Arts Funding and Donation
Helen Frankenthaler Foundation
New Education Initiatives
On November 30, 2018, the Helen Frankenthaler Foundation announced two new initiatives for arts funding: the Frankenthaler Scholarships, which will support graduate students of painting and of art history, and the Frankenthaler Prints Initiative, comprising gifts of selected prints by the artist to ten university-affiliated museums and grants to develop related programs. For more information, visit www.frankenthalerfoundation.org.
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Helen Frankenthaler, Untitled, 1967 © 2018 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York/Chiron Press, New York. Photo: Steven Sloman
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Donation
Helen Frankenthaler Foundation
COVID-19 Relief Effort
In response to the catastrophic situation artists and art organizations face in the wake of the COVID-19 pandemic, the Helen Frankenthaler Foundation has announced a $5 million commitment to relief funding over the next three years. Building on its commitment to supporting artists and art institutions, this multiyear initiative marks the Foundation’s largest commitment of funding to date in support of a single cause since it became active in 2013.
Helen Frankenthaler, M, 1977, Helen Frankenthaler Foundation, New York © 2020 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. Photo: Steven Sloman
Panel Discussion
Expanding Climate Action in the Visual Arts
Friday, September 22, 2023, 5:30pm
New Museum, New York
Join the Helen Frankenthaler Foundation during Climate Week NYC for a panel discussion featuring recent Frankenthaler Climate Initiative (FCI) grantees. Through a moderated conversation with museum and university leaders, Expanding Climate Action in the Visual Arts explores current models for energy efficiency and clean energy in the arts—and concludes with a series of action items and next steps that arts organizations can consider taking. The event includes brief presentations by several recent FCI grant recipients, plus invited leaders from the cultural field who are shaping climate change action in the visual arts. The event will also be livestreamed.
Helen Frankenthaler, Reef, 1991 © 2023 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. Photo: Rob McKeever
Talk
Elizabeth Smith
On Helen Frankenthaler
Sunday, May 21, 2023, 5pm EDT
Elizabeth Smith, executive director of the Helen Frankenthaler Foundation, will give a talk as part of the Art of Relationships, a series of Zoom lectures organized in conjunction with the exhibition Creative Exchanges: Artists in Jackson Pollock and Lee Krasner’s Address Books, on view at the Pollock-Krasner House and Study Center, East Hampton, New York, through July 30, 2023. Smith will consider some of Frankenthaler’s earliest works and will reflect on what made Frankenthaler’s painting, in Morris Louis’s later words, a “bridge between Pollock and what was possible” for other artists in the 1950s.
Elizabeth Smith. Photo: Scott Rudd
Now available
Gagosian Quarterly Summer 2024
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
Maurizio Cattelan: Sunday Painter
Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.
Frank Stella
In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.
Highlights: Salone del Mobile Milano 2024
This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.
Stanley Whitney: Vibrations of the Day
Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.
Richard Armstrong
Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.
Touch of Evil
Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.
Jim Shaw: A–Z
Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.
Oscar Murillo: Marks and Whispers
Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.
Vladimir Kagan’s First Collection: An Interview with Chris Eitel
Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.
Lauren Halsey: Full and Complete Freedom
Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.
Candy Darling
Published in March, Cynthia Carr’s latest biography recounts the life and work of the Warhol superstar and transgender trailblazer Candy Darling. Combining scholarship, compassion, and a rich understanding of the world Darling inhabited, Carr’s follow-up to her biography of the artist David Wojnarowicz elucidates the incredible struggles that Darling faced in the course of her determined journey toward a more glamorous, more honest, and more tender world. Here, Carr tells Josh Zajdman about the origins of the book, her process, and what she hopes readers glean from the story.