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In Conversation

Brooke Holmes, Katarina Jerinic, Lissa McClure
On Francesca Woodman

Wednesday, April 17, 2024, 6:30pm
Gagosian, 555 West 24th Street, New York

Join Gagosian for a conversation inside the exhibition Francesca Woodman at Gagosian, New York, between Brooke Holmes, professor of Classics at Princeton University, and Lissa McClure and Katarina Jerinic, executive director and collections curator, respectively, at the Woodman Family Foundation. The trio will discuss Woodman’s preoccupation with classical themes and archetypes, her exploration of the body as sculpture, and her development of photography’s capacity to invest representation with allegory and metaphor. The exhibition features more than fifty lifetime prints—many of which have not been previously exhibited—including Blueprint for a Temple (II) (1980), the largest work she accomplished.

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Francesca Woodman, Untitled, c. 1977–78 © Woodman Family Foundation/Artists Rights Society (ARS), New York

Francesca Woodman, Untitled, c. 1977–78 © Woodman Family Foundation/Artists Rights Society (ARS), New York

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Installation view, Francesca Woodman, Gagosian, 555 West 24th Street, New York, March 13–April 27, 2024. Artwork © Woodman Family Foundation/Artists Rights Society (ARS), New York. Photo: Owen Conway

Tour

Francesca Woodman
With Lissa McClure and Katarina Jerinic

Friday, April 26, 2024, 10am
Gagosian, 555 West 24th Street, New York

Join Gagosian for a tour of the exhibition Francesca Woodman at Gagosian, New York, led by Lissa McClure and Katarina Jerinic, executive director and collections curator, respectively, at the Woodman Family Foundation. The pair will guide visitors through the presentation of over fifty prints from approximately 1975 through 1980, in which Woodman situated herself and others within dilapidated interiors and ancient architecture to compose her tableaux. Using objects such as chairs and plinths along with architectural elements including doorways, walls, and windows, she staged contrasts with the performative presence of the figures, presenting the body itself as sculpture.

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Installation view, Francesca Woodman, Gagosian, 555 West 24th Street, New York, March 13–April 27, 2024. Artwork © Woodman Family Foundation/Artists Rights Society (ARS), New York. Photo: Owen Conway

Francesca Woodman: The Artist’s Books (London: MACK, 2023)

In Conversation

On Francesca Woodman
Claire Marie Healy, Katarina Jerinic, Magdalene Keaney

Monday, March 18, 2024, 6:30pm
Hatchards, Piccadilly, London
hatchards.co.uk

Join Hatchards to celebrate Francesca Woodman: The Artist’s Books, published in association with the Woodman Family Foundation. All eight of Woodman’s unique artist’s books are reproduced for the first time in one comprehensive volume, including two that have never before been seen. Writer and editor Claire Marie Healy; Katarina Jerinic, collections curator at the Woodman Family Foundation; and Magdalene Keaney, curator of Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In at the National Portrait Gallery, London, will consider how Woodman’s transformation of found volumes demonstrates a sophisticated relationship to narrative and sequence and offers a new understanding of the scope of her engagement with the book form. The trio will also discuss the images used to create the artist’s books that are on view at Gagosian, Burlington Arcade, London, from March 18 to April 6, 2024. Published by MACK, the book will be available for purchase at the event.

Purchase Tickets

Francesca Woodman: The Artist’s Books (London: MACK, 2023)

Francesca Woodman, These people live in that door, Providence, Rhode Island, 1977 © Woodman Family Foundation/Artists Rights Society (ARS), New York

In Conversation

On Francesca Woodman
Moyra Davey, Justine Kurland, Drew Sawyer, Collier Schorr

Wednesday, June 28, 2023, 6:45pm
Rizzoli Bookstore, New York
www.rizzolibookstore.com

Join Rizzoli to celebrate Francesca Woodman: The Artist’s Books, published in association with the Woodman Family Foundation. All eight of Woodman’s unique artist’s books are reproduced for the first time in one comprehensive volume, including two that have never before been seen. Artists Moyra Davey, Justine Kurland, and Collier Schorr, together with curator Drew Sawyer, will speak about the influence Woodman’s work has had on their respective practices, and the ways in which an examination of these predominantly unseen books can shed a new light on the late artist’s remarkable work. Published by MACK, the book will be available for purchase at the event.

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Francesca Woodman, These people live in that door, Providence, Rhode Island, 1977 © Woodman Family Foundation/Artists Rights Society (ARS), New York

Detail from Roy Lichtenstein’s Bauhaus Stairway Mural (1989), on the cover of Gagosian Quarterly, Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

A hand holds a tree branch like a gun

Maurizio Cattelan: Sunday Painter

Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.

Black and white portrait of the late artist Frank Stella

Frank Stella

In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.

Highlights: Salone del Mobile Milano 2024

Highlights: Salone del Mobile Milano 2024

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portrait of Stanley Whitney

Stanley Whitney: Vibrations of the Day

Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

Richard Armstrong; color photograph

Richard Armstrong

Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.

Touch of Evil

Touch of Evil

Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.

Chris Eitel in the Kagan Design Group workshop

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Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Institutional Buzz

Institutional Buzz

On the occasion of Andrea Fraser sexhibition at the Fondazione Antonio Dalle Nogare in Bolzano, Italy, Mike Stinavage speaks with the feminist performance artist about institutions and their discontents.

Installation view, with three paintings by Simon Hantaï

Simon Hantaï: Azzurro

Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.

Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.

Various artworks by Jeff Perrone hang on a white gallery wall

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