Closed
November 9, 2019–March 8, 2020
Shelburne Museum, Vermont
shelburnemuseum.org
Time Lapse celebrates the work of thirteen artists working today in a vast array of nineteenth-century photographic processes, from daguerreotypes to photograms. These artists depict traditionally familiar subjects such as landscapes, portraiture, and still life through a contemporary lens. Work by Sally Mann is included.
Sally Mann, Semaphore, 2003 © Sally Mann
Sally Mann, Semaphore, 2003 © Sally Mann
In conjunction with Marks and Whispers, at Gagosian, Rome, Oscar Murillo and Alessandro Rabottini sit down to discuss the artist’s paintings and works on paper in the exhibition, as well as how the show emphasizes the formal, political, and social dimensions of the color red in Murillo’s work of the last decade.
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
The Olympic and Paralympic Games arrive in Paris on July 26. Ahead of this momentous occasion, Yasmin Meichtry, the associate director at the Olympic Foundation for Culture and Heritage, Switzerland, met with Gagosian senior director Serena Cattaneo Adorno to discuss the Olympic Games’ long engagement with artists and culture, including the Olympic Museum, commissions, and the collaborative two-part exhibition, The Art of the Olympics, being staged this summer at Gagosian, Paris.
In this video, Gagosian presents a conversation between Jordan Wolfson and Johanna Burton, Maurice Marciano Director of the Museum of Contemporary Art (MOCA), Los Angeles. The pair discuss Wolfson’s animatronic work of art Body Sculpture (2023).
Michael Cary explores the history behind, and power within, Nan Goldin’s video triptych Sisters, Saints, Sibyls. The work will be on view at the former Welsh chapel at 83 Charing Cross Road, London, as part of Gagosian Open, from May 30 to June 23, 2024.
Lonnie Holley’s self-taught musical and artistic practice utilizes a strategy of salvage to recontextualize his past lives. His new album, Oh Me Oh My, is the latest rearticulation of this biography.
Ariana Reines caught a plane to Barcelona earlier this year to see A Sea of Music 1492–1880, a concert conducted by the Spanish viola da gambist Jordi Savall. Here, she meditates on the power of this musical pilgrimage and the humanity of Savall’s work in the dissemination of early music.
Multi-instrumentalist, singer, songwriter, and composer Lucinda Chua meets with writer Dhruva Balram to reflect on the response to her debut album YIAN (2023).
Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.
Art for a Safe and Healthy California is a benefit exhibition and auction jointly presented by Jane Fonda, Gagosian, and Christie’s to support the Campaign for a Safe and Healthy California. Here, Fonda speaks with Gagosian Quarterly’s Gillian Jakab about bridging culture and activism, the stakes and goals of the campaign, and the artworks featured in the exhibition.
An interview with Marcantonio Brandolini d’Adda, artist, designer, and CEO and art director of the Venice-based glassware company Laguna~B.
The mind behind some of the most legendary pop stars of the 1980s and ’90s, including Grace Jones, Pet Shop Boys, Frankie Goes to Hollywood, Yes, and the Buggles, produced one of the music industry’s most unexpected and enjoyable recent memoirs: Trevor Horn: Adventures in Modern Recording. From ABC to ZTT. Young Kim reports on the elements that make the book, and Horn’s life, such a treasure to engage with.