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Jorge Pardo

Bulgogi

July 16–September 11, 2010
Beverly Hills

Jorge Pardo: Bulgogi Installation view, photo by Douglas M. Parker Studio

Jorge Pardo: Bulgogi

Installation view, photo by Douglas M. Parker Studio

Jorge Pardo: Bulgogi Installation view, photo by Douglas M. Parker Studio

Jorge Pardo: Bulgogi

Installation view, photo by Douglas M. Parker Studio

Jorge Pardo: Bulgogi Installation view, photo by Douglas M. Parker Studio

Jorge Pardo: Bulgogi

Installation view, photo by Douglas M. Parker Studio

Jorge Pardo: Bulgogi Installation view, photo by Douglas M. Parker Studio

Jorge Pardo: Bulgogi

Installation view, photo by Douglas M. Parker Studio

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Works Exhibited

Jorge Pardo, Untitled (Drawing Room), 2010 (detail) HydroTech Laminate, birch plywood, Moretti, milled MDF, wool carpet, acrylic chandelier with polycarbonate, and framed inkjet prints, 9 feet 10 inches × 17 feet 8 ½ inches × 20 feet 6 ⅞ inches (3 × 5.4 × 6.3 m)© Jorge Pardo. Photo: © Douglas M. Parker Studio

Jorge Pardo, Untitled (Drawing Room), 2010 (detail)

HydroTech Laminate, birch plywood, Moretti, milled MDF, wool carpet, acrylic chandelier with polycarbonate, and framed inkjet prints, 9 feet 10 inches × 17 feet 8 ½ inches × 20 feet 6 ⅞ inches (3 × 5.4 × 6.3 m)
© Jorge Pardo. Photo: © Douglas M. Parker Studio

Jorge Pardo, Untitled (Drawing Room), 2010 (detail) HydroTech Laminate, Birch plywood, Moretti, milled MDF, wool carpet, acrylic chandelier with polycarbonate, framed inkjet photographs, 9 feet 10 inches × 17 feet 8 ½ inches × 20 feet 6 ⅞ inches (3 x 5.4 x 6.3 m)© Jorge Pardo. Photo: Douglas M. Parker Studio

Jorge Pardo, Untitled (Drawing Room), 2010 (detail)

HydroTech Laminate, Birch plywood, Moretti, milled MDF, wool carpet, acrylic chandelier with polycarbonate, framed inkjet photographs, 9 feet 10 inches × 17 feet 8 ½ inches × 20 feet 6 ⅞ inches (3 x 5.4 x 6.3 m)
© Jorge Pardo. Photo: Douglas M. Parker Studio

Jorge Pardo, Untitled (Drawing Room), 2010 (detail) HydroTech laminate, plywood, Moretti, milled MDF, wool carpet, acrylic chandelier with polycarbonate, and framed inkjet photographs, 9 feet 10 inches × 17 feet 8 ½ inches × 20 feet 6 ⅞ inches (300 × 540 × 630 cm)© Jorge Pardo. Photo: Douglas M. Parker Studio

Jorge Pardo, Untitled (Drawing Room), 2010 (detail)

HydroTech laminate, plywood, Moretti, milled MDF, wool carpet, acrylic chandelier with polycarbonate, and framed inkjet photographs, 9 feet 10 inches × 17 feet 8 ½ inches × 20 feet 6 ⅞ inches (300 × 540 × 630 cm)
© Jorge Pardo. Photo: Douglas M. Parker Studio

Jorge Pardo, Untitled (Jewelry Vitrine 2), 2010 Milled MDF, laser-cut acrylic, glass and jewelry, 2 pieces: table: 28 ½ × 27 × 27 in (72.4 × 68.6 × 68.6cm); wall vitrine: 27 × 27 × 13 in. (68.6 × 68.6 × 33cm)Photo by Douglas M. Parker Studio

Jorge Pardo, Untitled (Jewelry Vitrine 2), 2010

Milled MDF, laser-cut acrylic, glass and jewelry, 2 pieces: table: 28 ½ × 27 × 27 in (72.4 × 68.6 × 68.6cm); wall vitrine: 27 × 27 × 13 in. (68.6 × 68.6 × 33cm)
Photo by Douglas M. Parker Studio

Jorge Pardo, Untitled (Jewelry Vitrine 1), 2010 (detail) Milled MDF, laser-cut acrylic, glass and jewelry, 2 pieces: table: 28 ½ × 27 × 27 in (72.4 × 68.6 × 68.6cm); wall vitrine: 27 × 27 × 13 in. (68.6 × 68.6 × 33cm)Photo by Douglas M. Parker Studio

Jorge Pardo, Untitled (Jewelry Vitrine 1), 2010 (detail)

Milled MDF, laser-cut acrylic, glass and jewelry, 2 pieces: table: 28 ½ × 27 × 27 in (72.4 × 68.6 × 68.6cm); wall vitrine: 27 × 27 × 13 in. (68.6 × 68.6 × 33cm)
Photo by Douglas M. Parker Studio

Jorge Pardo, Untitled, 2010 Acrylic on milled MDF, laser cut acrylic, high velocity fans, 3 panels: 84 × 80 × 1 inches overall (213.4 × 203.2 × 2.5cm)Photo by Douglas M. Parker Studio

Jorge Pardo, Untitled, 2010

Acrylic on milled MDF, laser cut acrylic, high velocity fans, 3 panels: 84 × 80 × 1 inches overall (213.4 × 203.2 × 2.5cm)
Photo by Douglas M. Parker Studio

Jorge Pardo, Untitled, 2010 Acrylic on milled MDF, laser cut acrylic, high velocity fans, 3 panels: 84 × 80 × 1 inches overall (213.4 × 203.2 × 2.5cm)Photo by Douglas M. Parker Studio

Jorge Pardo, Untitled, 2010

Acrylic on milled MDF, laser cut acrylic, high velocity fans, 3 panels: 84 × 80 × 1 inches overall (213.4 × 203.2 × 2.5cm)
Photo by Douglas M. Parker Studio

Jorge Pardo, Untitled, 2010 Acrylic on milled MDF, laser cut acrylic, high velocity fans, 3 panels: 84 × 80 × 1 inches overall (213.4 × 203.2 × 2.5cm)Photo by Douglas M. Parker Studio

Jorge Pardo, Untitled, 2010

Acrylic on milled MDF, laser cut acrylic, high velocity fans, 3 panels: 84 × 80 × 1 inches overall (213.4 × 203.2 × 2.5cm)
Photo by Douglas M. Parker Studio

About

That former notion of inside and outside is completely reformulating itself. It happens in a very blunt way - you go to a gallery and then you go outside and realize that the garbage you are looking at on the ground is more interesting, or the car you're getting into. One of the reasons I became interested in the functional was precisely because of that problematic.
—Jorge Pardo

Gagosian Gallery is pleased to present "Bulgogi," a new mixed media installation by Jorge Pardo.

Pardo merges art, design, and architecture, drawing on the historical intersections of these disciplines from the Bauhaus to Robert Smithson while interrogating the conventional uses of public and private space. His diverse production range from hand-crafted furniture evoking Modernist designers such as Alvar Aalto and Charles Eames to large-scale, site-specific projects such as the house he designed in 1998 for an exhibition at the Museum of Contemporary Art, Los Angeles and subsequently moved into. In his designs for both the Mountain Bar in Los Angeles and the lobby and bookshop of the former Dia Foundation for the Arts in New York, Pardo re-imagined public spaces as vivid aesthetic environments. Although his works are not easily categorized, he considers himself to be a sculptor, transforming traditional gallery spaces into installations that often combine his own designs for rugs, lamps, and furniture with paintings to prompt a reevaluation of their respective functions and significance and thus further dissolve the boundaries between art and life.

Bulgogi is the name given to a traditional Korean dish of marinated, barbequed beef, which Pardo uses here as a metaphor for Korean immigration and cultural assimilation in Los Angeles. Transforming the gallery into a domestic environment, Pardo creates a "drawing room" using a kaleidoscopic patterned rug of his own design and wallpaper based on a photo-collage of local Korean-Americans. The wallpaper includes scrapbook images framed by graphic flower cutouts, an evolution of a previous wallpaper installation that mapped the social history of Los Angeles. A series of vibrantly colored "fan paintings" on canvas, based on computer-generated abstractions evokes the push-pull dynamic of modernist abstraction, while a newly designed jewelry cabinet filled with idiosyncratic bracelets, rings and necklaces made of plastic, wood, gold, pearls and diamonds is an adaptation of Pardo's own earlier designs in the new context of the unifying cabinet display and gallery space. This gesture is intended to parallel the assimilation and adaptation of the immigrant population over time.

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