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New Social Environment
CANDYLADYBLACK: Amanda Williams

Tuesday, June 28, 2022, 1pm EDT

As part of the Brooklyn Rail’s online series New Social Environment, Amanda Williams joins the journal’s contributor Zoë Hopkins and director of programs Chloe Stagaman for a conversation about the artist’s current exhibition, CANDYLADYBLACK,  at Gagosian, Park & 75, New York, as well as her practice in general. In these daily lunchtime Zoom conversations, invited artists, writers, filmmakers, and poets discuss creative life in the context of our new social reality with Brooklyn Rail staff. The talk will conclude with a poetry reading by Nikki Wallschlaeger. To join the online event, register at brooklynrail.org.

Installation view, Amanda Williams: CANDYLADYBLACK, Gagosian, Park & 75, New York, June 10–July 8, 2022. Artwork © Amanda Williams. Photo: Tom Powel Imaging

Installation view, Amanda Williams: CANDYLADYBLACK, Gagosian, Park & 75, New York, June 10–July 8, 2022. Artwork © Amanda Williams. Photo: Tom Powel Imaging

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Installation view, Rachel Feinstein in Florence, Museo Marino Marini, Florence, Italy, June 9–September 18, 2023. Artwork © Rachel Feinstein. Photo: Ela Bialkowska

In Conversation

New Social Environment
Rachel Feinstein in Florence

Friday, September 8, 2023, 1pm edt

As part of the Brooklyn Rail’s online series New Social Environment, Rachel Feinstein joins the journal’s editor-at-large Andrew Woolbright for a conversation about the artist’s current exhibition, Rachel Feinstein in Florence, on view at the Museo Novecento and at three other museums in the city Museo Marino Marini, Museo Stefano Bardini, and Palazzo Medici Riccardi. In these daily lunchtime Zoom conversations, invited artists, writers, filmmakers, and poets discuss creative life in the context of our new social reality with Brooklyn Rail staff. The talk will conclude with a poetry reading by Rachel James.

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Installation view, Rachel Feinstein in Florence, Museo Marino Marini, Florence, Italy, June 9–September 18, 2023. Artwork © Rachel Feinstein. Photo: Ela Bialkowska

Installation view, Walter De Maria: Boxes for Meaningless Work, Menil Collection, Houston, October 29, 2022–April 23, 2023. Artwork © The Estate of Walter De Maria. Photo: Paul Hester

In Conversation

New Social Environment
“Walter De Maria: Boxes for Meaningless Work” featuring Michelle White and Amanda Gluibizzi

Friday, February 24, 2023, 1pm EDT

As part of the Brooklyn Rail’s online series New Social Environment, Michelle White, senior curator at the Menil Collection, Houston, joins Amanda Gluibizzi, an art editor at the Rail, for a conversation about the Menil’s current exhibition Walter De Maria: Boxes for Meaningless Work, on view through April 23, 2023. The talk will conclude with a poetry reading.

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Installation view, Walter De Maria: Boxes for Meaningless Work, Menil Collection, Houston, October 29, 2022–April 23, 2023. Artwork © The Estate of Walter De Maria. Photo: Paul Hester

Chris Burden, Solaris, 1980, performance at Pacific Ocean, Santa Monica, California © 2022 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

In Conversation

New Social Environment
A Conversation on Chris Burden

Tuesday, August 23, 2022, 1pm EDT

As part of the Brooklyn Rail’s online series New Social Environment, art history professor Alexander Dumbadze joins Yayoi Shionoiri, executive director of the Estate of Chris Burden, and art historian Sydney Stutterheim for a conversation about Chris Burden and the 1970s California Conceptual art scene. The talk will conclude with a poetry reading.

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Chris Burden, Solaris, 1980, performance at Pacific Ocean, Santa Monica, California © 2022 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

Detail from Roy Lichtenstein’s Bauhaus Stairway Mural (1989), on the cover of Gagosian Quarterly, Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

A hand holds a tree branch like a gun

Maurizio Cattelan: Sunday Painter

Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.

Black and white portrait of the late artist Frank Stella

Frank Stella

In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.

Highlights: Salone del Mobile Milano 2024

Highlights: Salone del Mobile Milano 2024

This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.

portrait of Stanley Whitney

Stanley Whitney: Vibrations of the Day

Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

Richard Armstrong; color photograph

Richard Armstrong

Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.

Touch of Evil

Touch of Evil

Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.

Chris Eitel in the Kagan Design Group workshop

Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Institutional Buzz

Institutional Buzz

On the occasion of Andrea Fraser sexhibition at the Fondazione Antonio Dalle Nogare in Bolzano, Italy, Mike Stinavage speaks with the feminist performance artist about institutions and their discontents.

Installation view, with three paintings by Simon Hantaï

Simon Hantaï: Azzurro

Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.

Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.

Various artworks by Jeff Perrone hang on a white gallery wall

Outsider Artist

David Frankel considers the life and work of Jeff Perrone, an artist who rejected every standard of success, and reflects on what defines an existence devoted to art.