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Commission

Rachel Feinstein
Marriage Ring

The Jewish Museum, New York, has commissioned Rachel Feinstein to create a new piece of Judaica for their collection. Inspired by two historical forms—medieval-style architectural Jewish marriage rings and tower-shaped ceremonial spice containers, both represented in the museum’s collection—Feinstein, in collaboration with Ippolita, created Marriage Ring (2023). This fantastical ring, rendered in sterling silver dipped in 18-karat gold, stands almost a foot tall, and takes the shape of a highly ornate castle.

Rachel Feinstein, Marriage Ring, 2023 © Rachel Feinstein

Rachel Feinstein, Marriage Ring, 2023 © Rachel Feinstein

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Rendering of Rachel Feinstein’s 17-foot sculpture Castle on the Rock for the High Line Plinth. Artwork © Rachel Feinstein

Honor

Rachel Feinstein
High Line Plinth

In 2023, Rachel Feinstein was invited to submit a proposal for the fifth and sixth High Line Plinth commissions, to be installed in 2026 and 2027 in New York. She was nominated alongside forty-eight other artists by an international advisory committee of artists, curators, and arts professionals convened by High Line Art. In March 2024, Feinstein’s Castle on the Rock proposal was one of twelve shortlisted by the committee. Maquettes of the shortlisted proposals are on view in the Coach Passage on the High Line at 30th Street from March 19 through June 2024, and the public is encouraged to share their feedback on the High Line website, which will be considered by the curatorial team during the selection process.

Rendering of Rachel Feinstein’s 17-foot sculpture Castle on the Rock for the High Line Plinth. Artwork © Rachel Feinstein

Still from “Rachel Feinstein in conversation with Yvonne Owens”

Video

Rachel Feinstein
Yvonne Owens

In this video Rachel Feinstein and Yvonne Owens, professor of art history and critical studies at the Victoria College of Art, Canada, discuss Feinstein’s practice as well as the artist’s new book Rachel Feinstein: Mirror, which documents the eponymous 2022 exhibition at Gagosian, Davies Street, London, and features an essay by Owens. Comprising paintings on mirror and a large stained-wood sculpture titled Metal Storm (2021), the exhibition was animated by Feinstein’s fascination with the human figure and historical and cultural narratives.

Still from “Rachel Feinstein in conversation with Yvonne Owens”

Rachel Feinstein signing copies of her book Mirror at the Gagosian Shop, New York, 2023. Photo: Mauricio Zelaya

Book Signing and Launch

Rachel Feinstein

Tuesday, May 23, 2023, 6pm
Gagosian Shop, New York

To celebrate the publication of her new book, Mirror, Rachel Feinstein will sign copies at the Gagosian Shop in New York. With intimate dimensions recalling a devotional volume, the catalogue, published by Gagosian, features paintings in oil, acrylic urethane, and charcoal on mirror that reference carved wood sculptures and altarpieces by sixteenth-century German artists Tilman Riemenschneider and Gregor Erhart, as well as a wood sculpture interpreting a drawing by Hans Baldung Grien. During the event, Feinstein will present her new line of rings—produced in collaboration with Ippolita—inspired by Marriage Ring, a fantastical piece of oversize jewelry in the form of a castle she designed for the Jewish Museum’s collection of Judaica. The event is free to attend. 

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Rachel Feinstein signing copies of her book Mirror at the Gagosian Shop, New York, 2023. Photo: Mauricio Zelaya

Detail from Roy Lichtenstein’s Bauhaus Stairway Mural (1989), on the cover of Gagosian Quarterly, Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

A hand holds a tree branch like a gun

Maurizio Cattelan: Sunday Painter

Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.

Black and white portrait of the late artist Frank Stella

Frank Stella

In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.

Highlights: Salone del Mobile Milano 2024

Highlights: Salone del Mobile Milano 2024

This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.

portrait of Stanley Whitney

Stanley Whitney: Vibrations of the Day

Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

Richard Armstrong; color photograph

Richard Armstrong

Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.

Touch of Evil

Touch of Evil

Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.

Chris Eitel in the Kagan Design Group workshop

Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Institutional Buzz

Institutional Buzz

On the occasion of Andrea Fraser sexhibition at the Fondazione Antonio Dalle Nogare in Bolzano, Italy, Mike Stinavage speaks with the feminist performance artist about institutions and their discontents.

Installation view, with three paintings by Simon Hantaï

Simon Hantaï: Azzurro

Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.

Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.

Various artworks by Jeff Perrone hang on a white gallery wall

Outsider Artist

David Frankel considers the life and work of Jeff Perrone, an artist who rejected every standard of success, and reflects on what defines an existence devoted to art.