Installation
Franz West
November 16, 2023–March 15, 2024
Gagosian Shop, London
A selection of paper-based works and furniture by Franz West is on view at the Gagosian Shop in London’s historic Burlington Arcade. Installed throughout both floors of the space, the exhibited works are imbued with the Austrian artist’s riotous fusion of sincerity and absurdity. West’s series of drawings, posters, and collages, conjured from photographs, tawdry advertisements, and soft porn, possess the same raucous aesthetic and wit as his plaster and papier-mâché sculptures and his elegant pieces of functional furniture, which further expand the relationship between art and audience.
#FranzWest
Franz West installation at Gagosian Shop, London, November 16, 2023–March 15, 2024. Artwork © Archiv Franz West, © Estate Franz West. Photo: Prudence Cuming Associates Ltd
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Installation
Franz West
Green Fortune
In conjunction with Frieze Los Angeles, Franz West’s sculpture Green Fortune (2008) has been installed on the roof of Gagosian, Beverly Hills.
West’s interactive and highly endearing outdoor sculptures, which he began making in the 2000s, transform public spaces into sociable aesthetic environments, challenging the boundaries between art and life. Countering both the streamlined forms of industrialized objects and the bombastic nature of much public sculpture, these amorphous works often recall childlike drawings or twisted intestines with their contorted spirals and curves. Their monochrome surfaces are painted in lurid, unnatural colors like bubblegum pink and lemon drop yellow—shades the artist claims were inspired by children’s pajamas, public bathrooms, and other unexpected sources. From February 15 through 18, viewers are invited to sit on Green Fortune during gallery hours.
Franz West, Green Fortune, 2008 © Archiv Franz West and © Estate Franz West. Photo: Jeff McLane
Performance
Mike Kelley and Franz West
To Be Read Aloud (À haute voix)
October 13, October 20, and November 21, 2018, 9pm
Centre Pompidou, Paris
www.centrepompidou.fr
To Be Read Aloud (À haute voix) (1999) is an experimental theater piece by artists Mike Kelley and Franz West. On the occasion of West’s retrospective at Centre Pompidou, director Fanny de Chaillé presents a reenactment of this work—a dialogue in which the artists reflect on the development of their practices within the avant-garde scenes of Los Angeles and Vienna since the 1970s—within West’s installation Auditorium (1992). The event is free with museum admission.
Mike Kelley and Franz West’s poster design for performance of To Be Read Aloud (À haute voix) (1999). Artwork © Mike Kelley Foundation for the Arts. All rights reserved/Licensed by VAGA at Artists Rights Society (ARS), New York; and © Archiv Franz West
In Conversation
Oscar Murillo and Ben Luke
On Franz West
Tuesday, October 10, 2023, 6pm
Gagosian, Grosvenor Hill, London
Join Gagosian for a conversation between Oscar Murillo and arts writer, critic, and broadcaster Ben Luke in conjunction with Franz West: Papier, the gallery’s presentation of paper-based works by Franz West (1947–2012) at Frieze Masters 2023. The pair will discuss Murillo’s collaboration in selecting the works on view, which date from the 1970s through the 2010s, as well as his personal experiences meeting the late artist in London in the late 2000s and the enduring impact West continues to have on artists today.
Left: Oscar Murillo. Photo: Stuart Leech, Turner Contemporary, courtesy the artist. Right: Ben Luke
Francesca Woodman
Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.
Now available
Gagosian Quarterly Spring 2024
The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).
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Sofia Coppola: Archive
MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.
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Mount Fuji in Satyajit Ray’s Woodblock Art, Part II
In the first installment of this two-part feature, published in our Winter 2023 edition, novelist and critic Amit Chaudhuri traced the global impacts of woodblock printing. Here, in the second installment, he focuses on the films of Satyajit Ray, demonstrating the enduring influence of the woodblock print on the formal composition of these works.
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Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.
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Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.
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Duane Hanson: To Shock Ourselves
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