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V&A Friday Late
Tyler Mitchell: Indelible Images

Friday, October 28, 2022, 6:30pm–10pm
Victoria & Albert Museum, London
www.vam.ac.uk

Tyler Mitchell guest curates the October Friday Late at the Victoria & Albert Museum, London, by transforming the museum into a space for viewers to engage with images in new and unexpected ways. The event is the latest iteration of Night at the Cinema, a twenty-four-hour online film festival initiated by Mitchell during the COVID-19 pandemic and live-streamed from his computer desktop to viewers around the world. The evening will be a celebration of Mitchell’s unique ability to bring communities together through film and visual culture. Friday Late celebrates contemporary visual culture and design, gathering audiences together with artists and designers through live performance, film, installation, debate, DJ sets, and more. The event is free and open to the public.

Tyler Mitchell’s commission for Frieze Masters 2022. Artwork © Tyler Mitchell. Photo: Lucy Dawkins

Tyler Mitchell’s commission for Frieze Masters 2022. Artwork © Tyler Mitchell. Photo: Lucy Dawkins

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Gagosian’s booth at Paris Photo 2023. Artwork, left to right: © Man Ray 2015 Trust/ADAGP, Paris 2023; ©️ Estate of Jan Groover; © Kwame Brathwaite; © Jeff Wall; © 2023 June Leaf and Robert Frank Foundation; © Tyler Mitchell. Photo: Thomas Lannes

Art Fair

Paris Photo 2023
Still Life Stilled

November 9–12, 2023, booth b10
Grand Palais Ephémère, Paris
www.parisphoto.com

Gagosian is pleased to participate in Paris Photo 2023 at the Grand Palais Éphémère. Still Life Stilled is a catalytic presentation, organized by Joshua Chuang, of historical and contemporary works that explore photography’s unique capacity to both invest inanimate tableaux with substance and find meaning in suspending the theater of life.

Gagosian’s booth at Paris Photo 2023. Artwork, left to right: © Man Ray 2015 Trust/ADAGP, Paris 2023; ©️ Estate of Jan Groover; © Kwame Brathwaite; © Jeff Wall; © 2023 June Leaf and Robert Frank Foundation; © Tyler Mitchell. Photo: Thomas Lannes

Tyler Mitchell’s commission for Frieze Masters 2022. Artwork © Tyler Mitchell. Photo: Lucy Dawkins

Art Fair

Frieze Masters 2022
Tyler Mitchell

October 12–16, 2022
Regent’s Park, London
frieze.com

Tyler Mitchell is presenting a special project at Frieze Masters 2022, marking the first time Frieze has commissioned contemporary artwork to be featured in the fair. In photographs, works on fabric and mirror, and a new installation—Altar I (2022)—Mitchell reflects on historical motifs in the context of an Edenic vision of Black beauty and desire. Mitchell’s photos, shot on location in upstate New York and in studios in New York and London, explore the relationship between young Black men and landscape. The Frieze Masters Commission is presented with additional support from Gagosian.

Tyler Mitchell’s commission for Frieze Masters 2022. Artwork © Tyler Mitchell. Photo: Lucy Dawkins

Left: Tyler Mitchell. Photo: © Tyler Mitchell. Right: Zoé Whitley. Photo: James Gifford-Mead

In Conversation

Tyler Mitchell
Zoé Whitley

Thursday, October 13, 2022, 6:30pm
Arts Club, London
www.frieze.com

Tyler Mitchell will be in conversation with Zoé Whitley, director at Chisenhale Gallery in London, as part of Frieze Masters Talks and in partnership with Gagosian. Their conversation will explore Mitchell’s new exhibition, Chrysalis, at Gagosian, Davies Street, London, and a special commission for this year’s edition of Frieze Masters that reflects on his conceptual and editorial photography practices. His work is rooted in reinterpreting the tropes employed in both the Western canon of portraiture and the contemporary fashion magazine.

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Left: Tyler Mitchell. Photo: © Tyler Mitchell. Right: Zoé Whitley. Photo: James Gifford-Mead

Detail from Roy Lichtenstein’s Bauhaus Stairway Mural (1989), on the cover of Gagosian Quarterly, Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

Jane Fonda wearing a white suit and speaking at a podium at the Art for a Safe and Healthy California benefit launch

Jane Fonda: On Art for a Safe and Healthy California

Art for a Safe and Healthy California is a benefit exhibition and auction jointly presented by Jane Fonda, Gagosian, and Christie’s to support the Campaign for a Safe and Healthy California. Here, Fonda speaks with Gagosian Quarterly’s Gillian Jakab about bridging culture and activism, the stakes and goals of the campaign, and the artworks featured in the exhibition.

A hand holds a tree branch like a gun

Maurizio Cattelan: Sunday Painter

Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.

Black and white portrait of the late artist Frank Stella

Frank Stella

In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.

Highlights: Salone del Mobile Milano 2024

Highlights: Salone del Mobile Milano 2024

This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.

portrait of Stanley Whitney

Stanley Whitney: Vibrations of the Day

Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

Richard Armstrong; color photograph

Richard Armstrong

Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.

Touch of Evil

Touch of Evil

Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.

artwork by Jim Shaw of a person holding a cat and a chicken inside a cage, with evil sea creatures surrounding them

Jim Shaw: A–Z

Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.

Oscar Murillo's painting "(untitled) scarred spirits" from 2023

Oscar Murillo: Marks and Whispers

Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.

Chris Eitel in the Kagan Design Group workshop

Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Portrait of Lauren Halsey inside her studio

Lauren Halsey: Full and Complete Freedom

Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.