Honor
Edmund de Waal
Edmund de Waal was appointed a Commander of the Order of the British Empire (CBE) in Queen Elizabeth II’s 2021 birthday honors list for his service to the arts as a potter and a writer. The title CBE is bestowed to individuals who have made distinct and innovative contributions to the United Kingdom.
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Edmund de Waal. Photo: Tom Jamieson
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Honor
Edmund de Waal
Isamu Noguchi Award 2023
Edmund de Waal has been selected to receive the Isamu Noguchi Award for his contribution as both a writer and artist. Established in 2014 and presented annually, the award perpetuates Noguchi’s legacy by acknowledging highly accomplished individuals who share his spirit of innovation, unbounded imagination, and uncompromising commitment to creativity. Honoring those whose work exhibits qualities of artistic excellence, the award also recognizes work that carries significant social consciousness and function. De Waal will receive the award during the annual benefit gala at the Noguchi Museum, New York, in September 2023.
Photo: Tom Jamieson
Reading and Book Signing
Edmund de Waal
Tuesday, December 13, 2022, 7pm
Burlington Arcade, London
Join Gagosian for an evening with Edmund de Waal in celebration of de Waal +, his takeover of the Gagosian Shop in Burlington Arcade. The artist will give a short reading and then sign copies of his books, which will be available to purchase at the event. Composer Simon Fisher Turner, de Waal’s friend and collaborator, will be signing a limited number of copies of A Quiet Corner in Time, the 2020 album that marked the first time de Waal worked closely with a musician.
Edmund de Waal. Photo: Tom Jamieson
Shop Takeover
Edmund de Waal
November 8–December 23, 2022
Gagosian Shop, London
Edmund de Waal is taking over the Gagosian Shop in London’s historic Burlington Arcade with de Waal +, which brings together recent artworks, treasured objects, and a selection of books curated by the artist.
“I’ve always wanted to take over a bookshop,” de Waal remarks. “I’ve filled it with books, of course. And music and photography, pamphlets recording projects created over the last decade, writing on artists I adore and poetry that sustains me, collaborations with dancers and composers, editions I have made for the British Art Medal Society and for the Victoria & Albert Museum. And I’ve added some pots that I have just made.”
In his interlinked sculptural, writing, and research practices, de Waal studies and utilizes objects as vehicles for human emotion and history. His installations of handmade porcelain vessels, often contained in minimalist structures, investigate themes of diaspora, memory, and materiality.
In addition to working across mediums, de Waal has also collaborated with museums, poets, performers, musicians, and other artists. Offering viewers a glimpse of his varied interests and inspirations, de Waal says, “I hope you come and find a corner to sit and read.”
Edmund de Waal, clogged only with music like the wheels of birds, I, 2022 © Edmund de Waal. Photo: Alzbeta Jaresova
Now available
Gagosian Quarterly Summer 2024
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
Maurizio Cattelan: Sunday Painter
Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.
Frank Stella
In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.
Highlights: Salone del Mobile Milano 2024
This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.
Stanley Whitney: Vibrations of the Day
Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.
Richard Armstrong
Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.
Touch of Evil
Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.
Jim Shaw: A–Z
Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.
Oscar Murillo: Marks and Whispers
Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.
Vladimir Kagan’s First Collection: An Interview with Chris Eitel
Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.
Lauren Halsey: Full and Complete Freedom
Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.
Candy Darling
Published in March, Cynthia Carr’s latest biography recounts the life and work of the Warhol superstar and transgender trailblazer Candy Darling. Combining scholarship, compassion, and a rich understanding of the world Darling inhabited, Carr’s follow-up to her biography of the artist David Wojnarowicz elucidates the incredible struggles that Darling faced in the course of her determined journey toward a more glamorous, more honest, and more tender world. Here, Carr tells Josh Zajdman about the origins of the book, her process, and what she hopes readers glean from the story.