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Discovering Wesselmann

Wednesday, December 16, 2020, 6pm EST

Join the Wildenstein Plattner Institute (WPI) for a conversation on how archival research intersects with and supports the development of catalogues raisonnés. Samantha Rowe, a digital archivist and research associate at WPI, and Huffa Frobes-Cross, project manager for the Tom Wesselmann catalogue raisonné to be published by WPI, will discuss how their roles can both prove integral to each other’s discoveries and diverge completely. The event will also offer an exclusive look at the Tom Wesselmann Papers sourced from the artist’s archives. To join, register at zoom.us.

Tom Wesselmann, Still Life #38, 1964 © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York

Tom Wesselmann, Still Life #38, 1964 © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York

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Tom Wesselmann, Female smoker with outlined knuckles, c. 1975, Tom Wesselmann Papers, The Wildenstein Plattner Institute, Inc.

Talk

Rachel Middleman
Erotic Art and Feminism in the 1960s

Thursday, June 22, 2023, 1pm EDT

Rachel Middleman, associate professor of art history at California State University, Chico, will give a lecture as part of the Wildenstein Plattner Institute’s webinar series Between the Two: Art and Sexuality in 1960s New York. She will explore the broad category of “erotic art” in exhibitions of the decade, discussing Pop artists including Tom Wesselmann, and consider the ways in which women artists, among them Martha Edelheit and Marjorie Strider, sought to reshape the conventions of “the nude” and upend the presumed objectivity of formalism of erotic art.

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Tom Wesselmann, Female smoker with outlined knuckles, c. 1975, Tom Wesselmann Papers, The Wildenstein Plattner Institute, Inc.

Gagosian’s booth at Art Basel Miami Beach 2022. Artwork, left to right: © Gerhard Richter; © Amoako Boafo; © Richard Prince; © 2022 Judd Foundation/Artists Rights Society (ARS), New York; © Richard Diebenkorn Foundation; © The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York; © Stanley Whitney. Photo: Sebastiano Pellion di Persano

Art Fair

Art Basel Miami Beach 2022

December 1–3, 2022, booth D5
Miami Beach Convention Center
artbasel.com

Gagosian is pleased to present a selection of modern and contemporary works at Art Basel Miami Beach 2022. Returning to Miami for the fair’s twentieth anniversary, the gallery is honored to have participated each year the fair has been held.

Gagosian’s booth at Art Basel Miami Beach 2022. Artwork, left to right: © Gerhard Richter; © Amoako Boafo; © Richard Prince; © 2022 Judd Foundation/Artists Rights Society (ARS), New York; © Richard Diebenkorn Foundation; © The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York; © Stanley Whitney. Photo: Sebastiano Pellion di Persano

Tom Wesselmann, Great American Nude #34, 1962 © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York

Talk

Two Men from Cincinnati
Tom Wesselmann’s 1962 Debut at the Green Gallery with Susan Davidson

Tuesday, October 4, 2022, 1pm EdT

As part of the Wildenstein Plattner Institute’s webinar series Pop Places 1958–1966, curator and art historian Susan Davidson will discuss research from her upcoming monograph devoted to the stylistic development and reception of Tom Wesselmann’s most famous body of work, the Great American Nude series (1961–69/73), many of which were shown at the Green Gallery in New York in 1962. Each of these midday talks is dedicated to a different key New York exhibition space of the Pop era from an array of sites where artists, gallerists, and critics collectively worked through and developed the forms, ideas, and challenges that would later become identified with the Pop art movement.

Register

Tom Wesselmann, Great American Nude #34, 1962 © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York

Detail from Roy Lichtenstein’s Bauhaus Stairway Mural (1989), on the cover of Gagosian Quarterly, Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

A hand holds a tree branch like a gun

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Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.

Black and white portrait of the late artist Frank Stella

Frank Stella

In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.

Highlights: Salone del Mobile Milano 2024

Highlights: Salone del Mobile Milano 2024

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portrait of Stanley Whitney

Stanley Whitney: Vibrations of the Day

Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

Richard Armstrong; color photograph

Richard Armstrong

Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.

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Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.

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Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Institutional Buzz

Institutional Buzz

On the occasion of Andrea Fraser sexhibition at the Fondazione Antonio Dalle Nogare in Bolzano, Italy, Mike Stinavage speaks with the feminist performance artist about institutions and their discontents.

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Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.

Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.

Various artworks by Jeff Perrone hang on a white gallery wall

Outsider Artist

David Frankel considers the life and work of Jeff Perrone, an artist who rejected every standard of success, and reflects on what defines an existence devoted to art.