Video
The Afghan Carpet Project
Lisa Anne Auerbach, Liz Craft, Meg Cranston, Francesca Gabbiani, Jennifer Guidi, Toba Khedoori
For The Afghan Carpet Project, the Hammer Museum in Los Angeles invited six artists, including Jennifer Guidi, to travel to Afghanistan to learn about the history and process of hand-weaving carpets and then to create designs to be produced by Afghan weavers. The project was initiated by the nonprofit organization AfghanMade, along with carpet producer Christopher Farr, Inc., with proceeds benefiting Arzu Studio Hope. This video provides an account of the project, including interviews with the participating artists and footage from their trip to Kabul and Bamiyan in March 2014, as well as views of the resulting carpets displayed at the Hammer Museum.
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Art Fair
Art Basel Hong Kong 2024
March 27–30, 2024
Hong Kong Convention and Exhibition Centre
www.artbasel.com
Gagosian is participating in Art Basel Hong Kong 2024 with a selection of works by international contemporary artists. The works on view, which embrace a dizzying variety of subjects and approaches, see the participating artists identify fresh ways to disrupt established histories of abstraction and figuration, and instill sculptural and painterly representations of the natural world with complex cultural significance.
Sarah Sze, Turning and Turning, 2024 © Sarah Sze. Photo: Maris Hutchinson
Auction
Iovine and Young Center for High School Education Benefit Auction
Online auction: February 13–27, 2024
Live auction: February 27, 2024
This online benefit auction, hosted by Sotheby’s for the Iovine and Young Center for High School Education, features eleven donated works by contemporary artists including Jennifer Guidi and Ed Ruscha. The Iovine and Young Center is part of the Los Angeles Unified School District, and all proceeds from the sale will directly support its educational programming and contribute to the advancement of its impactful initiatives.
Jennifer Guidi, Into the Expanse of the Sky, 2024 © Jennifer Guidi
In Conversation
Jennifer Guidi
Heidi Zuckerman
Sunday, January 28, 2024, 3pm
Orange County Museum of Art, Costa Mesa, California
ocma.art
Join the Orange County Museum of Art for a conversation between Jennifer Guidi and OCMA CEO and director Heidi Zuckerman on the occasion of the artist’s exhibition And so it is., on view through February 18, 2024. The pair will discuss exploring the spiritual and metaphysical world, the importance of place, and Guidi’s rich history growing up in Orange County. The event is free to attend.
Installation view, Jennifer Guidi: And so it is., Orange County Museum of Art, Costa Mesa, California, September 15, 2023–February 18, 2024. Artwork © Jennifer Guidi. Photo: Yubo Dong, ofstudio
Now available
Gagosian Quarterly Summer 2024
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
Maurizio Cattelan: Sunday Painter
Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.
Frank Stella
In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.
Highlights: Salone del Mobile Milano 2024
This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.
Stanley Whitney: Vibrations of the Day
Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.
Richard Armstrong
Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.
Touch of Evil
Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.
Jim Shaw: A–Z
Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.
Oscar Murillo: Marks and Whispers
Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.
Vladimir Kagan’s First Collection: An Interview with Chris Eitel
Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.
Lauren Halsey: Full and Complete Freedom
Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.
Candy Darling
Published in March, Cynthia Carr’s latest biography recounts the life and work of the Warhol superstar and transgender trailblazer Candy Darling. Combining scholarship, compassion, and a rich understanding of the world Darling inhabited, Carr’s follow-up to her biography of the artist David Wojnarowicz elucidates the incredible struggles that Darling faced in the course of her determined journey toward a more glamorous, more honest, and more tender world. Here, Carr tells Josh Zajdman about the origins of the book, her process, and what she hopes readers glean from the story.