Art Fair
Art Basel Unlimited 2023
Giuseppe Penone
June 12–18, 2023, Hall 1, booth U63
Messe Basel
Art Basel Unlimited 2023 features Giuseppe Penone’s Spine d’acacia—Contatto, aprile 2006 (2006), a large-scale multi-panel mixed-media painting in which the artist explores the connection between an act and its visual trace. By attaching thousands of thorns to the work’s panels in a swirling pattern, he creates the impression of a pair of lips, expressing a visceral, even sensual relationship with nature.
Launched in 2000, Unlimited is an exhibition platform for exciting large-scale projects that transcend the limits of the standard booth.
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Art Fair
Art Basel Unlimited 2023
Richard Avedon
June 12–18, 2023, Hall 1, booth U52
Messe Basel
artbasel.com
Art Basel Unlimited 2023 features ten exhibition prints from Richard Avedon’s photographic series In the American West (1979–84). To produce In the American West, Avedon spent five years traveling through twenty-one western states, photographing more than a thousand people. Using natural light and a white backdrop, he emphasized his sitters’ poses and expressions, picturing ordinary people with striking immediacy. These ten oversize prints were selected by the artist to hang in the windows of the Amon Carter Museum in Fort Worth, Texas, for the inaugural exhibition of the series in 1985.
Launched in 2000, Unlimited is an exhibition platform for exciting large-scale projects that transcend the limits of the standard booth.
Richard Avedon, Ten Exhibition Prints from In the American West, 1979–84, installation view, Art Basel Unlimited 2023 © The Richard Avedon Foundation. Photo: Sebastiano Pellion di Persano
Honor
Giuseppe Penone
Årets Konstnär 2024
Giuseppe Penone has been named 2024’s Artist of the Year by Prinsessan Estelles Kulturstiftelse (preks), a foundation established in 2019 by Sweden’s Crown Princess Victoria and Prince Daniel and named for their daughter, Princess Estelle, with the mission of promoting cultural activities in the country. Every year, the chosen artist is invited to create a monumental, site-specific work to be permanently installed within Prinsessan Estelles Skulpturpark, a sculpture park at Royal Djurgården in Stockholm. Penone’s sculpture, The Inner Flow of Life (2022), will be unveiled on May 30, 2024.
Giuseppe Penone, Project for Royal Djurgaden, 2022 © Giuseppe Penone/2024 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: © Archivio Penone
Public Installation
Giuseppe Penone
Desert X AlUla 2024
February 9–March 23, 2024
AlUla, Saudi Arabia
desertx.org
Giuseppe Penone’s sculpture La logica del vegetale – Metamorfosi (Vegetal Logic – Metamorphosis) (2024) is installed in an ancient desert canyon in the Arabian Peninsula as part of Desert X AlUla 2024. The 17-meter-tall (almost 56-foot-tall) cast bronze chestnut tree lies on its side with gnarled roots exposed, surrounded by pieces of fossilized trees, revealing the interdependence between sculpture and nature across geological time. This is the third edition of Desert X AlUla, a collaboration between Desert X and the Royal Commission for AlUla established to advance new cultural dialogue through art. Curated by Maya El Khalil and Marcello Dantas, the selection of works explores the theme “In the Presence of Absence” and asks the question “What cannot be seen?”
Giuseppe Penone, La logica del vegetale – Metamorfosi (Vegetal Logic – Metamorphosis), 2024, installation view, AlUla, Saudi Arabia © Giuseppe Penone/2024 Artists Rights Society (ARS), New York/ADAGP, Paris
Now available
Gagosian Quarterly Summer 2024
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
Maurizio Cattelan: Sunday Painter
Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.
Frank Stella
In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.
Highlights: Salone del Mobile Milano 2024
This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.
Stanley Whitney: Vibrations of the Day
Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.
Richard Armstrong
Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.
Touch of Evil
Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.
Vladimir Kagan’s First Collection: An Interview with Chris Eitel
Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.
Institutional Buzz
On the occasion of Andrea Fraser ’sexhibition at the Fondazione Antonio Dalle Nogare in Bolzano, Italy, Mike Stinavage speaks with the feminist performance artist about institutions and their discontents.
Simon Hantaï: Azzurro
Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.
Game Changer: Alexey Brodovitch
Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.
Outsider Artist
David Frankel considers the life and work of Jeff Perrone, an artist who rejected every standard of success, and reflects on what defines an existence devoted to art.