Joe Bradley, Untitled, 2018, graphite on paper, 8 3/4 × 11 inches (22.2 × 27.9 cm) © Joe Bradley. Photo: David Lindsay
Joe Bradley Bibliography (Selected) (26 Kb)
Joe Bradley’s protean oeuvre is built on a diverse, curated visual language. Though always squarely in the realm of painting, Bradley’s series vary wildly in formal and aesthetic qualities. From the “modular” shaped canvases of pristine color fields tapped from the minimal canon, to rudimentary line drawings on found cardboard and post-its, to saturated, unprimed canvases, unceremoniously stitched together, Bradley’s evocations of exalted and disposable culture lend equivalency to the discrete elements as they champion the materials of their making.
Joe Bradley was born in 1975 in Kittery, Maine. He received his B.F.A. in 1999 from Rhode Island School of Design. Bradley’s work has been the subject of numerous solo exhibitions, including P.S.1 Contemporary Art Center, Long Island City (2006); Le Consortium, France (2014); BOZAR, Brussels (2016–17); and Albright-Knox Art Gallery, Buffalo (2017, will travel to Rose Art Museum at Brandeis University, Massachusetts). Recent group exhibitions include “Silicone Valley,” P.S.1 Contemporary Art Center, Long Island City (2007); “ab-strac-tion-al,” Museum 52, New York (2009); “New York Minute,” Museo d'Arte Contemporanea di Roma, Italy (2009); “EXPO 1: NEW YORK,” MoMA PS1, Long Island City (2013); “The Inevitable Figuration,” Centro per l’arte contemporanea Luigi Pecci, Italy (2013); “The Forever Now: Contemporary Paintings in an Atemporal World,” Museum of Modern Art, New York (2014); “New York Painting,” Kunstmuseum Bonn, Germany (2015); “Progressive Praxis,” de la Cruz Collection Contemporary Art Space, Miami (2016); and Albright-Knox Art Gallery, New York (2017, traveled to Rose Art Museum at Brandeis University, Massachusetts, through 2018).
Bradley participated in the Whitney Biennial (2008); Portugal Arte 10 (2010); Frieze London (2014); and FIAC (2014).
Bradley currently lives and works in New York.