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FT Weekend Festival 2023
US Edition

Saturday, May 20, 2023, 10am–6pm
Kennedy Center, Washington, DC
usftweekendfestival.live.ft.com

Gagosian is partnering with the Financial Times to host the Literature & Arts Stage at this one-day event where leading experts discuss the arts, music, literature, food, business, and technology. Recent Gagosian Quarterly films and Gagosian Sessions performances will be screened on the stage between panel discussions throughout the day and the latest issues of Gagosian Quarterly magazine—featuring cover artwork by Richard Avedon (Summer 2023) and Roe Ethridge (Spring 2023)—will be available for visitors to take home.

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Gagosian Quarterly, Summer 2023. Artwork © The Richard Avedon Foundation

Gagosian Quarterly, Summer 2023. Artwork © The Richard Avedon Foundation

Related News

Left: Glenn Brown. Right: Jan Dalley

In Conversation

FT Weekend Festival 2023
Glenn Brown and Jan Dalley

Saturday, September 2, 2023, 2–2:45pm
Kenwood House, London
ukftweekendfestival.live.ft.com

As part of this year’s FT Weekend Festival in London, Glenn Brown will be in conversation with Financial Times arts editor Jan Dalley on the Arts Stage to discuss his recent paintings and layered portraits, as well as the opening of the Brown Collection last year, which is home to his art collection and archive as well as four floors of exhibition space. After the talk, Brown will sign copies of his new book, We’ll Keep On Dancing Till We Pay the Rent, in the Gagosian tent. The exhibition catalogue and other new Gagosian titles will be available for purchase with a 25% discount, and a selection of historical gallery publications will be offered for £10 each in conjunction with the Six Hundred Books display at the Gagosian Shop in Burlington Arcade.

Gagosian is partnering with the Financial Times to host the Arts Stage at the one-day festival where leading experts discuss the arts, music, literature, food, business, and technology, with recent Gagosian Quarterly films screened between sessions on the stage throughout the day.

Left: Glenn Brown. Right: Jan Dalley

Installation view, Oscar Murillo: Marks and Whispers, Gagosian, Rome, April 12–June 15, 2024. Artwork © Oscar Murillo. Photo: Matteo D’Eletto, M3 Studio

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Contemporanea 2024
Rome Gallery Weekend

May 10–12, 2024
Various locations in Rome
contemporanearoma.com

Gagosian is participating in the second annual Contemporanea—Rome Gallery Weekend with Oscar Murillo: Marks and WhispersThe exhibition, on view at Gagosian, Rome, will be open from 10:30am to 8pm on Friday, May 10, and Saturday, May 11, and from 12 to 6pm on Sunday, May 12. Organized by contemporary art galleries active in and around Rome, the initiative includes more than fifty of the city’s leading galleries, museums, foundations, and art spaces.

Installation view, Oscar Murillo: Marks and Whispers, Gagosian, Rome, April 12–June 15, 2024. Artwork © Oscar Murillo. Photo: Matteo D’Eletto, M3 Studio

Anselm Kiefer, Katzensilber (White Mica), 1994–2012 © Anselm Kiefer. Photo: Charles Duprat

In Conversation

Joshua Chuang and Sébastien Delot
On Anselm Kiefer’s Photography

Monday, May 13, 2024, 6:30pm
Gagosian, 976 Madison Avenue, New York

Join Gagosian for a conversation between Joshua Chuang and Sébastien Delot on Anselm Kiefer’s photography practice inside the exhibition Anselm Kiefer: Punctum at Gagosian, New York. Chuang is director of photography at the gallery and Delot is director of conservation and collections at the Musée Picasso, Paris, and in 2023 organized the first retrospective to focus on Kiefer’s use of photography. The pair will discuss the artist’s exploration of the medium’s materials, processes, and expressive potentials and how these inform his paintings and artist’s books. Returning to perennial motifs and images, the photographs in the exhibition reinforce the continuity of themes such as ruin and destruction, and growth and renewal, across Kiefer’s oeuvre.

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Anselm Kiefer, Katzensilber (White Mica), 1994–2012 © Anselm Kiefer. Photo: Charles Duprat

Detail from Roy Lichtenstein’s Bauhaus Stairway Mural (1989), on the cover of Gagosian Quarterly, Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

A hand holds a tree branch like a gun

Maurizio Cattelan: Sunday Painter

Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.

Black and white portrait of the late artist Frank Stella

Frank Stella

In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.

Highlights: Salone del Mobile Milano 2024

Highlights: Salone del Mobile Milano 2024

This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.

portrait of Stanley Whitney

Stanley Whitney: Vibrations of the Day

Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

Richard Armstrong; color photograph

Richard Armstrong

Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.

Touch of Evil

Touch of Evil

Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.

artwork by Jim Shaw of a person holding a cat and a chicken inside a cage, with evil sea creatures surrounding them

Jim Shaw: A–Z

Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.

Oscar Murillo's painting "(untitled) scarred spirits" from 2023

Oscar Murillo: Marks and Whispers

Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.

Chris Eitel in the Kagan Design Group workshop

Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Portrait of Lauren Halsey inside her studio

Lauren Halsey: Full and Complete Freedom

Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.

black and white portrait of Candy Darling

Candy Darling

Published in March, Cynthia Carr’s latest biography recounts the life and work of the Warhol superstar and transgender trailblazer Candy Darling. Combining scholarship, compassion, and a rich understanding of the world Darling inhabited, Carr’s follow-up to her biography of the artist David Wojnarowicz elucidates the incredible struggles that Darling faced in the course of her determined journey toward a more glamorous, more honest, and more tender world. Here, Carr tells Josh Zajdman about the origins of the book, her process, and what she hopes readers glean from the story.