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The Hugo Boss Prize 2020
Deana Lawson, Centropy

May 7–October 11, 2021
Solomon R. Guggenheim Museum, New York
www.guggenheim.org

In this exhibition, large-scale photographs by Deana Lawson, some of which are embedded with holograms, are arrayed in a dense constellation that surrounds a spectral rendering of a torus—a three-dimensional shape formed by a circle rotated around a central axis. As such, the installation draws on the thermodynamic concept of centropy, a term that describes how the electrification of matter leads to regeneration and harmonious order. The same impulse of renewal through creative energy is central to Lawson’s vision, in which her subjects are figured as ineffably splendid, occupying a world that they command absolutely. This exhibition is organized on the occasion of the Hugo Boss Prize, which Lawson won in 2020.

Installation view, The Hugo Boss Prize 2020: Deana Lawson, Centropy, Solomon R. Guggenheim Museum, New York, May 7–October 11, 2021. Artwork © Deana Lawson. Photo: David Heald

Installation view, The Hugo Boss Prize 2020: Deana Lawson, Centropy, Solomon R. Guggenheim Museum, New York, May 7–October 11, 2021. Artwork © Deana Lawson. Photo: David Heald

Detail from Roy Lichtenstein’s Bauhaus Stairway Mural (1989), on the cover of Gagosian Quarterly, Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

Jane Fonda wearing a white suit and speaking at a podium at the Art for a Safe and Healthy California benefit launch

Jane Fonda: On Art for a Safe and Healthy California

Art for a Safe and Healthy California is a benefit exhibition and auction jointly presented by Jane Fonda, Gagosian, and Christie’s to support the Campaign for a Safe and Healthy California. Here, Fonda speaks with Gagosian Quarterly’s Gillian Jakab about bridging culture and activism, the stakes and goals of the campaign, and the artworks featured in the exhibition.

A hand holds a tree branch like a gun

Maurizio Cattelan: Sunday Painter

Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.

Black and white portrait of the late artist Frank Stella

Frank Stella

In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.

Highlights: Salone del Mobile Milano 2024

Highlights: Salone del Mobile Milano 2024

This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.

portrait of Stanley Whitney

Stanley Whitney: Vibrations of the Day

Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

Richard Armstrong; color photograph

Richard Armstrong

Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.

Touch of Evil

Touch of Evil

Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.

artwork by Jim Shaw of a person holding a cat and a chicken inside a cage, with evil sea creatures surrounding them

Jim Shaw: A–Z

Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.

Oscar Murillo's painting "(untitled) scarred spirits" from 2023

Oscar Murillo: Marks and Whispers

Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.

Chris Eitel in the Kagan Design Group workshop

Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Portrait of Lauren Halsey inside her studio

Lauren Halsey: Full and Complete Freedom

Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.