Award
Anselm Kiefer
Anselm Kiefer will be presented with the 2017 J. Paul Getty Medal to honor his extraordinary contributions to the practice, understanding, and support of the arts at the Morgan Library & Museum in New York on November 13, 2017.
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Photo: Peter Rigaud
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Design
Anselm Kiefer
Vienna State Opera Safety Curtain
November 8, 2023–June 2024
Wiener Staatsoper, Vienna
www.mip.at
Anselm Kiefer has been selected to design the twenty-sixth Eiserner Vorhang (Safety Curtain), an annual project by Vienna’s museum in progress, a nonprofit art initiative that transforms the fire protection wall between the stage and the auditorium of the Vienna State Opera into a temporary exhibition space for contemporary art. Kiefer’s work is on view for the audience before and after performances and during intermissions.
Anselm Kiefer’s safety curtain, Solaris (2023), for the 2023–24 season of the Wiener Staatsoper, Vienna. Artwork © Anselm Kiefer. Photo: Andreas Scheiblecker, courtesy museum in progress
Exhibition
Anselm Kiefer in
Les Fleurs du Mal
October 18–November 13, 2023
Maison Guerlain, Paris
stores.guerlain.com
Les Fleurs du Mal, inspired by Charles Baudelaire’s poetry collection of the same name, is the sixteenth annual show at Maison Guerlain. The exhibition, whose title translates to The Flowers of Evil, addresses the kaleidoscopic world of flowers in paintings, drawings, sculptures, installations, and photographs by twenty-six contemporary artists. Work by Anselm Kiefer is included.
Anselm Kiefer, Extases féminines—Margherite Porete (Feminine Ecstasies––Margherite Porete), 2012 © Anselm Kiefer
In Conversation
Anselm Kiefer
Barry Bergdoll
Tuesday, May 30, 2023, 5–7pm
Columbia Global Center, Paris
globalcenters.columbia.edu
Anselm Kiefer will be in conversation with architectural historian and Columbia professor Barry Bergdoll exploring the role of architecture and space in the artist’s work. The exchange will address, among other works, Kiefer’s permanent installations in the Panthéon in Paris, a building about which Bergdoll has written extensively, including in the exhibition catalogue Le Panthéon: Symbole des révolutions (1989).
Anselm Kiefer’s permanent installation in the Panthéon, Paris. Artwork © Anselm Kiefer. Photo: Georges Poncet
Now available
Gagosian Quarterly Summer 2024
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
Maurizio Cattelan: Sunday Painter
Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.
Frank Stella
In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.
Highlights: Salone del Mobile Milano 2024
This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.
Stanley Whitney: Vibrations of the Day
Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.
Richard Armstrong
Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.
Touch of Evil
Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.
Jim Shaw: A–Z
Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.
Oscar Murillo: Marks and Whispers
Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.
Vladimir Kagan’s First Collection: An Interview with Chris Eitel
Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.
Lauren Halsey: Full and Complete Freedom
Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.
Candy Darling
Published in March, Cynthia Carr’s latest biography recounts the life and work of the Warhol superstar and transgender trailblazer Candy Darling. Combining scholarship, compassion, and a rich understanding of the world Darling inhabited, Carr’s follow-up to her biography of the artist David Wojnarowicz elucidates the incredible struggles that Darling faced in the course of her determined journey toward a more glamorous, more honest, and more tender world. Here, Carr tells Josh Zajdman about the origins of the book, her process, and what she hopes readers glean from the story.