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Andreas Gursky

March 4–May 1, 2010
Beverly Hills

Installation view Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view

Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view

Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view

Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view

Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view

Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view  Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view

Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view

Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view

Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view

Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view

Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view

Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view

Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view

Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view

Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view

Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view

Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view

Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

Installation view

Artwork © Andreas Gursky/VG Bild-Kunst, Bonn 2010. Photo: Josh White

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Installation video

Works Exhibited

Andreas Gursky, Ocean II, 2010 Chromogenic print, framed: 136 ½ × 98 inches (347 × 249 cm)© Andreas Gursky/VG Bild-Kunst, Bonn 2010

Andreas Gursky, Ocean II, 2010

Chromogenic print, framed: 136 ½ × 98 inches (347 × 249 cm)
© Andreas Gursky/VG Bild-Kunst, Bonn 2010

About

Space is very important for me but in a more abstract way. Maybe to try to understand not just that we are living in a certain building or in a certain location, but to become aware that we are living on a planet that is going at enormous speed through the universe. I read a picture not for what’s really going on there—I read it more for what is going on in our world generally.
Andreas Gursky

Gagosian is pleased to present an exhibition by Andreas Gursky to inaugurate the newly expanded Beverly Hills gallery, designed by Richard Meier & Partners.

In the two adjacent main galleries, Gursky will present a new series of large-scale works as well as a grouping of subjects that he has selected from the last twenty years, from the landscape Mülheim an der Ruhr, Anglers (1989) to the empty scene of Untitled XV (2008).

Gursky has demonstrated that a photographer can make or construct—rather than simply take—photographs about modern life and produce them on the scale of epic painting. Just as history painters of previous centuries found their subjects in the realities of everyday life, he seeks inspiration in his observations of the human species in the world, whether firsthand or via reports of global phenomena in the daily media.

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