In Conversation
Hand in Hand
AI Art and Creativity
Wednesday, April 10, 2024, 6:30pm
Whitney Museum of American Art, New York
whitney.org
Join the Whitney Museum of American Art for a conversation inspired by the exhibition Harold Cohen: AARON, which traces the evolution of the earliest artificial intelligence (AI) program for art making, on view at the museum through May 19. Artists Beth Coleman, Bennett Miller, Mimi Ọnụọha, and David Salle—who all use AI in their respective practices—will present short presentations on their working methods and tools, and the Whitney’s curator of digital art, Christine Paul, will lead a moderated discussion on how AI can enable new forms of creativity and artistic agency while also addressing its corporate structures and critical blind spots. The in-person event can also be attended online.
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Harold Cohen, AARON KCAT, 2001, Whitney Museum of American Art, New York © Harold Cohen Trust
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In Conversation
Bennett Miller
Michael Govan
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Join Gagosian for a conversation between Bennett Miller and Michael Govan, CEO and Wallis Annenberg Director of the Los Angeles County Museum of Art, inside the artist’s exhibition at Gagosian, Beverly Hills, featuring new AI-generated prints. The pair will explore the connections between the emergence of artificial intelligence and the history of the photographic image, as well as discuss the inspiration and process behind the prints on view and their dialogue with the contemporary landscape. Created with a DALL•E image generator, these melancholic images pose questions around the contingent and enigmatic nature of perception.
Bennett Miller, Untitled, 2023
Shop Takeover
Nan Goldin
May 14–June 22, 2024
Gagosian Shop, London
Nan Goldin is taking over the Gagosian Shop in London’s Burlington Arcade, offering visitors an opportunity to explore her practice in depth. The basement floor will be transformed into a reading room of books chosen by Goldin, with publications on artists such as Louise Bourgeois, Larry Clark, Andy Warhol, and David Wojnarowicz, and fiction, essays, and memoirs by writers including Toni Morrison, Darryl Pinckney, Lucy Sante, and Sarah Schulman. A wide selection of publications on Goldin are available on the ground floor, including both new and out-of-print exhibition catalogues, monographs, and artist’s books. Also on display are in-progress layouts from Heartbeat, a forthcoming nine-volume catalogue raisonné of Goldin’s photographs published by Steidl. Over the course of the takeover, different pages from this comprehensive publication project will be displayed, revealing Goldin’s notes and markups over the course of its development.
The Shop takeover accompanies an exhibition of Goldin’s early works in the gallery upstairs and Nan Goldin: Sisters, Saints, Sibyls, the second presentation in the Gagosian Open series of off-site exhibitions, on view at 83 Charing Cross Road from May 30 to June 23, 2024.
Nan Goldin, Self-portrait with eyes turned inward, Boston, 1989 © Nan Goldin
Fundraiser
Sky High Farm Spring Picnic
Saturday, May 18, 2024, 2–6pm
Kaatsbaan Cultural Park, Tivoli, New York
www.skyhighfarm.org
Sky High Farm is hosting a picnic fundraiser featuring a DJ set by Michaël Brun and performances by Kelsey Lu, Moses Sumney, The Roots, and other special acts, with food and beverages by local Hudson Valley purveyors available for purchase. The farm is a nonprofit founded by Dan Colen that aims to improve access to nutritious food for New Yorkers in underserved communities. All proceeds from the event will benefit Sky High Farm’s work to solve urgent and long-term issues at the intersection of climate, food access, and education.
Sky High Farm, Columbia County, New York. Photo: Ryan McGinley
Now available
Gagosian Quarterly Summer 2024
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Maurizio Cattelan: Sunday Painter
Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.
Frank Stella
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Stanley Whitney: Vibrations of the Day
Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.
Richard Armstrong
Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.
Touch of Evil
Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.
Jim Shaw: A–Z
Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.
Oscar Murillo: Marks and Whispers
Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.
Vladimir Kagan’s First Collection: An Interview with Chris Eitel
Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.
Lauren Halsey: Full and Complete Freedom
Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.