Support
Damien Hirst
Fruitful and Forever Editions
Organized in collaboration with Fondazione Prada in Milan, Damien Hirst has created four new limited-edition prints to raise money for Save the Children’s campaign Riscriviamo il Futuro (Rewrite the Future). The initiative aims to support Italian children from disadvantaged backgrounds who have been affected by school closures during the covid-19 crisis. The editions, titled Fruitful and Forever, feature bright, abstract details from Hirst’s new series of Cherry Blossom paintings, and are available through September 27, 2020. To purchase the prints, visit leviathan.heni.com.
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Damien Hirst, Fruitful, 2020 © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Photo: Prudence Cuming Associates
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Exhibition
Damien Hirst
The Light That Shines
March 2–June 23, 2024
Château La Coste, Le Puy-Sainte-Réparade, France
chateau-la-coste.com
Damien Hirst takes over the entire estate at Château La Coste, filling its 500 acres and five exhibition pavilions, designed by world-renowned architects such as Oscar Niemeyer, Renzo Piano, and Richard Rogers, with sculptures and paintings from some of his most iconic series. The presentation also features work that has never been exhibited before, including The Empress Paintings, Cosmos Paintings, and sculptures from his Meteorites and Satellites series. A selection of outdoor sculptures are sited across the estate, including at Frank Gehry’s Music Pavilion and the Tadao Ando Art Centre, in addition to artwork inside the pavilions.
Installation view, Damien Hirst: The Light That Shines, Château La Coste, Le Puy-Sainte-Réparade, France, March 2–June 23, 2024. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2024. Photo: Prudence Cuming Associates Ltd
Exhibition
Damien Hirst
Where the Land Meets the Sea
July 20–August 18, 2023
Phillips, London
www.phillips.com
This exhibition features oil-on-canvas paintings from three series by Damien Hirst—Coast Paintings, Sea Paintings, and Seascapes—many of which have never before been seen publicly. The works are inspired by the artist’s pastime of walking on the beach and watching the sea, most recently in the United Kingdom during the winter, and draw influence from Abstract Expressionism, specifically Robert Motherwell’s Beside the Sea paintings from the 1960s. Where the Land Meets the Sea coincides with a drop on the HENI Primary digital platform. For more information on the works, please contact the gallery at inquire@gagosian.com.
Installation view, Damien Hirst: Where the Land Meets the Sea, Phillips, London, July 20–August 18, 2023. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS/Artimage 2023. Photo: Prudence Cuming Associates Ltd
Video
Damien Hirst
Cherry Blossoms
Filmed over the course of a year, this video, produced by the Fondation Cartier pour l’art contemporain, Paris, on the occasion of the exhibition Damien Hirst: Cherry Blossoms, offers a rare glimpse at Hirst’s creative process, providing keys to understanding his work. In the video, Hirst and art historian Tim Marlow discuss how the artist conceived and created the Cherry Blossom paintings.
Still from “Damien Hirst: Cherry Blossoms.” Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2021
Now available
Gagosian Quarterly Summer 2024
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
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Stanley Whitney: Vibrations of the Day
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Richard Armstrong
Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.
Touch of Evil
Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.
Vladimir Kagan’s First Collection: An Interview with Chris Eitel
Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.
Institutional Buzz
On the occasion of Andrea Fraser ’sexhibition at the Fondazione Antonio Dalle Nogare in Bolzano, Italy, Mike Stinavage speaks with the feminist performance artist about institutions and their discontents.
Simon Hantaï: Azzurro
Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.
Game Changer: Alexey Brodovitch
Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.
Outsider Artist
David Frankel considers the life and work of Jeff Perrone, an artist who rejected every standard of success, and reflects on what defines an existence devoted to art.