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ComplexCon(versations)
Takashi Murakami and Virgil Abloh
In this episode of ComplexCon(versations), Takashi Murakami and Virgil Abloh discuss their individual interests, influences, and styles, as well as their revolutionary collaborations.
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In Conversation
Brooklyn Talks
Takashi Murakami and Joan Cummins
Monday, April 29, 2024, 7–9pm
Brooklyn Museum, New York
www.brooklynmuseum.org
In conjunction with the exhibition Hiroshige’s 100 Famous Views of Edo (feat. Takashi Murakami) at the Brooklyn Museum, Murakami and curator Joan Cummins will discuss the artist’s new series of fantastical paintings that respond to Utagawa Hiroshige’s 100 Famous Views of Edo (1856–58), now on view at the museum for the first time in twenty-four years. Cummins and Murakami will also reflect on Hiroshige’s contributions to global art history and his role as a witness to and chronicler of environmental and social change.
Takashi Murakami. Artwork © 2024 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved. Photo: Shin Suzuki
Art Fair
Art Basel Hong Kong 2024
March 27–30, 2024
Hong Kong Convention and Exhibition Centre
www.artbasel.com
Gagosian is participating in Art Basel Hong Kong 2024 with a selection of works by international contemporary artists. The works on view, which embrace a dizzying variety of subjects and approaches, see the participating artists identify fresh ways to disrupt established histories of abstraction and figuration, and instill sculptural and painterly representations of the natural world with complex cultural significance.
Sarah Sze, Turning and Turning, 2024 © Sarah Sze. Photo: Maris Hutchinson
Art Fair
ART SG 2024
January 19–21, 2024, booth BC06
Marina Bay Sands Expo and Convention Centre, Singapore
artsg.com
Gagosian is pleased to participate in the second edition of ART SG, with a selection of works by international contemporary artists including Harold Ancart, Georg Baselitz, Ashley Bickerton, Amoako Boafo, Dan Colen, Edmund de Waal, Nan Goldin, Lauren Halsey, Hao Liang, Keith Haring, Damien Hirst, Tetsuya Ishida, Alex Israel, Donald Judd, Y.Z. Kami, Emily Kame Kngwarreye, Rick Lowe, Takashi Murakami, Takashi Murakami & Virgil Abloh, Nam June Paik, Ed Ruscha, Jim Shaw, Alexandria Smith, Spencer Sweeney, Stanley Whitney, Jonas Wood, and Zeng Fanzhi. The works on view, which embrace a wide variety of subjects and approaches, find artists infusing traditional genres such as history painting, portraiture, and landscape with new and surprising ideas that traverse cultural and temporal boundaries.
Gagosian’s booth at ART SG 2024. Artwork, left to right: © ADAGP, Paris, 2024, © Jonas Wood, © Rick Lowe Studio. Photo: Ringo Cheung
Now available
Gagosian Quarterly Summer 2024
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
Maurizio Cattelan: Sunday Painter
Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.
Frank Stella
In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.
Highlights: Salone del Mobile Milano 2024
This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.
Stanley Whitney: Vibrations of the Day
Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.
Richard Armstrong
Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.
Touch of Evil
Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.
Jim Shaw: A–Z
Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.
Oscar Murillo: Marks and Whispers
Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.
Vladimir Kagan’s First Collection: An Interview with Chris Eitel
Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.
Lauren Halsey: Full and Complete Freedom
Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.
Candy Darling
Published in March, Cynthia Carr’s latest biography recounts the life and work of the Warhol superstar and transgender trailblazer Candy Darling. Combining scholarship, compassion, and a rich understanding of the world Darling inhabited, Carr’s follow-up to her biography of the artist David Wojnarowicz elucidates the incredible struggles that Darling faced in the course of her determined journey toward a more glamorous, more honest, and more tender world. Here, Carr tells Josh Zajdman about the origins of the book, her process, and what she hopes readers glean from the story.