Panel Discussion
Lynda Benglis, Abraham Cruzvillegas, David Reed
Wednesday, October 10, 2018, 6pm
Museum of Modern Art, New York
www.moma.org
This conversation will explore the varied forms and paths of a life dedicated to making art. Contemporary artists will share observations, thoughts, and questions about the careers of artists featured in the exhibition The Long Run, currently on view at MoMA through November 4. David Reed will speak on Joan Mitchell. Other participants will include Lynda Benglis and Abraham Cruzvillegas. To attend the event, purchase tickets at www.moma.org.
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Joan Mitchell, No Rain, 1976, Museum of Modern Art, New York © Estate of Joan Mitchell
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In Conversation
Who Will Judge Me?
David Reed and Geoffrey Dorfman
Wednesday, November 15, 2023, 6:30pm
New York Studio School
nyss.org
Join David Reed and painter and author Geoffrey Dorfman to celebrate the release of the new edition of Milton Resnick: The New York Studio School Talks, 1968–1972. Transcribed and edited by Dorfman, the Resnick talks were first published in Out of the Picture: Milton Resnick and the New York School in 2003. This new printing includes “The Empty-Handed Painter,” an introduction by Reed, who studied at the New York Studio School and attended the talks. Reed and Dorfman will discuss the publication and their relationships with the first-generation New York School painter. The event is free to attend on a first-come, first-served basis, or online with registration.
Milton Resnick: The New York Studio School Talks, 1968–1972 (New York: Milton Resnick and Pat Passlof Foundation, 2023)
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Art Weekend Basel
David Reed: Losing and Finding
April 2–3, 2022, 11am–6pm
Basel
www.artweekendbasel.ch
Gagosian is participating in the second edition of Art Weekend Basel. Organized by Weiss + Falk Gallery and Galerie Mueller, the event brings together twelve of the city’s leading galleries, which will be open for extended hours over the weekend. The exhibition David Reed: Losing and Finding—featuring new and recent paintings by the artist—will be on view at Gagosian, Basel.
David Reed, #747, 2020–22 © 2022 David Reed/Artists Rights Society (ARS), New York. Photo: Rob McKeever
In Conversation
New Social Environment
Ode to Willem de Kooning
Saturday, March 19, 2022, 4pm EDT
As part of the Brooklyn Rail’s online series New Social Environment, John Elderfield, Joan Levy Hepburn, David Reed, Richard Shiff, Mark Stevens, Robert Storr, Charles Stuckey, Annalyn Swan, Flora Yukhnovich, and Phong H. Bui will be in conversation to celebrate the life and work of Willem de Kooning on the occasion of the twenty-fifth anniversary of his death. De Kooning Foundation executive director Amy Schichtel will introduce the discussion. To join the online event, register at brooklynrail.org.
Willem de Kooning in his studio, East Hampton, New York, 1971. Artwork © 2022 The Willem de Kooning Foundation/Artists Rights Society, New York. Photo: © 2022 The Estate of Dan Budnik. All rights reserved
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Gagosian Quarterly Summer 2024
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
Maurizio Cattelan: Sunday Painter
Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.
Frank Stella
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Stanley Whitney: Vibrations of the Day
Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.
Richard Armstrong
Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.
Touch of Evil
Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.
Jim Shaw: A–Z
Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.
Oscar Murillo: Marks and Whispers
Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.
Vladimir Kagan’s First Collection: An Interview with Chris Eitel
Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.
Lauren Halsey: Full and Complete Freedom
Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.
Candy Darling
Published in March, Cynthia Carr’s latest biography recounts the life and work of the Warhol superstar and transgender trailblazer Candy Darling. Combining scholarship, compassion, and a rich understanding of the world Darling inhabited, Carr’s follow-up to her biography of the artist David Wojnarowicz elucidates the incredible struggles that Darling faced in the course of her determined journey toward a more glamorous, more honest, and more tender world. Here, Carr tells Josh Zajdman about the origins of the book, her process, and what she hopes readers glean from the story.