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Commission

Richard Wright
Elizabeth Line, London

Richard Wright’s No Title (2018) has been installed on the ceiling of the Tottenham Court Road station’s eastern ticket hall as part of the Transport for London (TfL) Elizabeth Line, which opened for service on May 25, 2022. To make this work, Wright and his team painstakingly applied gold leaf to the raw concrete ceiling in an intricate geometric pattern whose reflectivity fluctuates depending on the ambient light. At seven stations on the Elizabeth Line, the Crossrail Art Programme commissioned public artworks that have been designed to interact both physically and conceptually with their sites.

Richard Wright’s No Title (2018) installed on the ceiling of the Tottenham Court Road station’s eastern ticket hall, London, 2022. Artwork © Richard Wright. Photo: GG Archard, 2022

Richard Wright’s No Title (2018) installed on the ceiling of the Tottenham Court Road station’s eastern ticket hall, London, 2022. Artwork © Richard Wright. Photo: GG Archard, 2022

Related News

Richard Wright (New York: Gagosian, 2023)

Talk and Book Signing

Richard Wright
Martin Clark

Wednesday, April 12, 2023, 7pm
Burlington Arcade, London

Join Gagosian for a conversation between Richard Wright and Martin Clark, director of Camden Art Centre, London, to coincide with the artist’s solo exhibition at Gagosian, Davies Street, London. They will discuss Wright’s latest body of work, recent commissions, and new monograph, which provides a comprehensive overview of his practice between 2010 and 2020. Published by Gagosian, the book documents projects made for well-known public spaces and private residences around the world, and includes essays by Wright, Clark, and social anthropologist Tim Ingold as well as an in-depth conversation between the artist and Will Bradley, director of Kunsthall Oslo. After the talk, Wright will sign copies of the book, which will be available for purchase.

Register

Richard Wright (New York: Gagosian, 2023)

Selfridges Oxford Street shop windows featuring work by Richard Wright, London, 2019

Visit

Douglas Gordon and Richard Wright
at Selfridges

Through March 28, 2019
Selfridges, London
www.selfridges.com

Ahead of the unveiling of London’s new Elizabeth railway line in 2020, Douglas Gordon and Richard Wright were commissioned to create artworks for the windows of Selfridges as part of the department store’s recently launched State of the Arts project.

Selfridges Oxford Street shop windows featuring work by Richard Wright, London, 2019

Gagosian’s booth at Frieze Seoul 2023. Artwork, left to right: © Jadé Fadojutimi, © Jen Guidi, © Alexandria Smith, © Mehdi Ghadyanloo, © Rick Lowe Studio, © Jonas Wood. Photo: Sebastiano Pellion di Persano

Art Fair

Frieze Seoul 2023

September 7–9, 2023, booth C14
COEX, Seoul
www.frieze.com

Gagosian is pleased to participate in Frieze Seoul 2023 with a presentation of contemporary works by gallery artists, including Derrick Adams, Georg Baselitz, Dan Colen, Edmund de Waal, Jadé Fadojutimi, Urs Fischer, Cy Gavin, Mehdi Ghadyanloo, Nan Goldin, Katharina Grosse, Jennifer Guidi, Thomas Houseago, Alex Israel, Rick Lowe, Takashi Murakami, Nam June Paik, Giuseppe Penone, Ed Ruscha, Alexandria Smith, Anna Weyant, Stanley Whitney, Jonas Wood, and Richard Wright, among others.

Coinciding with the fair is the arrival of Jiyoung Lee, who was recently appointed to lead the gallery’s operations in Korea. Lee joins Gagosian following nearly fifteen years based in Seoul working on behalf of both Korean and Western galleries. Her appointment builds on the gallery’s establishment of a business entity in Korea last year, and provides for expanded activities in the region.

Gagosian’s booth at Frieze Seoul 2023. Artwork, left to right: © Jadé Fadojutimi, © Jen Guidi, © Alexandria Smith, © Mehdi Ghadyanloo, © Rick Lowe Studio, © Jonas Wood. Photo: Sebastiano Pellion di Persano

Detail from Roy Lichtenstein’s Bauhaus Stairway Mural (1989), on the cover of Gagosian Quarterly, Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

A hand holds a tree branch like a gun

Maurizio Cattelan: Sunday Painter

Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.

Black and white portrait of the late artist Frank Stella

Frank Stella

In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.

Highlights: Salone del Mobile Milano 2024

Highlights: Salone del Mobile Milano 2024

This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.

portrait of Stanley Whitney

Stanley Whitney: Vibrations of the Day

Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

Richard Armstrong; color photograph

Richard Armstrong

Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.

Touch of Evil

Touch of Evil

Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.

artwork by Jim Shaw of a person holding a cat and a chicken inside a cage, with evil sea creatures surrounding them

Jim Shaw: A–Z

Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.

Oscar Murillo's painting "(untitled) scarred spirits" from 2023

Oscar Murillo: Marks and Whispers

Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.

Chris Eitel in the Kagan Design Group workshop

Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Portrait of Lauren Halsey inside her studio

Lauren Halsey: Full and Complete Freedom

Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.

black and white portrait of Candy Darling

Candy Darling

Published in March, Cynthia Carr’s latest biography recounts the life and work of the Warhol superstar and transgender trailblazer Candy Darling. Combining scholarship, compassion, and a rich understanding of the world Darling inhabited, Carr’s follow-up to her biography of the artist David Wojnarowicz elucidates the incredible struggles that Darling faced in the course of her determined journey toward a more glamorous, more honest, and more tender world. Here, Carr tells Josh Zajdman about the origins of the book, her process, and what she hopes readers glean from the story.