Kiefer. Photo: Rob McKeever

Installation view

Artwork © Anselm Kiefer. Photo: Rob McKeever

Installation view Artwork, left to right: © Rudolf Stingel, © Anselm Kiefer. Photo: Rob McKeever

Installation view

Artwork, left to right: © Rudolf Stingel, © Anselm Kiefer. Photo: Rob McKeever

Works Exhibited

Georg Baselitz, ll wam ruch nichtet mehr (Ill bar fe well), 2013 Oil on canvas, 118 ⅛ × 108 ¼ inches (300 × 275 cm)© Georg Baselitz

Georg Baselitz, ll wam ruch nichtet mehr (Ill bar fe well), 2013

Oil on canvas, 118 ⅛ × 108 ¼ inches (300 × 275 cm)
© Georg Baselitz

Georg Baselitz, Lehr nich ratte much wilm (Lelf bal wile), 2013 Oil on canvas, 118 ⅛ × 108 ¼ inches (300 × 275 cm)© Georg Baselitz

Georg Baselitz, Lehr nich ratte much wilm (Lelf bal wile), 2013

Oil on canvas, 118 ⅛ × 108 ¼ inches (300 × 275 cm)
© Georg Baselitz

Anselm Kiefer, Wasserman, 2001 Oil, emulsion, and acrylic on lead and canvas, 183 × 196 ¾ inches (464.8 × 499.7 cm)© Anselm Kiefer

Anselm Kiefer, Wasserman, 2001

Oil, emulsion, and acrylic on lead and canvas, 183 × 196 ¾ inches (464.8 × 499.7 cm)
© Anselm Kiefer

Anselm Kiefer, Wasserman, 2001 (detail) Oil, emulsion, and acrylic on lead and canvas, 183 × 196 ¾ inches (464.8 × 499.7 cm)© Anselm Kiefer

Anselm Kiefer, Wasserman, 2001 (detail)

Oil, emulsion, and acrylic on lead and canvas, 183 × 196 ¾ inches (464.8 × 499.7 cm)
© Anselm Kiefer

Anselm Kiefer, Lichtfalle, 1999 Shellac, emulsion, glass, and steel trap on linen, 149 × 220 inches (378.5 × 558.8 cm)© Anselm Kiefer. Photo: Rob McKeever

Anselm Kiefer, Lichtfalle, 1999

Shellac, emulsion, glass, and steel trap on linen, 149 × 220 inches (378.5 × 558.8 cm)
© Anselm Kiefer. Photo: Rob McKeever

Anselm Kiefer, Lichtfalle, 1999 (detail) Shellac, emulsion, glass, and steel trap on linen, 149 × 220 inches (378.5 × 558.8 cm)© Anselm Kiefer. Photo: Rob McKeever

Anselm Kiefer, Lichtfalle, 1999 (detail)

Shellac, emulsion, glass, and steel trap on linen, 149 × 220 inches (378.5 × 558.8 cm)
© Anselm Kiefer. Photo: Rob McKeever

Robert Rauschenberg, Untitled (Early Egyptian), 1974 Cardboard, sand, and Day-Glo paint, 108 ½ × 138 × 28 inches (275.6 × 350.5 × 71.1 cm)© The Robert Rauschenberg Foundation 2014/Licensed by VAGA, New York. Photo: Rob McKeever

Robert Rauschenberg, Untitled (Early Egyptian), 1974

Cardboard, sand, and Day-Glo paint, 108 ½ × 138 × 28 inches (275.6 × 350.5 × 71.1 cm)
© The Robert Rauschenberg Foundation 2014/Licensed by VAGA, New York. Photo: Rob McKeever

Robert Rauschenberg, Untitled (Early Egyptian), 1974 Cardboard, sand, Day-Glo paint, spoked wheels, pillow, and hose, 80 ¼ × 78 × 36 inches (203.8 × 198.1 × 91.4 cm)© The Robert Rauschenberg Foundation 2014/Licensed by VAGA, New York. Photo: Rob McKeever

Robert Rauschenberg, Untitled (Early Egyptian), 1974

Cardboard, sand, Day-Glo paint, spoked wheels, pillow, and hose, 80 ¼ × 78 × 36 inches (203.8 × 198.1 × 91.4 cm)
© The Robert Rauschenberg Foundation 2014/Licensed by VAGA, New York. Photo: Rob McKeever

Julian Schnabel, The Conversion of St. Paolo Malfi, 1995 Oil and resin on canvas, 120 × 108 inches (304.8 × 274.3 cm)© 2014 Julian Schnabel/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Julian Schnabel, The Conversion of St. Paolo Malfi, 1995

Oil and resin on canvas, 120 × 108 inches (304.8 × 274.3 cm)
© 2014 Julian Schnabel/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Rudolf Stingel, Untitled, 2009 Oil on canvas, 132 × 181 ¾ inches (335.3 × 461.6 cm)© Rudolf Stingel. Photo: Alessandro Zambianchi

Rudolf Stingel, Untitled, 2009

Oil on canvas, 132 × 181 ¾ inches (335.3 × 461.6 cm)
© Rudolf Stingel. Photo: Alessandro Zambianchi

Franz West, Caino va incontro ad Abele, 2010 Epoxy resin, lacquer, and steel, in 2 parts, overall dimensions variable© Archiv Franz West. Photo: Rob McKeever

Franz West, Caino va incontro ad Abele, 2010

Epoxy resin, lacquer, and steel, in 2 parts, overall dimensions variable
© Archiv Franz West. Photo: Rob McKeever

Oscar Murillo and Ben Luke on Franz West

In Conversation
Oscar Murillo and Ben Luke on Franz West

In conjunction with Franz West: Papier, the gallery’s presentation of paper-based works by Franz West at Frieze Masters 2023, artist Oscar Murillo and arts writer, critic, and broadcaster Ben Luke sit down to discuss Murillo’s collaboration in selecting the works on view, as well as his personal experiences meeting the late artist in London.

Georg Baselitz and Richard Calvocoressi sit next to each other in the artist’s studio

In Conversation
Georg Baselitz and Richard Calvocoressi

In conjunction with the exhibition The Painter in His Bed, at Gagosian, New York, Georg Baselitz and Richard Calvocoressi discuss the motif of the stag in the artist’s newest paintings.  

Jerome Rothenberg in a chair

In Conversation
Jerome Rothenberg and Charles Bernstein

Gagosian and Beyond Baroque Literary | Arts Center hosted a conversation between poets Jerome Rothenberg and Charles Bernstein inside Anselm Kiefer’s exhibition Exodus at Gagosian at Marciano Art Foundation, Los Angeles. Rothenberg and Bernstein explored some of the themes that occupy Kiefer—Jewish mysticism, the poetry of Paul Celan, and the formulation of a global poetics in response to the Holocaust—in a discussion and readings of their poetry.

Michael Govan and Anselm Kiefer

In Conversation
Anselm Kiefer and Michael Govan

On the occasion of his exhibition Anselm Kiefer: Exodus at Gagosian at Marciano Art Foundation in Los Angeles, the artist spoke with Michael Govan about his works that elaborate on themes of loss, history, and redemption.

Anna Weyant’s Two Eileens (2022) on the cover of Gagosian Quarterly, Winter 2022

Now available
Gagosian Quarterly Winter 2022

The Winter 2022 issue of Gagosian Quarterly is now available, featuring Anna Weyant’s Two Eileens (2022) on its cover.

Hans Ulrich Obrist’s Questionnaire: Anselm Kiefer

Hans Ulrich Obrist’s Questionnaire: Anselm Kiefer

In this ongoing series, curator Hans Ulrich Obrist has devised a set of thirty-seven questions that invite artists, authors, musicians, and other visionaries to address key elements of their lives and creative practices. Respondents make a selection from the larger questionnaire and reply in as many or as few words as they desire. For the fourth installment, we are honored to present the artist Anselm Kiefer.