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Cast a Cold Eye

The Late Works of Andy Warhol

October 25–December 22, 2006
West 21st Street, New York

Installation view Artworks © 2006 Andy Warhol Foundation for the Visual Arts

Installation view

Artworks © 2006 Andy Warhol Foundation for the Visual Arts

Installation view Artworks © 2006 Andy Warhol Foundation for the Visual Arts

Installation view

Artworks © 2006 Andy Warhol Foundation for the Visual Arts

Installation view Artworks © 2006 Andy Warhol Foundation for the Visual Arts

Installation view

Artworks © 2006 Andy Warhol Foundation for the Visual Arts

Installation view Artworks © 2006 Andy Warhol Foundation for the Visual Arts

Installation view

Artworks © 2006 Andy Warhol Foundation for the Visual Arts

Installation view Artworks © 2006 Andy Warhol Foundation for the Visual Arts

Installation view

Artworks © 2006 Andy Warhol Foundation for the Visual Arts

Works Exhibited

Andy Warhol, Four White on White and Four Gold on White Mona Lisas, 1980 Acrylic and silkscreen on linen, 52 ¾ × 80 ⅜ inches (134 × 204.2 cm)© 2006 Andy Warhol Foundation for the Visual Arts/ARS, New York. Courtesy Bischofberger Collection, Switzerland

Andy Warhol, Four White on White and Four Gold on White Mona Lisas, 1980

Acrylic and silkscreen on linen, 52 ¾ × 80 ⅜ inches (134 × 204.2 cm)
© 2006 Andy Warhol Foundation for the Visual Arts/ARS, New York. Courtesy Bischofberger Collection, Switzerland

About

If you want to know about Andy Warhol, just look at the surface of my paintings and films and me, and there I am. There's nothing behind it.
—Andy Warhol

Gagosian is pleased to announce the exhibition Cast a Cold Eye: The Late Work of Andy Warhol. The extensive exhibition, which occupies all galleries at 555 West 24th Street, New York, as well as a new gallery at 522 West 21st Street, draws together many of Warhol’s most iconic paintings from the following series executed during the 1970s and ’80s: MaoLadies & GentlemenHammer & SickleSkullsGunsKnivesCrossesReversalsRetrospectivesShadowsRorschachCamouflageOxidationThe Last SupperSelf Portraits and more. Comprised of works from the last eighteen years of Warhol’s life, Cast a Cold Eye includes masterpieces that have been rarely or never before seen in New York, as well as important loans from the Metropolitan Museum of Art; Museum of Modern Art, New York; Andy Warhol Museum; and private collections.

In his later career, Warhol was often vilified by art critics for being little more than a society portraitist and social impresario. But, at the same time as a constant stream of commissioned portraits of the rich and famous emanated from his studio, Warhol steadily produced paintings of profound content and uncannily prophetic significance. This was Warhol the history painter, treating the bigger picture of contemporary life and its matrix of power, belief, money and mortality in his characteristically deadpan way. Cast a Cold Eye: The Late Works of Andy Warhol begins to map the conceptual breadth and gravitas of Warhol’s late, great work.

Read more

Christopher Makos, Andy Warhol at Paris Apartment Window, 1981

In Conversation
Christopher Makos and Jessica Beck

Andy Warhol’s Insiders at the Gagosian Shop in London’s historic Burlington Arcade is a group exhibition and shop takeover that feature works by Warhol and portraits of the artist by friends and collaborators including photographers Ronnie Cutrone, Michael Halsband, Christopher Makos, and Billy Name. To celebrate the occasion, Makos met with Gagosian director Jessica Beck to speak about his friendship with Warhol and the joy of the unexpected.

Jessica Beck

Andy Warhol: Silver Screen

In this video, Jessica Beck, director at Gagosian, Beverly Hills, sits down to discuss the three early paintings by Andy Warhol from 1963 featured in the exhibition Andy Warhol: Silver Screen, at Gagosian in Paris.

Alexander Calder poster for McGovern, 1972, lithograph

The Art History of Presidential Campaign Posters

Against the backdrop of the 2020 US presidential election, historian Hal Wert takes us through the artistic and political evolution of American campaign posters, from their origin in 1844 to the present. In an interview with Quarterly editor Gillian Jakab, Wert highlights an array of landmark posters and the artists who made them.

Allen Midgette in front of the Chelsea Hotel, New York, 2000. Photo: Rita Barros

I’ll Be Your Mirror: Allen Midgette

Raymond Foye speaks with the actor who impersonated Andy Warhol during the great Warhol lecture hoax in the late 1960s. The two also discuss Midgette’s earlier film career in Italy and the difficulty of performing in a Warhol film.

Andy Warhol, Self-Portrait with Skull, 1977, Polaroid Polacolor Type 108, 4 ¼ × 3 ⅜ inches (10.8 × 8.6 cm). The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc.

Andy Warhol: From the Polaroid and Back Again

Jessica Beck, the Milton Fine Curator of Art at the Andy Warhol Museum, Pittsburgh, considers the artist’s career-spanning use of Polaroid photography as part of his more expansive practice.

Andy Warhol catalogue. Philadelphia: Institute of Contemporary Art, 1965.

Book Corner
On Collecting with Norman Diekman

Rare-book expert Douglas Flamm speaks with designer Norman Diekman about his unique collection of books on art and architecture. Diekman describes his first plunge into book collecting, the history behind it, and the way his passion for collecting grew.