Installation
Derrick Adams
Dewdrop Inn
December 3, 2023–Fall 2026
Baltimore Museum of Art
artbma.org
Derrick Adams’s Dewdrop Inn (2023) has been installed at the Baltimore Museum of Art as part of the reopening of the Patricia and Mark Joseph Education Center, which offers new opportunities for hands-on art making and engagement for families, students, and art lovers of all ages. The installation, which features a match-up card game designed by the artist, invites young museumgoers to interact with one another and learn about the museum’s rich collection of African American art.
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Derrick Adams, Dewdrop Inn, 2023 © Derrick Adams Studio. Photo: Maximilian Franz
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Public Installation
Derrick Adams
Moynihan Connector Billboard
January 11–April 22, 2024
High Line, New York
www.thehighline.org
Sitting Pretty and Sing It Like You Mean It (both 2016) by Derrick Adams are on view on the High Line’s Moynihan Connector Billboard at its location on Dyer Avenue between 30th and 31st Streets in New York. The double-sided billboard features Adams’s two commanding depictions of Black people, whose warm self-assurance is broadcast to the park visitors and passersby below. The figures on each side are set against the Technicolor backdrop of a television test card, suggesting the partial reset of conventions within popular culture that took place as Black culture gained greater representation in the latter part of the twentieth century. A public park built on a once-abandoned elevated rail line in Manhattan, the High Line is also a nonprofit organization that works with communities and reimagines public spaces to create connected, healthy neighborhoods and cities.
Derrick Adams, Sing It Like You Mean It, 2016, installation view, High Line, New York © Derrick Adams Studio. Photo: courtesy High Line, New York
Shop Takeover
Derrick Adams
RECESS
Opening reception: Tuesday, October 10, 6–8pm
October 2–November 6, 2023
Gagosian Shop, London
Derrick Adams is taking over the Gagosian Shop in London’s Burlington Arcade with a selection of new merchandise designed with imagery of recreation, self-reflection, and sweet treats. Offerings include T-shirts adorned with icons from his paintings as well as a poster produced in conjunction with Come as You Are, his exhibition at Gagosian, Beverly Hills. The Fall 2023 issue of Gagosian Quarterly, with a cover image by Adams and a feature by Jewels Dodson reflecting on the artist’s recent works, is also available.
The Shop takeover accompanies RECESS, an exhibition of new work in the gallery upstairs that includes a painting and a video whose imagery relate to Adams’s interactive sculptures Funtime Unicorn Spring Riders (2022), which are installed in the gallery and along the length of the historic arcade.
Derrick Adams takeover at the Gagosian Shop, London, 2023. Artwork © Derrick Adams Studio. Photo: Prudence Cuming Associates Ltd
Exhibition
Derrick Adams in
Beyond Granite: Pulling Together
August 18–September 18, 2023
National Mall, Washington, DC
monumentlab.com
Beyond Granite: Pulling Together aims to create a more inclusive, equitable, and representative commemorative landscape on the National Mall. Curated by Monument Lab, a nonprofit public art and history studio based in Philadelphia, the exhibition features installations by six artists that respond to its central question: What stories remain untold on the National Mall? The innovative and experimental works explore Indigenous legacies, histories of enslavement, civil rights, LGBTQ activism, pathways for immigration, environmental justice, and other defining narratives of American resilience. America’s Playground: DC (2023), a monumental structure by Derrick Adams that considers the history of desegregated playgrounds in the nation’s capital, is included.
Derrick Adams, America’s Playground: DC, 2023 © Derrick Adams Studio
Now available
Gagosian Quarterly Summer 2024
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
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Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.
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In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.
Highlights: Salone del Mobile Milano 2024
This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.
Stanley Whitney: Vibrations of the Day
Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.
Richard Armstrong
Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.
Touch of Evil
Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.
Vladimir Kagan’s First Collection: An Interview with Chris Eitel
Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.
Institutional Buzz
On the occasion of Andrea Fraser ’sexhibition at the Fondazione Antonio Dalle Nogare in Bolzano, Italy, Mike Stinavage speaks with the feminist performance artist about institutions and their discontents.
Simon Hantaï: Azzurro
Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.
Game Changer: Alexey Brodovitch
Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.
Outsider Artist
David Frankel considers the life and work of Jeff Perrone, an artist who rejected every standard of success, and reflects on what defines an existence devoted to art.