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Screening and Talk

Nam June Paik
Moon Is the Oldest TV

Tuesday, November 14, 2023, 7pm
Academy Museum of Motion Pictures, Los Angeles
www.lacma.org

Join the Los Angeles County Museum of Art (lacma) for a special presentation of Nam June Paik: Moon Is the Oldest TV. The feature-length documentary chronicles the challenging life and times of Nam June Paik (1936–2006), a pillar of the American avant-garde. Featuring readings of the artist’s writing by actor Steven Yeun, the film uses extensive archival footage and clips from Paik’s work to recount his collaborations with luminaries such as Joseph Beuys, Merce Cunningham, John Cage, and others. After the screening, Yeun, who was also an executive producer on the film, will speak with fellow producer Jennifer Stockman and lacma CEO Michael Govan.

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Nam June Paik with Wulf Herzogenrath, Kolnischen Kunstverrein, Cologne, German, 1976. Photo: courtesy Smithsonian American Art Museum

Nam June Paik with Wulf Herzogenrath, Kolnischen Kunstverrein, Cologne, German, 1976. Photo: courtesy Smithsonian American Art Museum

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Nam June Paik, Edited for Television, 1975 (still) © Nam June Paik Estate. Photo: courtesy Electronic Arts Intermix

Screening

Nam June Paik’s Radical Fun

Thursday, June 30, 2022, 7:30pm
Anthology Film Archives, New York
anthologyfilmarchives.org

Join us for a video program that brings together a selection of Nam June Paik’s analog video works along with Internet-era works by artists including Ilana Harris-Babou, Frank Heath, Maggie Lee, Guthrie Lonergan, LoVid, and Martine Syms. The selection is curated by Rebecca Cleman, executive director at Electronic Arts Intermix (EAI), and copresented by Anthology Film Archives, EAI, and Gagosian, on the occasion of Art in Process, a two-part survey of works by Paik at Gagosian, New York.

Since the early 1960s, Paik’s prescient thinking about how artists can exploit television and computer technology has resonated through generations, particularly with regard to his mischievous opposition to industry conformity. His strongly held belief in the radical potential of fun, and his understanding of technological innovation as nurturing artistic innovation, have remained relevant through profound changes in communication platforms. To attend the event, purchase tickets at ticketing.uswest.veezi.com.

Nam June Paik, Edited for Television, 1975 (still) © Nam June Paik Estate. Photo: courtesy Electronic Arts Intermix

Nam June Paik in Miami, c. 1990. Photo: Brian Smith

8-bridges

Nam June Paik

May 1–31, 2021

Gagosian is pleased to participate in a special presentation on 8-bridges in celebration of Asian/Pacific American Heritage Month. Three sculptures and one drawing by Nam June Paik are featured in anticipation of the artist’s major retrospective at the San Francisco Museum of Modern Art, opening May 8. In these works, Paik uses paper and TV screens interchangeably as surfaces for gestural improvisation. Dating from the last decade of the artist’s life, they embody his playful and predictive conflations of tech and mass communication with images from nature and spontaneous mark making.

Nam June Paik in Miami, c. 1990. Photo: Brian Smith

Nam June Paik, Nixon, 1965–2002 © Nam June Paik Estate

Panel Discussion

Cécile B. Evans, Haroon Mirza, and Stephen Vitiello on Nam June Paik

Tuesday, October 29, 2019, 6:30–8pm
Tate Modern, London
www.tate.org.uk

In conjunction with the exhibition Nam June Paik at Tate Modern, London, there will be a panel discussion to reflect on Paik’s continuing influence on art and culture today. Artists Cécile B. Evans, Haroon Mirza, and Stephen Vitiello will lead the discussion, and Sook-Kyung Lee, senior curator of international art at Tate, will moderate.

Nam June Paik, Nixon, 1965–2002 © Nam June Paik Estate

Detail from Roy Lichtenstein’s Bauhaus Stairway Mural (1989), on the cover of Gagosian Quarterly, Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

Jane Fonda wearing a white suit and speaking at a podium at the Art for a Safe and Healthy California benefit launch

Jane Fonda: On Art for a Safe and Healthy California

Art for a Safe and Healthy California is a benefit exhibition and auction jointly presented by Jane Fonda, Gagosian, and Christie’s to support the Campaign for a Safe and Healthy California. Here, Fonda speaks with Gagosian Quarterly’s Gillian Jakab about bridging culture and activism, the stakes and goals of the campaign, and the artworks featured in the exhibition.

A hand holds a tree branch like a gun

Maurizio Cattelan: Sunday Painter

Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.

Black and white portrait of the late artist Frank Stella

Frank Stella

In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.

Highlights: Salone del Mobile Milano 2024

Highlights: Salone del Mobile Milano 2024

This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.

portrait of Stanley Whitney

Stanley Whitney: Vibrations of the Day

Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

Richard Armstrong; color photograph

Richard Armstrong

Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.

Touch of Evil

Touch of Evil

Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.

artwork by Jim Shaw of a person holding a cat and a chicken inside a cage, with evil sea creatures surrounding them

Jim Shaw: A–Z

Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.

Oscar Murillo's painting "(untitled) scarred spirits" from 2023

Oscar Murillo: Marks and Whispers

Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.

Chris Eitel in the Kagan Design Group workshop

Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Portrait of Lauren Halsey inside her studio

Lauren Halsey: Full and Complete Freedom

Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.