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In Conversation

The Global Rise of Indigenous Australian Art and Emily Kame Kngwarreye
Kelli Cole, Philippe Peltier, Hetti Perkins

Tuesday, March 15, 2022, 6am EdT (11am CET)

Join Gagosian for an online conversation with Philippe Peltier, former head of the Océania and Insulindia Unit at Musée du quai Branly–Jacques Chirac in Paris, and Australian Indigenous curators Kelli Cole and Hetti Perkins, in conjunction with the exhibition Emily: Desert Painter of Australia at Gagosian, Paris. The trio will discuss the introduction of Australian Indigenous artists to France in the context of the burgeoning global engagement with these artists and their ancient cultural traditions. Together they will also explore Emily Kame Kngwarreye’s legacy as one of the most celebrated Australian artists. To join, register at eventbrite.com.

Emily Kame Kngwarreye, Untitled – Alhalkere, 1994 © ADAGP, Paris, 2022

Emily Kame Kngwarreye, Untitled – Alhalkere, 1994 © ADAGP, Paris, 2022

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Gagosian’s booth at ART SG 2024. Artwork, left to right: © ADAGP, Paris, 2024, © Jonas Wood, © Rick Lowe Studio. Photo: Ringo Cheung

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January 19–21, 2024, booth BC06
Marina Bay Sands Expo and Convention Centre, Singapore
artsg.com

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Gagosian’s booth at ART SG 2024. Artwork, left to right: © ADAGP, Paris, 2024, © Jonas Wood, © Rick Lowe Studio. Photo: Ringo Cheung

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Printemps oublié

March 2–12, 2021

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Jeff Koons, Bluebird Planter, 2010–16 © Jeff Koons

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Nan Goldin

May 14–June 22, 2024
Gagosian Shop, London

Nan Goldin is taking over the Gagosian Shop in London’s Burlington Arcade, offering visitors an opportunity to explore her practice in depth. The basement floor will be transformed into a reading room of books chosen by Goldin, with publications on artists such as Louise Bourgeois, Larry Clark, Andy Warhol, and David Wojnarowicz, and fiction, essays, and memoirs by writers including Toni Morrison, Darryl Pinckney, Lucy Sante, and Sarah Schulman. A wide selection of publications on Goldin are available on the ground floor, including both new and out-of-print exhibition catalogues, monographs, and artist’s books. Also on display are in-progress layouts from Heartbeat, a forthcoming nine-volume catalogue raisonné of Goldin’s photographs published by Steidl. Over the course of the takeover, different pages from this comprehensive publication project will be displayed, revealing Goldin’s notes and markups over the course of its development.

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