"Edmund de Waal / Giorgio Morandi," installation view at Artipelag, Gustavsberg, Sweden, 2017. Artwork © Edmund de Waal. Photo by Jean Baptiste Berange.
Edmund de Waal Bibliography (Selected) (39 Kb)
Edmund de Waal's art and literature speak to his enduring fascination with the nature of objects, and the narratives of their collection and display. A potter since childhood and an acclaimed writer, his obsession with porcelain or “white gold” has led to encounters with many people and places that help deepen his understanding of the nature of the material. De Waal is best known for his large scale installations of porcelain vessels, which have been exhibited in many museums around the world. Much of his recent work has been concerned with ideas of collecting and collections, and how objects are kept together, lost, stolen and dispersed. His work comes out of a dialogue between minimalism, architecture and sound, and is informed by his passion for literature.
Edmund de Waal was born in 1964 in Nottingham, England. He received his B.A. Honors in English Literature in 1983 from the University of Cambridge, England, and his postgraduate diploma in Japanese Language in 1992 from the University of Sheffield, England. De Waal completed his Senior Research Fellow in Ceramics in 2002 from the University of Westminster, London. Recent solo museum exhibitions include “Ceramic Rooms,” Geffrye Museum, London (2001); New Art Centre, Roche Court, England (2004); “Arcanum,” National Museum Cardiff, Wales (2005); “Vessel, perhaps,” Millgate Museum, England (2006); Kettle’s Yard, University of Cambridge, and Middlesbrough Institute of Modern Art, England (2007); “Signs & Wonders,” Victoria & Albert Museum, London (2009); “Night Work,” Gallery at Roche Court, New Art Centre, England (2010); Waddesdon Manor, Buckinghamshire, England (2012); “On White: Porcelain Stories from the Fitzwilliam,” Fitzwilliam Museum, University of Cambridge, England (2013); “Another Hour,” Southwark Cathedral, London (2014); “Atmosphere,” Turner Contemporary, England (2014); “Lichtzwang,” Theseus Temple, Kunsthistorisches Museum, Vienna (2014); “The lost and the found: work from Orkney,” New Art Centre, England (2015); and “white: a project by Edmund de Waal,” Royal Academy of Arts, London. De Waal’s most recent solo gallery exhibitions include “Edmund de Waal: ten thousand things,” Gagosian Gallery, Beverly Hills (2016); and “Irrkunst,” Max Hetzler Gallery, Berlin (2016). His work has been shown and collected by museums throughout the world, including Los Angeles County Museum of Art, California; Museum of Arts and Design, New York; Museum of Fine Arts, Houston; Museum für Angewandte Kunst, Frankfurt; National Museum of Scotland, Edinburgh; and Victoria & Albert Museum, London. In 2016, De Waal curated “During the Night” at Kunsthistorisches Museum in Vienna.
His acclaimed memoir The Hare with Amber Eyes was the winner of the Costa Biography Award and the RSL Ondaatje prize. In 2015, de Waal was awarded a prestigious Windham-Campbell prize for non-fiction by Yale University. His latest book The White Road: Journey into an Obsession was published in November of 2015.
De Waal currently lives and works in London.