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Glen Seator

Three

May 21–July 24, 1999
Beverly Hills

Glen Seator Fifteen Sixty One, 1999 Wood products, metals, glass, neon, laminate, sheet rock, acoustical & vinyl tiles, plastics, granite, and, stucco paint 156 × 372 × 168 inches (396.2 × 944.9 × 426.7 cm) *Exterior view, photo by Douglas M. Parker Studio

Glen Seator Fifteen Sixty One, 1999

Wood products, metals, glass, neon, laminate, sheet rock, acoustical & vinyl tiles, plastics, granite, and, stucco paint 156 × 372 × 168 inches (396.2 × 944.9 × 426.7 cm) *Exterior view, photo by Douglas M. Parker Studio

Glen Seator Fifteen Sixty One, 1999 Wood products, metals, glass, neon, laminate, sheet rock, acoustical & vinyl tiles, plastics, granite, and, stucco paint 156 × 372 × 168 inches (396.2 × 944.9 × 426.7 cm) *Interior view, photo by Douglas M. Parker Studio

Glen Seator Fifteen Sixty One, 1999

Wood products, metals, glass, neon, laminate, sheet rock, acoustical & vinyl tiles, plastics, granite, and, stucco paint 156 × 372 × 168 inches (396.2 × 944.9 × 426.7 cm) *Interior view, photo by Douglas M. Parker Studio

Glen Seator, Three Sixty with corners, 1999 (view 1) Photo based C-print on Duraflex, 40 × 1080 inches (101.6 × 2,743.2 cm), edition of 5Photo by Douglas M. Parker Studio

Glen Seator, Three Sixty with corners, 1999 (view 1)

Photo based C-print on Duraflex, 40 × 1080 inches (101.6 × 2,743.2 cm), edition of 5
Photo by Douglas M. Parker Studio

Glen Seator, Three Sixty with corners, 1999 (view 2) Photo based C-print on Duraflex, 40 × 1080 inches (101.6 × 2,743.2 cm), edition of 5Photo by Douglas M. Parker Studio

Glen Seator, Three Sixty with corners, 1999 (view 2)

Photo based C-print on Duraflex, 40 × 1080 inches (101.6 × 2,743.2 cm), edition of 5
Photo by Douglas M. Parker Studio

About

Gagosian Gallery is pleased to announce an exhibition of new sculpture and photographic work by Glen Seator.

The title "Three" refers to the three locations that are cross- referenced and displaced in this exhibition: the desert, East Los Angeles and the Gagosian Gallery in Beverly Hills.

The façade of the Richard Meier-designed building will be interrupted by Seator’s sculpture: a replicated East Los Angeles check-cashing store. The gallery’s roll-up door will hold the storefront reconstruction, thereby adding a second address to the location. Visitors will be able to enter the store’s interior from the street but unable to pass from that space into the gallery and vice versa.

In the gallery’s second exhibition space a 360° panoramic photograph is enlarged to the perimeter of the gallery walls. The continuous color photograph was shot in the desert at the edge of Los Angeles where the city seems to fade into nothingness.

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