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Summer Show

June 26–August 17, 2007
555 West 24th Street, New York

Tom Friedman, bigbluefigure, 2006 Styrofoam insulation, 42 × 168 × 55 ½ inches (106.7 × 426.7 × 141 cm)

Tom Friedman, bigbluefigure, 2006

Styrofoam insulation, 42 × 168 × 55 ½ inches (106.7 × 426.7 × 141 cm)

Damien Hirst, The Sun, The Moon and The Earth, 2007 Butterflies and household gloss paint on canvas, Triptych: 72 × 72 inches (182.9 × 182.9 cm); 72 × 72 inches (182.9 × 182.9 cm); 102 × 102 inches (259.1 × 259.1 cm)

Damien Hirst, The Sun, The Moon and The Earth, 2007

Butterflies and household gloss paint on canvas, Triptych: 72 × 72 inches (182.9 × 182.9 cm); 72 × 72 inches (182.9 × 182.9 cm); 102 × 102 inches (259.1 × 259.1 cm)

Mike Kelley, Farm Girl, 2006 Mixed media, 9 × 36 × 80 inches (22.9 × 91.4 × 203.2 cm)

Mike Kelley, Farm Girl, 2006

Mixed media, 9 × 36 × 80 inches (22.9 × 91.4 × 203.2 cm)

Jenny Saville, Suspension, 2002–03 Oil on canvas, 115 × 178 ⅜ × 3 ¼ inches (292.2 × 453.1 × 8.2 cm)

Jenny Saville, Suspension, 2002–03

Oil on canvas, 115 × 178 ⅜ × 3 ¼ inches (292.2 × 453.1 × 8.2 cm)

Alec Soth, Michele and James, 2005 Chromogenic print, 36 ¾ × 30 ⅞ inches framed (93.3 × 78.4 cm), edition of 10

Alec Soth, Michele and James, 2005

Chromogenic print, 36 ¾ × 30 ⅞ inches framed (93.3 × 78.4 cm), edition of 10

About

Gagosian is pleased to present Summer Show, a group exhibition featuring work by Tom Friedman, Douglas Gordon, Damien Hirst, Mike Kelley, Jenny Saville, Alec Soth, and Franz West, chosen for its emphasis on the physical form.

The expressionless pose of Tom Friedman’s bigbluefigure consciously recalls the conventions of classical sculpture. The exaggerated spatial proportions and almost fluid interchangeability of Styrofoam and marble mark an experimental approach to form and material that Friedman takes in many of his sculptural works.

Although sharing a similar affinity for the monumental, Jenny Saville’s paintings of grotesques exploit the organic qualities of paint that compose her semiabstract corporeal figures, in this instance a slaughtered pig. Marked by broad, messy brushstrokes, Suspension is firmly rooted in the physical world of blood and decay.

Damien Hirst’s triptych The Sun, The Moon and The Earth expands on his career-long preoccupation with life, death, and mortality. The work is part of an ongoing series of paintings in which Hirst’s use of real butterflies as a metaphor for nature and beauty symbolizes the precarious balance of life.

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Installation view with Douglas Gordon, Pretty much every film and video work from about 1992 until now... (1999–)

Douglas Gordon: To Sing

On the occasion of Douglas Gordon: All I need is a little bit of everything, an exhibition in London, curator Adam Szymczyk recounts his experiences with Gordon’s work across nearly three decades, noting the continuities and evolutions.

Oscar Murillo and Ben Luke on Franz West

In Conversation
Oscar Murillo and Ben Luke on Franz West

In conjunction with Franz West: Papier, the gallery’s presentation of paper-based works by Franz West at Frieze Masters 2023, artist Oscar Murillo and arts writer, critic, and broadcaster Ben Luke sit down to discuss Murillo’s collaboration in selecting the works on view, as well as his personal experiences meeting the late artist in London.

still from video of eyeball

Douglas Gordon: if when why what

Douglas Gordon took over the Piccadilly Lights advertising screen in London’s Piccadilly Circus, as well as a global network of screens in cities including Berlin, Melbourne, Milan, New York, and Seoul, nightly for three minutes at 20:22 (8:22pm) throughout December 2022, with his new film, if when why what (2018–22). The project was presented by the Cultural Institute of Radical Contemporary Art (CIRCA) in conjunction with the exhibition Douglas Gordon: Neon Ark at Gagosian, Davies Street, London.

Jenny Saville and Martin Gayford

In Conversation
Jenny Saville and Martin Gayford

Gagosian hosted a conversation between Jenny Saville and Martin Gayford, art critic and author, in conjunction with the exhibition Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews at Gagosian, Grosvenor Hill, London. Gayford also spoke with the artist about her works in the exhibition Jenny Saville: Latent at Gagosian, rue de Castiglione, Paris.

Image of Jenny Saville standing in front of her artworks

Jenny Saville: Latent

In this video, Jenny Saville describes the evolution of her practice inside her latest exhibition, Latent, at Gagosian, Paris. She addresses the genesis of the title and reflects on the anatomy of a painting.

Damien Hirst and Ashley Bickerton during an installation at Newport Street Gallery, London, c. 2017

Truth Revealed: Damien Hirst and James Fox on Ashley Bickerton

In conversation with James Fox, Damien Hirst reflects on the artwork of his longtime friend.