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Art Fair

Art Basel 2023

June 13–18, 2022, Hall 2, booth B15
Messe Basel
artbasel.com

Gagosian is pleased to participate in Art Basel 2023 with modern and contemporary works by gallery artists, as well as special entries in the Unlimited and Parcours sections of the fair.

Gagosian’s presentation in the main section of Art Basel represents the breadth and diversity of the gallery’s programming through work by artists including John Currin, Andreas Gursky, Simon Hantaï, Tetsuya Ishida, Jia Aili, Jamian Juliano-Villani, Ewa Juszkiewicz, Rick Lowe, Nathaniel Mary Quinn, Sarah Sze, Mary Weatherford, Anna Weyant, Rachel Whiteread, Stanley Whitney, and Jordan Wolfson, among others. Also featured are iconic works by Willem de Kooning, Gerhard Richter, Cy Twombly, and Andy Warhol.

Gagosian’s booth at Art Basel 2023. Artwork, left to right: © John Currin; © Rudolf Stingel; © 2023 Estate of Pablo Picasso/Artists Rights Society (ARS), New York; © 2023 The Willem de Kooning Foundation/Artists Rights Society (ARS), New York; © Jonas Wood; © Anna Weyant; © Jenny Saville; © Cy Twombly Foundation. Photo: Sebastiano Pellion di Persano

Gagosian’s booth at Art Basel 2023. Artwork, left to right: © John Currin; © Rudolf Stingel; © 2023 Estate of Pablo Picasso/Artists Rights Society (ARS), New York; © 2023 The Willem de Kooning Foundation/Artists Rights Society (ARS), New York; © Jonas Wood; © Anna Weyant; © Jenny Saville; © Cy Twombly Foundation. Photo: Sebastiano Pellion di Persano

Related News

Gagosian’s booth at Paris+ par Art Basel 2023. Artwork, left to right: © 2023 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York; © Carol Bove; © Giuseppe Penone/2023 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Thomas Lannes

Art Fair

Paris+ par Art Basel 2023

October 20–22, 2023, booth B05
Grand Palais Éphémère, Paris
parisplus.artbasel.com

Gagosian is pleased to announce its participation in the second edition of Paris+ par Art Basel, at the Grand Palais Éphémère. The presentation includes paintings, sculptures, and photographs by gallery artists, with a focus on new works created in some cases specifically for the fair and never shown before in Europe. The booth is activated by an architectural intervention by Carol Bove featuring four sculptures that make use of sandblasted, contorted, and painted stainless steel. 

Gagosian’s booth at Paris+ par Art Basel 2023. Artwork, left to right: © 2023 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York; © Carol Bove; © Giuseppe Penone/2023 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Thomas Lannes

Brice Marden, 2 (Orfeo ed Euridice), 2003 © 2024 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Art Fair

TEFAF New York 2024
Brice Marden and Cy Twombly

May 10–14, 2024, booth 350
Park Avenue Armory, New York
www.tefaf.com

Gagosian is pleased to announce its participation in TEFAF New York 2024, with a presentation of works by Brice Marden and Cy Twombly focused on the two artists’ exploratory approaches to the relationship between abstract form and mythological allusion.

Brice Marden, 2 (Orfeo ed Euridice), 2003 © 2024 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Gagosian publications. Photo: Mauricio Zelaya

Book Fair

NY Art Book Fair 2024

April 25–28, 2024, booth B5
548 West 22nd Street, New York
printedmatterartbookfairs.org

Gagosian is celebrating the thirtieth issue of Gagosian Quarterly at Printed Matter’s NY Art Book Fair 2024. The Summer 2024 issue—on newsstands May 3—will debut, with Roy Lichtenstein on the magazine’s newly redesigned cover and a music-themed stand-alone supplement, among other editorial features. For the occasion, copies of the past four issues of the magazine will be free with any purchase, and all Gagosian publications on display will be available for $10 each, including exhibition catalogues, monographs, and artist’s books.

Gagosian publications. Photo: Mauricio Zelaya

Detail from Roy Lichtenstein’s Bauhaus Stairway Mural (1989), on the cover of Gagosian Quarterly, Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

A hand holds a tree branch like a gun

Maurizio Cattelan: Sunday Painter

Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.

Black and white portrait of the late artist Frank Stella

Frank Stella

In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.

Highlights: Salone del Mobile Milano 2024

Highlights: Salone del Mobile Milano 2024

This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.

portrait of Stanley Whitney

Stanley Whitney: Vibrations of the Day

Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

Richard Armstrong; color photograph

Richard Armstrong

Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.

Touch of Evil

Touch of Evil

Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.

artwork by Jim Shaw of a person holding a cat and a chicken inside a cage, with evil sea creatures surrounding them

Jim Shaw: A–Z

Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.

Oscar Murillo's painting "(untitled) scarred spirits" from 2023

Oscar Murillo: Marks and Whispers

Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.

Chris Eitel in the Kagan Design Group workshop

Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Portrait of Lauren Halsey inside her studio

Lauren Halsey: Full and Complete Freedom

Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.

black and white portrait of Candy Darling

Candy Darling

Published in March, Cynthia Carr’s latest biography recounts the life and work of the Warhol superstar and transgender trailblazer Candy Darling. Combining scholarship, compassion, and a rich understanding of the world Darling inhabited, Carr’s follow-up to her biography of the artist David Wojnarowicz elucidates the incredible struggles that Darling faced in the course of her determined journey toward a more glamorous, more honest, and more tender world. Here, Carr tells Josh Zajdman about the origins of the book, her process, and what she hopes readers glean from the story.