Design
Harold Ancart
RxART
Harold Ancart is collaborating with RxART, a nonprofit organization whose mission is to help children heal through the extraordinary power of visual art, on a project for the new Primary Children’s Hospital Miller Family Campus in Lehi, Utah. Anticipated to be completed in 2024, Ancart’s mural installation depicting a variety of fish swimming in the sky will be situated in a corridor at the heart of the hospital near the main lobby, directly in front of the education center, café, and pharmacy.
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Harold Ancart’s mural at the Primary Children’s Hospital Miller Family Campus in Lehi, Utah. Artwork © Harold Ancart. Photo: Kyle Aiken Photography
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Artist Spotlight
Harold Ancart
February 22–28, 2023
Harold Ancart’s paintings, sculptures, and installations explore our experience of natural landscapes and built environments. His works allude to a range of art historical sources and are often characterized by abstract passages of color. Focusing on recognizable subjects, Ancart isolates moments of poetry in everyday surroundings.
Photo: Dianna Agron
Online Reading
Harold Ancart
Soft Places
Harold Ancart: Soft Places is available for online reading from February 22 through March 23 as part of Artist Spotlight: Harold Ancart. It features selected works on paper that Ancart made between 2009 and 2015 as well as writing by the artist. Published by Triangle Books, the book presents Ancart’s first semiabstract and monochromatic drawings and his psychedelic colorful landscapes.
Harold Ancart: Soft Places, 2nd ed. (Brussels: Triangle Books, 2018)
New Representation
Harold Ancart
Gagosian is pleased to announce the representation of Harold Ancart. The artist will have a solo exhibition with the gallery in New York in 2023.
Focusing on recognizable subjects, Ancart isolates moments of poetry in his everyday surroundings. By working serially, he moves beyond straightforward representation to emphasize the process of painting. Straddling abstraction and representation, he experiments with color and composition, allowing the operation of chance to help determine a work’s final form.
Born in Brussels and based in New York, Ancart had a solo exhibition at the Menil Collection, Houston, in 2016, and is featured in the 2022 Whitney Biennial. His work is represented in the collections of significant institutions worldwide, including the Whitney Museum of American Art, New York; Musee d’Art Moderne de Paris; and Fondation Beyeler, Riehen/Basel, Switzerland.
Photo: courtesy the artist
Now available
Gagosian Quarterly Summer 2024
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
Jane Fonda: On Art for a Safe and Healthy California
Art for a Safe and Healthy California is a benefit exhibition and auction jointly presented by Jane Fonda, Gagosian, and Christie’s to support the Campaign for a Safe and Healthy California. Here, Fonda speaks with Gagosian Quarterly’s Gillian Jakab about bridging culture and activism, the stakes and goals of the campaign, and the artworks featured in the exhibition.
Maurizio Cattelan: Sunday Painter
Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.
Frank Stella
In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.
Highlights: Salone del Mobile Milano 2024
This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.
Stanley Whitney: Vibrations of the Day
Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.
Richard Armstrong
Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.
Touch of Evil
Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.
Jim Shaw: A–Z
Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.
Oscar Murillo: Marks and Whispers
Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.
Vladimir Kagan’s First Collection: An Interview with Chris Eitel
Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.
Lauren Halsey: Full and Complete Freedom
Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.