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Brice Marden

Let the painting make you

November 2–December 22, 2023
980 Madison Avenue, New York

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Installation video

Installation view Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view

Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Owen Conway

Installation view

Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Owen Conway

Installation view with Brice Marden, Verve (2022–23) Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Owen Conway

Installation view with Brice Marden, Verve (2022–23)

Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Owen Conway

Installation view Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Owen Conway

Installation view

Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Owen Conway

Installation view with Brice Marden, The Dance (2022–23) Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Owen Conway

Installation view with Brice Marden, The Dance (2022–23)

Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Owen Conway

Installation view with Brice Marden, Ridge (2022–23) Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Owen Conway

Installation view with Brice Marden, Ridge (2022–23)

Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Owen Conway

Installation view Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Owen Conway

Installation view

Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Owen Conway

Installation view with Brice Marden, Marrow (2022–23) Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Owen Conway

Installation view with Brice Marden, Marrow (2022–23)

Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Owen Conway

Installation view with Brice Marden, Untitled (2021–23) Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Owen Conway

Installation view with Brice Marden, Untitled (2021–23)

Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Owen Conway

Installation view Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Owen Conway

Installation view

Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Owen Conway

Installation view with Brice Marden, Untitled (2021–23) Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Owen Conway

Installation view with Brice Marden, Untitled (2021–23)

Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Owen Conway

Installation view Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view

Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view with Brice Marden, Untitled (2023) Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view with Brice Marden, Untitled (2023)

Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view

Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view

Artwork © 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Works Exhibited

Brice Marden, Blue Painting, 2022–23 Oil on linen, 72 × 96 inches (182.9 × 243.8 cm)© 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Brice Marden, Blue Painting, 2022–23

Oil on linen, 72 × 96 inches (182.9 × 243.8 cm)
© 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Brice Marden, Lingerie, 2022–23 Oil on linen, 72 × 96 inches (182.9 × 243.8 cm)© 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Brice Marden, Lingerie, 2022–23

Oil on linen, 72 × 96 inches (182.9 × 243.8 cm)
© 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Brice Marden, Untitled, 2021–23 Kremer ink and graphite on Rives BFK paper, 22 × 33 inches (55.9 × 83.8 cm)© 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Brice Marden, Untitled, 2021–23

Kremer ink and graphite on Rives BFK paper, 22 × 33 inches (55.9 × 83.8 cm)
© 2023 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Rob McKeever

About

One of the things about art is that it is full of contradictions. The only rule is there are no rules. But everybody works by rules. You set up your own rules.
—Brice Marden

Gagosian is pleased to announce Let the painting make you, an exhibition of new paintings and drawings by Brice Marden (1938–2023) opening on November 2 at 980 Madison Avenue in New York.

The exhibition features a group of large paintings that Marden made in his studio in Tivoli, New York, in 2023, along with sixteen recent drawings that he made on the Caribbean island of Nevis and in Marrakech, Morocco. The paintings are characterized by weblike linear networks that cover variously colored grounds, and the group has a raw, spontaneous look, showing Marden drawing on intuition honed over a lifetime. These final works convey his idea of letting the paintings “make” us.

Marden was inspired by a broad range of art historical sources and spiritual traditions, and by experience gleaned through extensive travel. Allied with references to the natural world, these resources inspired an open-ended approach to painting through which he transformed earthly material into transcendent compositions of shape, color, and texture.

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Press

Gagosian
press@gagosian.com

Hallie Freer
hfreer@gagosian.com
+1 212 744 2313

Polskin Arts
Meagan Jones
meagan.jones@finnpartners.com
+1 212 593 6485

Brice Marden

Brice Marden

Larry Gagosian celebrates the unmatched life and legacy of Brice Marden.

Jasper Johns, Untitled, 2011, acrylic over intaglio on paper mounted on Fred Siegenthaler “confetti” paper, 11 ¾ × 7 ¾ inches (29.8 × 19.7 cm)

The Generative Surface

Eileen Costello explores the oft-overlooked importance of paper choice to the mediums of drawing and printmaking, from the Renaissance through the present day.

Brice Marden: Sketchbook (Gagosian, 2019); Lee Lozano: Notebooks 1967–70 (Primary Information, 2010); Stanley Whitney: Sketchbook (Lisson Gallery, 2018); Kara Walker: MCMXCIX (ROMA, 2017); Louis Fratino,Sept ’18–Jan. ’19 (Sikkema Jenkins & Co., 2019); Jean-Michel Basquiat: The Notebooks (Princeton University Press, 2015); Keith Haring Journals (Penguin Classics Deluxe Edition, 2010).

Book Corner
Private Pages Made Public

Megan N. Liberty explores artists’ engagement with notebooks and diaries, thinking through the various meanings that arise when these private ledgers become public.

River Café menu with illustration by Ed Ruscha.

The River Café Cookbook

London’s River Café, a culinary mecca perched on a bend in the River Thames, celebrated its thirtieth anniversary in 2018. To celebrate this milestone and the publication of her cookbook River Café London, cofounder Ruth Rogers sat down with Derek Blasberg to discuss the famed restaurant’s allure.

Glenstone Museum.

Intimate Grandeur: Glenstone Museum

Paul Goldberger tracks the evolution of Mitchell and Emily Rales’s Glenstone Museum in Potomac, Maryland. Set amid 230 acres of pristine landscape and housing a world-class collection of modern and contemporary art, this graceful complex of pavilions, designed by architects Thomas Phifer and Partners, opened to the public in the fall of 2018.

Brice Marden: Four Quartets

Brice Marden: Four Quartets

Four paintings by Brice Marden have been incorporated into a new dance commission based on T. S. Eliot’s Four Quartets, with choreography by Pam Tanowitz, and music by Kaija Saariaho. The performance will premiere on July 6, 2018 at the Richard B. Fisher Center for the Performing Arts at Bard as part of the SummerScape Festival. Gideon Lester, the Fisher Center’s artistic director for theater and dance, spoke with Marden about the canvases that form the set design.