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Gagosian is pleased to announce Seeing Is Believing: Lee Miller and Friends, opening on November 11 at 976 Madison Avenue, New York. The exhibition centers on the long, fruitful relationship between American photographer Lee Miller (1907–1977) and English Surrealist painter, collector, art historian, and Picasso biographer, Roland Penrose (1900–1984). In addition to photographs by Miller and Penrose, it will feature paintings, sculptures, photographs, and works on paper by Joseph Cornell, Max Ernst, Dora Maar, Man Ray, Henry Moore, Valentine Penrose, and Pablo Picasso—all artists in their extended network. Curated by Jason Ysenburg and Richard Calvocoressi, Seeing Is Believing also presents letters, albums, and ephemera that trace a history of interconnected lives and relationships.
As a model for American Vogue in the 1920s, Miller was photographed by leading fashion and portrait photographers before traveling to Paris to study with Man Ray. She developed a uniquely Surrealist vision of portraiture and captured many arresting images as a correspondent during World War II. Penrose co-organized the 1936 International Surrealist Exhibition that introduced the movement to the United Kingdom, cofounded London’s Institute of Contemporary Arts in 1946, and curated important retrospectives of Picasso and Man Ray.
Summering in the South of France in the 1930s, moving to London at the outbreak of World War II, traveling in the United States after the war, and relocating to East Sussex in 1949, Miller and Penrose cultivated enduring connections with key artists and writers, playing a vital role in the culture of their era. With an emphasis on Surrealism, Seeing Is Believing paints a picture of the creative life the couple shared with their friends.
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Artists
Joseph Cornell
Max Ernst
Dora Maar
Man Ray
Lee Miller
Henry Moore
Roland Penrose
Valentine Penrose
Pablo Picasso
White Studio
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Gagosian
press@gagosian.com
Hallie Freer
hfreer@gagosian.com
+1 212 744 2313
Polskin Arts
Meagan Jones
meagan.jones@finnpartners.com
+1 212 593 6485
A Flat on Rue Victor-Considerant
Lee Miller and Tanja Ramm’s friendship took them from New York to Paris and back, in front of and behind many cameras, and into the Surrealist avant-garde. Here, Gagosian director Richard Calvocoressi speaks with Ramm’s daughter, art historian Margit Rowell, about discovering her mother’s early life, her memories of Miller, and the collaborative work of photographers and models.
Lee Miller and Friends
The American Surrealist photographer Lee Miller is the subject of the exhibition Seeing Is Believing at Gagosian, New York. Here we present a conversation on the stewardship of Miller’s legacy, her photography and writing from the frontlines of war to the pages of Vogue, and the intertwined lives of her friends, lovers, and the many artists she knew.
Behind the Art
A Foreigner Called Picasso
Join president of the Picasso Museum, Paris, Cécile Debray; curator, writer, biographer, and historian Annie Cohen-Solal; art historian Vérane Tasseau; and Gagosian director Serena Cattaneo Adorno as they discuss A Foreigner Called Picasso. Organized in association with the Musée national Picasso–Paris and the Palais de la Porte Dorée–Musée national de l’histoire de l’immigration, Paris, the exhibition reframes our perception of Picasso and focuses on his status as a permanent foreigner in France.
A Foreigner Called Picasso
Cocurator of the exhibition A Foreigner Called Picasso, at Gagosian, New York, Annie Cohen-Solal writes about the genesis of the project, her commitment to the figure of the outsider, and Picasso’s enduring relevance to matters geopolitical and sociological.
Fashion and Art: Pieter Mulier
Pieter Mulier, creative director of Alaïa, presented his second collection for the legendary house in Paris in January 2022. After the presentation, Mulier spoke with Derek Blasberg about the show’s inspirations, including a series of ceramics by Pablo Picasso, and about his profound reverence for the intimacy and artistry of the atelier.
The Art of Biography: Sir John Richardson’s “The Minotaur Years”
Pepe Karmel celebrates the release of A Life of Picasso IV: The Minotaur Years, 1933–1943, the final installment of Sir John Richardson’s magisterial biography.
