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Group Show

March 21–May 4, 2013
Hong Kong

Installation view Photo: Martin Wong

Installation view

Photo: Martin Wong

Installation view Photo: Martin Wong

Installation view

Photo: Martin Wong

Installation view Photo: Martin Wong

Installation view

Photo: Martin Wong

Installation view Photo: Martin Wong

Installation view

Photo: Martin Wong

Installation view Photo: Martin Wong

Installation view

Photo: Martin Wong

Installation view Photo: Martin Wong

Installation view

Photo: Martin Wong

Works Exhibited

Richard Artschwager, Granite Chair, 2010 Laminate on wood, 32 × 29 ½ × 31 ½ inches (81.3 × 74.9 × 80 cm)

Richard Artschwager, Granite Chair, 2010

Laminate on wood, 32 × 29 ½ × 31 ½ inches (81.3 × 74.9 × 80 cm)

John Chamberlain, CONEYISLANDDORIC, 2008 Painted and chromed steel, 16 ½ × 21 × 16 inches (41.9 × 53.3 × 40.6 cm)© Fairweather & Fairweather LTD/Artists Rights Society (ARS), New York

John Chamberlain, CONEYISLANDDORIC, 2008

Painted and chromed steel, 16 ½ × 21 × 16 inches (41.9 × 53.3 × 40.6 cm)
© Fairweather & Fairweather LTD/Artists Rights Society (ARS), New York

Dan Colen, Dis is de end!, 2012 Tar and feathers on canvas, 73 × 59 inches (185.4 × 149.9 cm)© Dan Colen

Dan Colen, Dis is de end!, 2012

Tar and feathers on canvas, 73 × 59 inches (185.4 × 149.9 cm)
© Dan Colen

Piero Golia, Constellation Painting #9, 2011 Resin and debris, 60 × 48 × 3 ½ inches (152.4 × 121.9 × 8.9 cm)© Piero Golia

Piero Golia, Constellation Painting #9, 2011

Resin and debris, 60 × 48 × 3 ½ inches (152.4 × 121.9 × 8.9 cm)
© Piero Golia

Albert Oehlen, Untitled, 2012 Oil and paper on canvas, 90 ½ × 106 ¼ inches (230 × 270 cm)© Albert Oehlen

Albert Oehlen, Untitled, 2012

Oil and paper on canvas, 90 ½ × 106 ¼ inches (230 × 270 cm)
© Albert Oehlen

Steven Parrino, Touch and Go, 1989–95 Enamel on canvas, 96 × 72 inches (244 × 183 cm)

Steven Parrino, Touch and Go, 1989–95

Enamel on canvas, 96 × 72 inches (244 × 183 cm)

Richard Prince, Decoration, 2007 Inkjet and acrylic on canvas, 65 ½ × 80 inches (166.4 × 203.cm)© Richard Prince

Richard Prince, Decoration, 2007

Inkjet and acrylic on canvas, 65 ½ × 80 inches (166.4 × 203.cm)
© Richard Prince

Blair Thurman, Undertow, 2013 Acrylic on canvas on wood, 35 × 35 × 6 inches (88.9 × 88.9 × 15.2 cm)

Blair Thurman, Undertow, 2013

Acrylic on canvas on wood, 35 × 35 × 6 inches (88.9 × 88.9 × 15.2 cm)

Piotr Uklański, Untitled (Future Past), 2012 Fiber-active dye on oxidized cotton textile stretched over cotton canvas, in 2 parts, overall: 86 ¾ × 94 ⅝ inches (220.3 × 240.3 cm)© Piotr Uklański

Piotr Uklański, Untitled (Future Past), 2012

Fiber-active dye on oxidized cotton textile stretched over cotton canvas, in 2 parts, overall: 86 ¾ × 94 ⅝ inches (220.3 × 240.3 cm)
© Piotr Uklański

Christopher Makos, Andy Warhol at Paris Apartment Window, 1981

In Conversation
Christopher Makos and Jessica Beck

Andy Warhol’s Insiders at the Gagosian Shop in London’s historic Burlington Arcade is a group exhibition and shop takeover that feature works by Warhol and portraits of the artist by friends and collaborators including photographers Ronnie Cutrone, Michael Halsband, Christopher Makos, and Billy Name. To celebrate the occasion, Makos met with Gagosian director Jessica Beck to speak about his friendship with Warhol and the joy of the unexpected.

Jessica Beck

Andy Warhol: Silver Screen

In this video, Jessica Beck, director at Gagosian, Beverly Hills, sits down to discuss the three early paintings by Andy Warhol from 1963 featured in the exhibition Andy Warhol: Silver Screen, at Gagosian in Paris.

Roe Ethridge's Two Kittens with Yarn Ball (2017–22) on the cover of Gagosian Quarterly, Spring 2023

Now available
Gagosian Quarterly Spring 2023

The Spring 2023 issue of Gagosian Quarterly is now available, featuring Roe Ethridge’s Two Kittens with Yarn Ball (2017–22) on its cover.

Dan Colen, Mother (Intersection), 2021–22, oil on canvas, 59 × 151 inches (149.9 × 383.5 cm)

Dan Colen: Other Worlds Are Possible

In this interview, curator and artist K.O. Nnamdie speaks with artist Dan Colen about his recent show in New York: Lover, Lover, Lover. Colen delves into the concept of “home” as it relates to his work, specifically the Mother and Woodworker series. Thinking through the political and historical implications of “homeland” in the context of the artist’s relationship with Israel and America, the two consider the intersections between these paintings—the final group of his Disney-inspired canvases—and Colen’s work with Sky High Farm, New York.

Damien Hirst and Ashley Bickerton during an installation at Newport Street Gallery, London, c. 2017

Truth Revealed: Damien Hirst and James Fox on Ashley Bickerton

In conversation with James Fox, Damien Hirst reflects on the artwork of his longtime friend.

Sky High Farm Symposium at Judd Foundation: The Art Panel

Sky High Farm Symposium at Judd Foundation: The Art Panel

In this video, Deana Haggag, program officer, Arts and Culture at Mellon Foundation; Dan Colen, artist and founder of Sky High Farm; Linda Goode Bryant, artist and founder of Project EATS; and Diya Vij, curator at Creative Time sit down together to explore the roles of artist and audience, place and accessibility, legacy, capital influence, and individual vs. collective agency as they relate to artmaking today.