Ed Ruscha

ED RUSCHA
Jelly, 1967
Oil on canvas
20 x 23-7/8 inches (50.8 x 60.6 cm)
Ruscha has consistently combined the cityscape of Los Angeles with vernacular language to communicate a particular urban experience. Encompassing photography, drawing, painting, and artist books, Ruscha's work holds the mirror up to the banality of urban life and give order to the barrage of mass media-fed images and information that confront us daily. Ruscha's early career as a graphic artist continues to strongly influence his aesthetic and thematic approach.
Ruscha has been the subject of numerous museum retrospectives, which have traveled worldwide, beginning in 1983 with the San Francisco Museum of Modern Art, the Centre Georges Pompidou in 1989, and the Hirshhorn Museum and Sculpture Garden in 2000. In 2001, Ruscha was elected to The American Academy of Arts and Letters as a member of the Department of Art. The following year a major exhibition of Ruscha's entire body of work opened in Spain at the Museo Nacional Centro de Arte Reina Sofia.
"Leave Any Information at the Signal," a volume of Ruscha's writings, was published by MIT Press in 2002, while the first comprehensive monograph on the artist was written by Richard Marshall in 2003.
In 2004, The Whitney Museum of American Art organized two simultaneous exhibitions: "Cotton Puffs, Q-tips®, Smoke and Mirrors: The Drawings of Ed Ruscha," which traveled to the Museum of Contemporary Art, Los Angeles and then to the National Gallery of Art, Washington, D.C., and "Ed Ruscha and Photography." Also in 2004, the Museum of Contemporary Art in Sydney mounted a selection of the artist's photographs, paintings, books and drawings that traveled to the Museo Nazionale delle Arti del XXI Secolo, Rome and to the Scottish National Gallery of Modern Art. Another exhibition of Ruscha's photographs was organized for the Jeu de Paume in Paris in 2006. Ruscha was the United States representative at the 51st Venice Biennale in 2005.
