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Commission

Adriana Varejão
Cores Polvo

Adriana Varejão was commissioned by the community center SESC Guarulhos in Brazil to create a mural for the center’s entrance area. In the seven giant abstract color wheels that comprise Cores Polvo (2019), Varejão uses the abundant nuances of skin tone to address the complex issues of race and identity. The skin-tone shades featured in the motifs were inspired by a 1976 Brazilian government survey in which ordinary citizens were invited to describe their own skin tones in terms meant to replace the existing five previously established characterizations.

Adriana Varejão, Cores Polvo, 2019 © Adriana Varejão

Adriana Varejão, Cores Polvo, 2019 © Adriana Varejão

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Adriana Varejão, Mucura, 2023 © Adriana Varejão. Photo: Vicente de Mello

Exhibition

Adriana Varejão in
Bienal das Amazônias

August 4–November 5, 2023
Various locations in Belém, Brazil
www.bienalamazonias.com.br

The inaugural Bienal das Amazônias brings contemporary art to the unique surroundings of Belém, in the northern state of Pará in Brazil. It aims to conceive artistic, educational, and socio-environmental actions and develop Pan-Amazonian audiences. Seeking to reflect how art is made in the region without resorting to stereotypes, the biennial includes work by more than 120 artists and collectives from eight countries surrounding the Amazon. Work by Adriana Varejão is included.

Adriana Varejão, Mucura, 2023 © Adriana Varejão. Photo: Vicente de Mello

Adriana Varejão (New York: Rizzoli Electa, in association with Gagosian, 2022)

Talk and Book Signing

Adriana Varejão
Louise Neri

Thursday, November 17, 2022, 6pm
Rizzoli Bookstore, New York
www.rizzolibookstore.com

Adriana Varejão will be in conversation with Gagosian director Louise Neri to celebrate the publication of the artist’s first English-language monograph, published by Rizzoli Electa, in association with Gagosian. Edited by Neri, the fully illustrated volume explores Varejao’s diverse body of work in depth and organizes her oeuvre into several conceptual groupings: “Cartographies,” “Antropofagia,” “Mestizaje,” “Baroque,” “Sauna and Baths,” and “Azulejo.” After the talk, Varejão will sign copies of the book, which will be available to purchase at the event.

Register

Adriana Varejão (New York: Rizzoli Electa, in association with Gagosian, 2022)

Still from Bacurau (2019), directed by Kleber Mendonça Filho

Screening

Adriana Varejão Selects

October 21–30, 2022
Metrograph, New York
metrograph.com

Adriana Varejão has curated a selection of films as part of a series copresented by Gagosian and Metrograph in the theater and online. The program will feature cinema exploring themes of eroticism, excess, and science-fiction fatalism.

Varejão explains: “With these screenings, I’m taking a poetic approach, bringing together films that have opened doors in my art. . . . These aspects are present in my own art in the representations of flesh, in the imagined environments, in the historical parodies. The program also includes more recent remarkable Brazilian productions that resonate with my own thinking.”

Still from Bacurau (2019), directed by Kleber Mendonça Filho

Detail from Roy Lichtenstein’s Bauhaus Stairway Mural (1989), on the cover of Gagosian Quarterly, Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

Jane Fonda wearing a white suit and speaking at a podium at the Art for a Safe and Healthy California benefit launch

Jane Fonda: On Art for a Safe and Healthy California

Art for a Safe and Healthy California is a benefit exhibition and auction jointly presented by Jane Fonda, Gagosian, and Christie’s to support the Campaign for a Safe and Healthy California. Here, Fonda speaks with Gagosian Quarterly’s Gillian Jakab about bridging culture and activism, the stakes and goals of the campaign, and the artworks featured in the exhibition.

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Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.

Black and white portrait of the late artist Frank Stella

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In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.

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Richard Armstrong

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Oscar Murillo's painting "(untitled) scarred spirits" from 2023

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Vladimir Kagan’s First Collection: An Interview with Chris Eitel

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Lauren Halsey: Full and Complete Freedom

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