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Antwaun Sargent

Gagosian is pleased to announce a new partnership with independent critic Antwaun Sargent. Sargent will collaborate with the gallery on a number of upcoming editorial and curatorial projects, including a series of four gallery exhibitions, as well as related features for the Gagosian Quarterly magazine. He will also be contributing to Gagosian’s online initiatives; his forthcoming interview with Roe Ethridge, focusing on conceptual and aesthetic crossovers between fashion and art photography, will be published in conjunction with Ethridge’s Artist Spotlight feature.

Photo: Darius Garvin

Photo: Darius Garvin

Related News

Installation view, Social Works: Curated by Antwaun Sargent, Gagosian, 555 West 24th Street, New York, June 24–September 11, 2021. Artwork, left to right: © Zalika Azim, © Allana Clarke, © Linda Goode Bryant, © Rick Lowe Studio. Photo: Rob McKeever

In Conversation

Antwaun Sargent
Paul D. Miller

Friday, August 6, 2021, 1pm EDT

Antwaun Sargent will speak with Paul D. Miller, editor-at-large of the Brooklyn Rail, about Social Works, an exhibition curated by Sargent currently on view at Gagosian, West 24th Street, New York. Social Works considers the relationship between space—personal, public, institutional, and psychic—and Black social practice. The conversation will end with a poetry reading. To join the online event, register at brooklynrail.org.

Installation view, Social Works: Curated by Antwaun Sargent, Gagosian, 555 West 24th Street, New York, June 24–September 11, 2021. Artwork, left to right: © Zalika Azim, © Allana Clarke, © Linda Goode Bryant, © Rick Lowe Studio. Photo: Rob McKeever

Left: Antwaun Sargent. Photo: Darius Garvin. Right: Horace D. Ballard. Photo: Jessica Smolinski

In Conversation

Antwaun Sargent
Horace D. Ballard

Tuesday, April 20, 2021, 1pm EDT

Join the American Folk Art Museum for a conversation between Gagosian director Antwaun Sargent and curator and art historian Horace D. Ballard about the rich histories and contemporary practices of emerging and established self-taught Black photographers. Looking in particular at the genre of portrait photography, Sargent and Ballard will examine notions of gender, power, position, gaze, and representation, as well as questions of legacy and influence. This talk is organized in conjunction with the museum’s exhibition PHOTO | BRUT: Collection Bruno Decharme & CompagnieTo join the online event, register at eventbrite.com.

Left: Antwaun Sargent. Photo: Darius Garvin. Right: Horace D. Ballard. Photo: Jessica Smolinski

Installation view, Roe Ethridge: Happy Birthday Louise Parker, 10 Corso Como, Milan, February 21–April 5, 2024. Artwork © Roe Ethridge. Photo: Alessandro Saletta–DSL Studio

Exhibition

Roe Ethridge
Happy Birthday Louise Parker

February 21–April 5, 2024
10 Corso Como, Milan
10corsocomo.com

Specially conceived for the reimagined spaces of the gallery at 10 Corso Como, Happy Birthday Louise Parker brings together a selection of iconic photographs from the past fifteen years by Roe Ethridge, including previously unreleased works. Curated by Alessandro Rabottini, the exhibition draws its title from the alluring presence of Louise Parker, a model with whom Ethridge collaborated on several fashion editorials starting in 2010. Over the years, the two became friends and Ethridge had the opportunity to portray Parker both inside and outside the framework of the fashion industry.

Installation view, Roe Ethridge: Happy Birthday Louise Parker, 10 Corso Como, Milan, February 21–April 5, 2024. Artwork © Roe Ethridge. Photo: Alessandro Saletta–DSL Studio

Detail from Roy Lichtenstein’s Bauhaus Stairway Mural (1989), on the cover of Gagosian Quarterly, Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

A hand holds a tree branch like a gun

Maurizio Cattelan: Sunday Painter

Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.

Black and white portrait of the late artist Frank Stella

Frank Stella

In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.

Highlights: Salone del Mobile Milano 2024

Highlights: Salone del Mobile Milano 2024

This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.

portrait of Stanley Whitney

Stanley Whitney: Vibrations of the Day

Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

Richard Armstrong; color photograph

Richard Armstrong

Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.

Touch of Evil

Touch of Evil

Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.

artwork by Jim Shaw of a person holding a cat and a chicken inside a cage, with evil sea creatures surrounding them

Jim Shaw: A–Z

Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.

Oscar Murillo's painting "(untitled) scarred spirits" from 2023

Oscar Murillo: Marks and Whispers

Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.

Chris Eitel in the Kagan Design Group workshop

Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Portrait of Lauren Halsey inside her studio

Lauren Halsey: Full and Complete Freedom

Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.

black and white portrait of Candy Darling

Candy Darling

Published in March, Cynthia Carr’s latest biography recounts the life and work of the Warhol superstar and transgender trailblazer Candy Darling. Combining scholarship, compassion, and a rich understanding of the world Darling inhabited, Carr’s follow-up to her biography of the artist David Wojnarowicz elucidates the incredible struggles that Darling faced in the course of her determined journey toward a more glamorous, more honest, and more tender world. Here, Carr tells Josh Zajdman about the origins of the book, her process, and what she hopes readers glean from the story.