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Douglas Gordon

Self-Portraits of You + Me

July 24–September 1, 2006
980 Madison Avenue, New York

Douglas Gordon: Self-Portraits of You + Me Installation view

Douglas Gordon: Self-Portraits of You + Me

Installation view

Works Exhibited

Douglas Gordon, Self-Portrait of You + Me (James Cagney), 2006 Smoke and mirror, 30 × 27 ½ inches (76.2 × 69.9 cm)

Douglas Gordon, Self-Portrait of You + Me (James Cagney), 2006

Smoke and mirror, 30 × 27 ½ inches (76.2 × 69.9 cm)

Douglas Gordon, Self-Portrait of You + Me (Jean Simmons), 2006 Smoke and mirror, 26 × 24 ⅛ inches (66 × 61.3 cm)

Douglas Gordon, Self-Portrait of You + Me (Jean Simmons), 2006

Smoke and mirror, 26 × 24 ⅛ inches (66 × 61.3 cm)

Douglas Gordon, Self-Portrait of You + Me (Omar Sharif), 2006 Smoke and mirror, 26 × 24 ⅛ inches (66 × 61.3 cm)

Douglas Gordon, Self-Portrait of You + Me (Omar Sharif), 2006

Smoke and mirror, 26 × 24 ⅛ inches (66 × 61.3 cm)

Douglas Gordon, Self-Portrait of You + Me (Mick Jagger + Keith Richards), 2006 Smoke and mirror, 40 ½ × 36 ½ inches (102.9 × 92.7 cm)

Douglas Gordon, Self-Portrait of You + Me (Mick Jagger + Keith Richards), 2006

Smoke and mirror, 40 ½ × 36 ½ inches (102.9 × 92.7 cm)

Douglas Gordon, Self-Portrait of You + Me (Anna Massey), 2006 Smoke and mirror, 26 × 24 ⅛ inches (66 × 61.3 cm)

Douglas Gordon, Self-Portrait of You + Me (Anna Massey), 2006

Smoke and mirror, 26 × 24 ⅛ inches (66 × 61.3 cm)

Installation view with Douglas Gordon, Pretty much every film and video work from about 1992 until now... (1999–)

Douglas Gordon: To Sing

On the occasion of Douglas Gordon: All I need is a little bit of everything, an exhibition in London, curator Adam Szymczyk recounts his experiences with Gordon’s work across nearly three decades, noting the continuities and evolutions.

still from video of eyeball

Douglas Gordon: if when why what

Douglas Gordon took over the Piccadilly Lights advertising screen in London’s Piccadilly Circus, as well as a global network of screens in cities including Berlin, Melbourne, Milan, New York, and Seoul, nightly for three minutes at 20:22 (8:22pm) throughout December 2022, with his new film, if when why what (2018–22). The project was presented by the Cultural Institute of Radical Contemporary Art (CIRCA) in conjunction with the exhibition Douglas Gordon: Neon Ark at Gagosian, Davies Street, London.

Douglas Gordon

Douglas Gordon

Katrina Brown discusses the importance of Douglas Gordon’s 24 Hour Psycho (1993) and some of the films that followed, touching on threads that run throughout the artist’s career.

Gagosian Quarterly Spring 2018

Gagosian Quarterly Spring 2018

The Spring 2018 Gagosian Quarterly with a cover by Ed Ruscha is now available for order.

Douglas Gordon: I had nowhere to go

Douglas Gordon: I had nowhere to go

Featuring an extensive interview with Douglas Gordon on the process of making his 2016 film I had nowhere to go: Portrait of a displaced person, this video, produced by Berlin Art Link, includes clips of Jonas Mekas and revealing anecdotes about the creation of the film.

Douglas Gordon and Morgane Tschiember

Douglas Gordon and Morgane Tschiember

Douglas Gordon and Morgane Tschiember’s installation As close as you can for as long as it lasts, presented during Elevation 1049: Avalanche in Gstaad, Switzerland.