Closed
April 16–July 11, 2021
Dayton Art Institute, Ohio
www.daytonartinstitute.org
This exhibition, drawn from the Dayton Art Institute’s photography collection, presents a range of artworks in which artists analyze concepts of family, love, and relationships, often using family members and close friends as their muses and models. Work by Sally Mann is included.
Sally Mann, Jessie at 5, 1987, Dayton Art Institute © Sally Mann
Sally Mann, Jessie at 5, 1987, Dayton Art Institute © Sally Mann
In conjunction with Marks and Whispers, at Gagosian, Rome, Oscar Murillo and Alessandro Rabottini sit down to discuss the artist’s paintings and works on paper in the exhibition, as well as how the show emphasizes the formal, political, and social dimensions of the color red in Murillo’s work of the last decade.
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
In this video, Gagosian presents a conversation between Jordan Wolfson and Johanna Burton, Maurice Marciano Director of the Museum of Contemporary Art (MOCA), Los Angeles. The pair discuss Wolfson’s animatronic work of art Body Sculpture (2023).
Michael Cary explores the history behind, and power within, Nan Goldin’s video triptych Sisters, Saints, Sibyls. The work will be on view at the former Welsh chapel at 83 Charing Cross Road, London, as part of Gagosian Open, from May 30 to June 23, 2024.
Lonnie Holley’s self-taught musical and artistic practice utilizes a strategy of salvage to recontextualize his past lives. His new album, Oh Me Oh My, is the latest rearticulation of this biography.
Ariana Reines caught a plane to Barcelona earlier this year to see A Sea of Music 1492–1880, a concert conducted by the Spanish viola da gambist Jordi Savall. Here, she meditates on the power of this musical pilgrimage and the humanity of Savall’s work in the dissemination of early music.
Multi-instrumentalist, singer, songwriter, and composer Lucinda Chua meets with writer Dhruva Balram to reflect on the response to her debut album YIAN (2023).
Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.
Dieter Roelstraete, curator at the Neubauer Collegium for Culture and Society at the University of Chicago and coeditor of a recent monograph on Rick Lowe, writes on Lowe’s journey from painting to community-based projects and back again in this essay from the publication. At the Museo di Palazzo Grimani, Venice, during the 60th Biennale di Venezia, Lowe will exhibit new paintings that develop his recent motifs to further explore the arch in architecture.
The Olympic and Paralympic Games arrive in Paris on July 26. Ahead of this momentous occasion, Yasmin Meichtry, the associate director at the Olympic Foundation for Culture and Heritage, Switzerland, met with Gagosian senior director Serena Cattaneo Adorno to discuss the Olympic Games’ long engagement with artists and culture, including the Olympic Museum, commissions, and the collaborative two-part exhibition, The Art of the Olympics, being staged this summer at Gagosian, Paris.
Art for a Safe and Healthy California is a benefit exhibition and auction jointly presented by Jane Fonda, Gagosian, and Christie’s to support the Campaign for a Safe and Healthy California. Here, Fonda speaks with Gagosian Quarterly’s Gillian Jakab about bridging culture and activism, the stakes and goals of the campaign, and the artworks featured in the exhibition.
An interview with Marcantonio Brandolini d’Adda, artist, designer, and CEO and art director of the Venice-based glassware company Laguna~B.