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Le Bourget

A photograph of the outside of the Gagosian location Le Bourget

26 avenue de l’Europe
93350 Le Bourget

+33 1 48 16 16 47
paris@gagosian.com

Hours: Tuesday–Saturday 11–6

Directions from Paris

Car 
From the Périphérique take highway A1 toward Lille/Roissy Charles-de-Gaulle
Take exit 5 toward Le Blanc-Mesnil/Aéroport Le Bourget
Follow the signs for Aéroport Le Bourget–Musée de l’Air et de l’Espace
Enter the airport and turn right onto l’Esplanade de l’Air et de l’Espace
Pass the Aéroports de Paris building on your right and continue onto avenue de l’Europe until you reach the gallery on your right
Parking is available at the gallery

Bus
– No. 152 (toward ZAC Tulipes Nord) from Porte de la Villette—exit at Musée de l’Air et de l’Espace (10-minute walk to follow)
– No. 350 (toward Roissypôle) from Porte de la Chapelle—exit at Musée de l’Air et de l’Espace (10-minute walk to follow)

RER
RER B—exit at Le Bourget and then take bus no. 152 from Jean Jaurès–Division Leclerc toward ZAC Les Tulipes Nord—exit at Musée de l’Air et de l’Espace (10-minute walk to follow)

Itinéraire depuis Paris

Voiture
Depuis le Périphérique, prendre l’autoroute A1 en direction de Lille/Roissy Charles-de-Gaulle
Prendre la sortie 5 vers Le Blanc-Mesnil/Aéroport Le Bourget
Suivre les panneaux Aéroport Le Bourget–Musée de l’Air et de l’Espace
Entrer dans l’aéroport et tourner à droite sur l’Esplanade de l’Air et de l’Espace
Passer devant le bâtiment d’Aéroports de Paris sur votre droite et continuer sur l’avenue de l’Europe jusqu’à la galerie, qui sera sur votre droite.
Un parking est disponible à la galerie

Bus
– N° 152 (direction ZAC Tulipes Nord) depuis la Porte de la Villette—sortir à Musée de l’Air et de l’Espace (10 minutes à pied jusqu’à la galerie)
– N° 350 (direction Roissypôle) depuis la Porte de la Chapelle—sortir à Musée de l’Air et de l’Espace (10 minutes à pied jusqu’à la galerie)

RER
RER B—sortie Le Bourget, puis prendre le bus n° 152 de Jean Jaurès–Division en direction de ZAC Les Tulipes Nord, descendre à Musée de l’Air et de l’Espace (10 minutes à pied jusqu’à la galerie)

Detail from Roy Lichtenstein’s Bauhaus Stairway Mural (1989), on the cover of Gagosian Quarterly, Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

A hand holds a tree branch like a gun

Maurizio Cattelan: Sunday Painter

Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.

Black and white portrait of the late artist Frank Stella

Frank Stella

In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.

Highlights: Salone del Mobile Milano 2024

Highlights: Salone del Mobile Milano 2024

This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.

portrait of Stanley Whitney

Stanley Whitney: Vibrations of the Day

Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

Richard Armstrong; color photograph

Richard Armstrong

Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.

Touch of Evil

Touch of Evil

Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.

artwork by Jim Shaw of a person holding a cat and a chicken inside a cage, with evil sea creatures surrounding them

Jim Shaw: A–Z

Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.

Oscar Murillo's painting "(untitled) scarred spirits" from 2023

Oscar Murillo: Marks and Whispers

Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.

Chris Eitel in the Kagan Design Group workshop

Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Portrait of Lauren Halsey inside her studio

Lauren Halsey: Full and Complete Freedom

Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.

black and white portrait of Candy Darling

Candy Darling

Published in March, Cynthia Carr’s latest biography recounts the life and work of the Warhol superstar and transgender trailblazer Candy Darling. Combining scholarship, compassion, and a rich understanding of the world Darling inhabited, Carr’s follow-up to her biography of the artist David Wojnarowicz elucidates the incredible struggles that Darling faced in the course of her determined journey toward a more glamorous, more honest, and more tender world. Here, Carr tells Josh Zajdman about the origins of the book, her process, and what she hopes readers glean from the story.